Jed M Thorn
Biographic Data
| ID | 1186769 |
|---|---|
| NAME | Jed M Thorn |
| GIVEN NAMES | Jed M |
| FAMILY NAME | Thorn |
| SIGNATURE | THORN J M |
| AFFILIATIONS | University of Cincinnati |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 11 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 2 |
Rethinking Choregic Iconography in Apulia
New Evidence for Apulian Red‐figure Production Centres
A total of 52 South Italian red‐figure vases were subjected to neutron activation analysis. The primary aim of the study was to determine whether all Apulian red‐figure pottery datable to the period c . 430–340 bc was produced at the Greek colony of Taras, as has been widely assumed. Three chemically distinct compositional groups were isolated and compared to archaeological reference material from Taranto. The results of this comparison suggest t…
The invention of 'Tarentine' red-figure
This deconstruction of how Apulian red-figure pottery came to be termed Tarentine has implications for archaeological methodology far beyond the Mediterranean. The author shows how the assumptions of great authorities, themselves rooted in a colonial world, led to a highly resistant model of core and periphery for pottery production that may have no basis in fact. It is a fine example of the process that has left us with so many unsuitable and im…
New Evidence for Apulian Red‐figure Production Centres
A total of 52 South Italian red‐figure vases were subjected to neutron activation analysis. The primary aim of the study was to determine whether all Apulian red‐figure pottery datable to the period c . 430–340 bc was produced at the Greek colony of Taras, as has been widely assumed. Three chemically distinct compositional groups were isolated and compared to archaeological reference material from Taranto. The results of this comparison suggest t…
The invention of 'Tarentine' red-figure
This deconstruction of how Apulian red-figure pottery came to be termed Tarentine has implications for archaeological methodology far beyond the Mediterranean. The author shows how the assumptions of great authorities, themselves rooted in a colonial world, led to a highly resistant model of core and periphery for pottery production that may have no basis in fact. It is a fine example of the process that has left us with so many unsuitable and im…
The invention of 'Tarentine' red-figure
This deconstruction of how Apulian red-figure pottery came to be termed Tarentine has implications for archaeological methodology far beyond the Mediterranean. The author shows how the assumptions of great authorities, themselves rooted in a colonial world, led to a highly resistant model of core and periphery for pottery production that may have no basis in fact. It is a fine example of the process that has left us with so many unsuitable and im…
New Evidence for Apulian Red‐figure Production Centres
A total of 52 South Italian red‐figure vases were subjected to neutron activation analysis. The primary aim of the study was to determine whether all Apulian red‐figure pottery datable to the period c . 430–340 bc was produced at the Greek colony of Taras, as has been widely assumed. Three chemically distinct compositional groups were isolated and compared to archaeological reference material from Taranto. The results of this comparison suggest t…
Rethinking Choregic Iconography in Apulia
Art (3 works) · Ancient history (2 works) · Ancient Mediterranean Archaeology and History (2 works) · Archaeology (2 works) · History (2 works) · Pottery (2 works) · Ancient and Medieval Archaeology Studies (1 work) · Building materials and conservation (1 work) · Byzantine Studies and History (1 work) · Chronology (1 work)