Carolee Schneemann
Biographic Data
| ID | 1189832 |
|---|---|
| NAME | Carolee Schneemann |
| GIVEN NAMES | Carolee |
| FAMILY NAME | Schneemann |
| SIGNATURE | SCHNEEMANN C |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 0 |
Regarding Ana Mendieta
For the symposium “Where Is Ana Mendieta,” I discussed and projected PowerPoint images, starting with my 1963 Eye Body – 36 Transformative Actions as a precedent for the explicit, artist body as both image and image-maker. This work, as well as Body Collage, Water Light/Water Needle and Meat Joy, provided a practice for Ana's intensive submersion with her body as subject. Images of our parallel affinities within natural forms and materials were s…
An evening with Fluxus women
In this roundtable discussion, hosted at New York University (19 February 2009, 7:00–8:30 p.m.) by Women & Performance: a journal of feminist theory and the Department of Performance Studies, the participants discuss how they came to and experienced the Fluxus art movement. Topics range from the availability of space in New York City during the 1960s and the formation of artistic communities, to the role of food in Fluxus art and social circles a…
Vulva's Morphia
Ages of the Avant-Garde
Bonnie Marranca, Meredith Monk, Richard Foreman, Carolee Schneemann, Maria Irene Fornes, Deborah Jowitt, Deborah Hay, Rachel Rosenthal, Jill Johnston, Kenneth Bernard, Yvonne Rainer, Jean-Claude van Itallie, Dick Higgins, Richard Kostelanetz, Judith Malina, Joyce Aaron, Herbert Blau, Anna Halprin, Barbara Hammer, Rosalyn Drexler, Rochelle Owens, Allan Kaprow, Ages of the Avant-Garde, Performing Arts Journal, Vol. 16, No. 1, Bodies of Work (Jan., …
The Blood Link
The author, a visual and performance artist, discusses one of her sculpture/video installations and the performance work on which it was based. She places the discussion in the context of her interest and research in taboo subject matter, which is also the theme of an earlier work described here
American Experimental Theatre
Sam Shepard, Stanley Kauffmann, Robert Patrick, Lawrence Kornfeld, Megan Terry, Crystal Field, Richard Kostelanetz, Carl Weber, Wynn Handman, Rochelle Owens, Carolee Schneemann, Michael Feingold, American Experimental Theatre: Then and Now, Performing Arts Journal, Vol. 2, No. 2 (Autumn, 1977), pp. 13-24
No prominent works on this page.
American Experimental Theatre
Sam Shepard, Stanley Kauffmann, Robert Patrick, Lawrence Kornfeld, Megan Terry, Crystal Field, Richard Kostelanetz, Carl Weber, Wynn Handman, Rochelle Owens, Carolee Schneemann, Michael Feingold, American Experimental Theatre: Then and Now, Performing Arts Journal, Vol. 2, No. 2 (Autumn, 1977), pp. 13-24
Ages of the Avant-Garde
Bonnie Marranca, Meredith Monk, Richard Foreman, Carolee Schneemann, Maria Irene Fornes, Deborah Jowitt, Deborah Hay, Rachel Rosenthal, Jill Johnston, Kenneth Bernard, Yvonne Rainer, Jean-Claude van Itallie, Dick Higgins, Richard Kostelanetz, Judith Malina, Joyce Aaron, Herbert Blau, Anna Halprin, Barbara Hammer, Rosalyn Drexler, Rochelle Owens, Allan Kaprow, Ages of the Avant-Garde, Performing Arts Journal, Vol. 16, No. 1, Bodies of Work (Jan., …
The Blood Link
The author, a visual and performance artist, discusses one of her sculpture/video installations and the performance work on which it was based. She places the discussion in the context of her interest and research in taboo subject matter, which is also the theme of an earlier work described here
Vulva's Morphia
An evening with Fluxus women
In this roundtable discussion, hosted at New York University (19 February 2009, 7:00–8:30 p.m.) by Women & Performance: a journal of feminist theory and the Department of Performance Studies, the participants discuss how they came to and experienced the Fluxus art movement. Topics range from the availability of space in New York City during the 1960s and the formation of artistic communities, to the role of food in Fluxus art and social circles a…
Regarding Ana Mendieta
For the symposium “Where Is Ana Mendieta,” I discussed and projected PowerPoint images, starting with my 1963 Eye Body – 36 Transformative Actions as a precedent for the explicit, artist body as both image and image-maker. This work, as well as Body Collage, Water Light/Water Needle and Meat Joy, provided a practice for Ana's intensive submersion with her body as subject. Images of our parallel affinities within natural forms and materials were s…
Art (4 works) · Art history (3 works) · Art, Politics, and Modernism (3 works) · Visual arts (3 works) · Dream (2 works) · History (2 works) · Medicine (2 works) · Neuroscience (2 works) · Theatre and Performance Studies (2 works) · Art, Technology, and Culture (1 work)