William Howland Kenney Iii

Biographic Data

ID1192839
NAMEWilliam Howland Kenney Iii
GIVEN NAMESWilliam Howland
FAMILY NAMEKenney Iii
SIGNATUREKENNEY W H
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR1989
H-INDEX0

  • Everyday Life in Early America

    William Howland Kenney Iii, William Howland Kenney et al.ARTICLEJournal of American History1989

    Everyday Life in Early America. By David Freeman Hawke. (New York: Harper & Row, 1988. xii + 195 pp. Cloth, $16.95; paper, $7.95.) William Howland Kenney, III William Howland Kenney, III Kent State University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 75, Issue 4, March 1989, Pages 1300–1301, https://doi.org/10.2307/1908662 Published: 01 March 1989

  • The Humor of H. E. Taliaferro

    William Howland Kenney Iii, William Howland Kenney et al.ARTICLEJournal of American History1988

    Journal Article The Humor of H. E. Taliaferro. Ed. by Raymond C. Craig. (Knoxville: University of Tennessee Press, 1987. xii + 257 pp. $24.95.) Get access William Howland Kenney, III William Howland Kenney, III Kent State University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 75, Issue 3, December 1988, Page 941, https://doi.org/10.2307/1901614 Published: 01 December 1988

  • Jimmie Noone

    William Howland Kenney Iii, William Howland KenneyARTICLEAmerican Music1986

    Jimmie Noone (1895-1944) has been an enigmatic figure in the early history of jazz. On the one hand his credentials are nearly unsurpassed: a clarinet student of the influential musician and teacher Lorenzo Tio, Jr., and of Sidney Bechet; a performer frequently selected for jazz work by Freddie Keppard, one of the most significant figures in New Orleans jazz before World War I; and a pioneer of New Orleans music in Chicago as early as 1917. Noone…

  • The Influence of Black Vaudeville on Early Jazz

    William Howland Kenney Iii, William Howland KenneyARTICLEThe Black Perspective in Music1986

  • Jazz and the Concert Halls

    William Howland Kenney Iii, William Howland KenneyARTICLEAmerican Music1983

    At least since Benny Goodman's 1938 Carnegie Hall concert', jazz has been performed in most of the major concert halls of America and Europe and is usually distinguished in the popular mind from pop, rock, or country musics. On the other hand, jazz is also distinguished from classical music and has never enjoyed the special governmental and philanthropic subsidies lavished on our major symphony orchestras. Neither has jazz enjoyed the commercial …

  • Southern Anglicanism

    William Howland Kenney Iii, William Howland Kenney et al.ARTICLEThe William and Mary Quarterly1983