Christopher Innes
Datos Biográficos
| ID | 1192964 |
|---|---|
| NOMBRE | Christopher Innes |
| NOMBRES | Christopher |
| APELLIDO | Innes |
| FIRMA | INNES C |
| AFILIACIONES | York University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 16 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 14 |
| TOTAL COMO EDITOR | 2 |
| PRIMER AÑO DE PUBLICACIÓN | 1973 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2016 |
| ÍNDICE H | 1 |
Modernism in European Drama
Bernard Shaw as Artist-Fabian
Charles Carpenter is well-known in academic circles for his detailed, extensive, frequently revised and useful bibliographies of modern dramatists that focus particularly on Bernard Shaw. It is the
The Cambridge Introduction to Theatre Directing
This Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors, designers, other collaborators and audiences, and treatment of dramatic material. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different r…
Cambridge Introduction to Theatre Directing
Bernard Shaw
Christopher Innes, Victorian Studies, Vol. 49, No. 2, Papers and Responses from the Fourth Annual Conference of the North American Victorian Studies Association, Held Jointly with the North American Society for the Study of Romanticism Annual Meeting (Winter, 2007), pp. 374-377
Towards a Post-millennial Mainstream? Documents of the Times
This essay considers David Hare’s Stuff Happens, Tom Stoppard’s Rock ‘n’ Roll, and Max Stafford-Clark and Robin Soans’s Talking to Terrorists as examples of a recent turn (or return) to documentary theatre in recent British drama
A Sourcebook on Naturalist Theatre
Staging Black History
(1999). STAGING BLACK HISTORY: RE-IMAGING CULTURAL. South African Theatre Journal: Vol. 13, No. 1, pp. 21-29
Modernism in European Drama: Ibsen, Strindberg, Pirandello, Beckett
This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.
Pirandellian Theatre Games
Modern British Drama
Holy Theatre
Holy Theatre, Ritual and the Avant Garde
Modern German Drama
Piscator's Rasputin
The theatrical flashpoint In the 1920's was Berlin. The aftermath of war, revolution and putsch; the increasing polarization of society; inflation and depression, which revealed the flaws in industrial capitalism; the example of Russia, which under Lenin still provided an ideal of heroic political action—all formed a creative ferment that found expression on the German stage with its traditional claim to be a “moral tribunal.” The primary challen…
Erwin Piscator's Political Theatre
Erwin Piscator's Political Theatre
Piscator's Rasputin
The theatrical flashpoint In the 1920's was Berlin. The aftermath of war, revolution and putsch; the increasing polarization of society; inflation and depression, which revealed the flaws in industrial capitalism; the example of Russia, which under Lenin still provided an ideal of heroic political action—all formed a creative ferment that found expression on the German stage with its traditional claim to be a “moral tribunal.” The primary challen…
Modern German Drama
Holy Theatre, Ritual and the Avant Garde
Holy Theatre
Modern British Drama
Modernism in European Drama: Ibsen, Strindberg, Pirandello, Beckett
This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.
Pirandellian Theatre Games
Staging Black History
(1999). STAGING BLACK HISTORY: RE-IMAGING CULTURAL. South African Theatre Journal: Vol. 13, No. 1, pp. 21-29
A Sourcebook on Naturalist Theatre
Bernard Shaw
Christopher Innes, Victorian Studies, Vol. 49, No. 2, Papers and Responses from the Fourth Annual Conference of the North American Victorian Studies Association, Held Jointly with the North American Society for the Study of Romanticism Annual Meeting (Winter, 2007), pp. 374-377
Towards a Post-millennial Mainstream? Documents of the Times
This essay considers David Hare’s Stuff Happens, Tom Stoppard’s Rock ‘n’ Roll, and Max Stafford-Clark and Robin Soans’s Talking to Terrorists as examples of a recent turn (or return) to documentary theatre in recent British drama
The Cambridge Introduction to Theatre Directing
This Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors, designers, other collaborators and audiences, and treatment of dramatic material. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different r…
Cambridge Introduction to Theatre Directing
Bernard Shaw as Artist-Fabian
Charles Carpenter is well-known in academic circles for his detailed, extensive, frequently revised and useful bibliographies of modern dramatists that focus particularly on Bernard Shaw. It is the
Modernism in European Drama
Art (12 obras) · History (9 obras) · Theatre and Performance Studies (9 obras) · Art history (6 obras) · Literature (5 obras) · Aesthetics (4 obras) · Drama (4 obras) · Philosophy (4 obras) · German (3 obras) · History (3 obras)