Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Vincent J Bruno

Biographic Data

ID1190245
NAMEVincent J Bruno
GIVEN NAMESVincent J
FAMILY NAMEBruno
SIGNATUREBRUNO V J
AFFILIATIONSBinghamton University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS15
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2001
H-INDEX1
  • L'Italie méridionale et les premières expériences de la peinture hellénistique

    Vincent J Bruno•ARTICLE•American Journal of Archaeology•2001

  • The Painted Metopes at Lefkadia and the Problem of Color in Doric Sculptured Metopes

    Vincent J Bruno•ARTICLE•American Journal of Archaeology•1981•Cited by: 1

    The scenes of Lapiths battling Centaurs in the metopes of the Great Tomb at Lefkadia were painted in a technique intended to simulate metopes with sculptured reliefs like those of the Parthenon. The paintings at Lefkadia are well enough preserved to provide evidence for the coloring used in ancient sculptured metopes. The palette that the ancient artist has employed in the reliefs and in the treatment of cast shadows is subtle and restrained but …

  • An ancient Roman port in the Archipelago Toscano

    Open Access•Vincent J Bruno•ARTICLE•The International Journal of…•1973

  • Antecedents of the Pompeian First Style

    Vincent J Bruno•ARTICLE•American Journal of Archaeology•1969•Cited by: 14•References: 1

  • Antecedents of the Pompeian First Style

    Vincent J Bruno•ARTICLE•American Journal of Archaeology•1969•Cited by: 14•References: 1

  • The Painted Metopes at Lefkadia and the Problem of Color in Doric Sculptured Metopes

    Vincent J Bruno•ARTICLE•American Journal of Archaeology•1981•Cited by: 1

    The scenes of Lapiths battling Centaurs in the metopes of the Great Tomb at Lefkadia were painted in a technique intended to simulate metopes with sculptured reliefs like those of the Parthenon. The paintings at Lefkadia are well enough preserved to provide evidence for the coloring used in ancient sculptured metopes. The palette that the ancient artist has employed in the reliefs and in the treatment of cast shadows is subtle and restrained but …

  • Antecedents of the Pompeian First Style

    Vincent J Bruno•ARTICLE•American Journal of Archaeology•1969•Cited by: 14•References: 1

  • An ancient Roman port in the Archipelago Toscano

    Open Access•Vincent J Bruno•ARTICLE•The International Journal of…•1973

  • The Painted Metopes at Lefkadia and the Problem of Color in Doric Sculptured Metopes

    Vincent J Bruno•ARTICLE•American Journal of Archaeology•1981•Cited by: 1

    The scenes of Lapiths battling Centaurs in the metopes of the Great Tomb at Lefkadia were painted in a technique intended to simulate metopes with sculptured reliefs like those of the Parthenon. The paintings at Lefkadia are well enough preserved to provide evidence for the coloring used in ancient sculptured metopes. The palette that the ancient artist has employed in the reliefs and in the treatment of cast shadows is subtle and restrained but …

  • L'Italie méridionale et les premières expériences de la peinture hellénistique

    Vincent J Bruno•ARTICLE•American Journal of Archaeology•2001

Ancient Mediterranean Archaeology and History (4 works) · Art (4 works) · Classical Antiquity Studies (3 works) · Archaeological Research and Protection (2 works) · Archaeology (2 works) · Art history (2 works) · Computer Science (2 works) · History (2 works) · History (2 works) · Humanities (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae