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Julie F Codell

Biographic Data

ID1195440
NAMEJulie F Codell
GIVEN NAMESJulie F
FAMILY NAMECodell
SIGNATURECODELL J F
AFFILIATIONSArizona State University
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS4
WORKS AS AUTHOR18
WORKS AS EDITOR2
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Victorian Artists’ Autograph Replicas

    Julie F Codell•EDITOR•BOOK•Victorian Artists' Autograph…•2020

  • Victorian Artists' Autograph Replicas

    Julie F Codell•BOOK•Victorian Artists' Autograph…•2020

  • Victorian Artists’ Autograph Replicas

    Julie F Codell, Julie Codell•CHAPTER•Victorian Artists' Autograph…•2020

    This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book argues that replicas in the Victorian art world were among the most prolific, sought-after, and vigorously consumed objects in the Victorian art world, becoming a near industry for many artists. It examines the founding collection of the Walters Art Museum in Baltimore, which contains a critical mass of replicas, to explore the r…

  • Orientalism Transposed

    Dianne Sacko Macleod, Julie F Codell et al.•EDITOR•BOOK•Orientalism transposed•2018

    Colonialism transposed the Easternization of Britain and interventions to colonial discourse, Julie F. Codell, Dianne Sachko Macleod. Part 1 Identity, agency and masquerade: resistance and performance - native informant discourse in the biographies of Maharajah Sayaji Rao III of Baroda, 1863-1939, Julie F. Codell about face - Sir David Wilkie's portraits of Mehmet Ali, Pasha of Egypt, Emily Weeks cross-culture cross-dressing - class, gender and m…

  • Excursive Discursive in Gandhi's Autobiography

    Julie F Codell, Julie Codell•CHAPTER•Life Writing and Victorian Culture•2017

    Gandhi&s;s Autobiography: The Story of My Experiments with Truth remains understudied by scholars. This chapter examines Gandhi&s;s Autobiography as an adaptation of Carlyle&s;s Sartor Resartus in Gandhi&s;s obsession with clothes as signs of change and multiple identities. It argues that Sartor Resartus offered Gandhi ideals, themes and metaphors of clothes and wanderings with which to help him fashion an Indian national self as a transnational …

  • Projected Art History

    Julie F Codell, Julie Codell•ARTICLE•Biography•2014

    Reviewed by: Projected Art History: Biopics, Celebrity Culture, and the Popularizing of American Art by Doris Berger Julie F. Codell (bio) Doris Berger. Projected Art History: Biopics, Celebrity Culture, and the Popularizing of American Art. Trans. Brigitte Pichon and Dorian Rudnytsky. London: Bloomsbury, 2014. 368pp. ISBN 978-1623560324, £75. Doris Berger’s well-researched book, published originally in German (2009), argues that popular art hist…

  • Museum Politics in Industrial Britain

    Julie F Codell, Julie Codell•ARTICLE•Journal of Victorian Culture•2013

    In this compelling book, Amy Woodson-Boulton tells several stories about cultural institutions in Victorian England's industrial cities. She maps the development of city museums in Liverpool, Birmingham and Manchester, clarifying differences and similarities in their strategies for museum creation and collection development. She weaves into these stories additional material relating to class conflicts, John Ruskin's influence and the reasons for …

  • Victorian Portraits

    Julie F Codell, Julie Codell•ARTICLE•Nineteenth Century Contexts•2012•References: 5

  • Decentring and Doubling Imperial Cosmopolitan Discourse in the British Press

    Julie F Codell, Julie Codell•ARTICLE•Media History•2009•References: 3

    Both Liberal Dadabhai Naoroji, the first Indian elected to Parliament in 1892, and Conservative M.M. Bhownaggree, elected in 1895, used the press to deconstruct Indian stereotypes and to present personae that combined Western and Indian ideas without being simply hybrids or mimic men. They intervened in Orientalist discourses and in imperial policies from opposite political positions but their interventions were outside, as well as within, party …

  • India by Design

    Julie F Codell, Julie Codell•ARTICLE•Victorian Studies•2008

  • Reversing the Grand Tour

    Julie F Codell, Julie Codell•ARTICLE•Huntington Library Quarterly•2007•Cited by: 2

    In this article, Julie F. Codell examines the rhetorical turns and themes of travel accounts written in the late nineteenth century by Indian travelers to Europe, demonstrating how their guest narratives structured comparisons between Britain and India in particular, comparisons that at once sublimated and remained invisible to imperial power relationships. The essay shows the way in which these travelers wrote back to the genre of travel account…

  • Telling Lives in India

    Julie F Codell, Julie Codell•ARTICLE•Biography•2006

    Reviewed by: Telling Lives in India: Biography, Autobiography, and Life History Julie F. Codell (bio) David Arnold and Stuart Blackburn, eds. Telling Lives in India: Biography, Autobiography, and Life History. Bloomington: Indiana UP and Permanent Black, 2004. 323 pp. + x. ISBN 0-253-21727-X, $24.95. Addressing the presumed universality of life histories, David Arnold and Stuart Blackburn's edited volume focuses on difference—differences in the g…

  • Playing Doctor

    Julie F Codell, Julie Codell•ARTICLE•Biography•2006•Cited by: 1

    Truffaut, impersonating/performing Dr. Itard, represents multiple layers of autobiographical content through allusions to film history, his life, cultural ideals, colonial upheavals, and critiques of the Enlightenment. Instead of the optimism critics have seen in this film, I suggest that it offers a criticism of colonialism and the Enlightenment through a convoluted autobiographicality that shifts its central subjectivity from Itard to Victor

  • Imperial co-histories

    Julie F Codell, Julie Codell•BOOK•Imperial co-histories•2003

    This book explores the creation of imperial identities in Britain and several of its colonies - South Africa, India, Australia, Wales - and the ways in which the Victorian press around the world shaped and reflected these identities. The concept of co-histories, borrowed from Edward Said and Frantz Fanon, helps explain how the press shaped the imperial and national identities of Britain and of the colonies into co-histories that were thoroughly i…

  • Visual Culture beyond Consumption and Finding Post-Colonial Victorians

    Julie F Codell, Julie Codell•ARTICLE•Journal of Victorian Culture•2002

  • Becoming

    Julie F Codell, Julie Codell•ARTICLE•Biography•2001

    Carol Mavor. Becoming: The Photographs of Clementina Viscountess Hawarden. Durham: Duke UP, 1999. xxxii + 213 pp. 134 illus. ISBN 0-8223-2355-9, $59.95 cloth; ISBN 0-8223-2389-3, $19.95 paper

  • Ford Madox Brown, Carlyle, Macaulay and Bakhtin

    Open Access•Julie F Codell, Julie Codell•ARTICLE•Art History•1998

    Ford Madox Brown’s Manchester Town Hall mural series was the site of late Victorian contentions about both history and history painting. A long‐standing discourse of history, represented in Manchester’s many local histories and guidebooks, debated the ‘facts’ and significance of Manchester’s history and contributions to British history. Brown’s murals participated in this debate at the very moment of the city’s new emergence as an independent mun…

  • The Dilemma of the Artist in Millais's Lorenzo and Isabella

    Open Access•Julie F Codell, Julie Codell•ARTICLE•Art History•1991

  • Giotto's Peruzzi Chapel Frescoes

    Open Access•Julie F Codell, Julie Codell•ARTICLE•Renaissance Quarterly•1988•Cited by: 1•References: 3

    Giotto's fresco cycles of the lives of St. John the Baptist and St. John the Evangelist in the Peruzzi Chapel in Santa Croce, Florence, have not enjoyed as much scholarly attention as the vast fresco cycle in the Arena Chapel. Scholars have analyzed the space depicted in the frescoes, the striking monumentality of the figures, and the depiction of architecture oblique to the picture plane; thematic content, however, has received less attention th…

  • Sir Isumbras, M.P

    Open Access•Julie F Codell, Julie Codell•ARTICLE•The Journal of Popular Culture•1988

  • Reversing the Grand Tour

    Julie F Codell, Julie Codell•ARTICLE•Huntington Library Quarterly•2007•Cited by: 2

    In this article, Julie F. Codell examines the rhetorical turns and themes of travel accounts written in the late nineteenth century by Indian travelers to Europe, demonstrating how their guest narratives structured comparisons between Britain and India in particular, comparisons that at once sublimated and remained invisible to imperial power relationships. The essay shows the way in which these travelers wrote back to the genre of travel account…

  • Playing Doctor

    Julie F Codell, Julie Codell•ARTICLE•Biography•2006•Cited by: 1

    Truffaut, impersonating/performing Dr. Itard, represents multiple layers of autobiographical content through allusions to film history, his life, cultural ideals, colonial upheavals, and critiques of the Enlightenment. Instead of the optimism critics have seen in this film, I suggest that it offers a criticism of colonialism and the Enlightenment through a convoluted autobiographicality that shifts its central subjectivity from Itard to Victor

  • Giotto's Peruzzi Chapel Frescoes

    Open Access•Julie F Codell, Julie Codell•ARTICLE•Renaissance Quarterly•1988•Cited by: 1•References: 3

    Giotto's fresco cycles of the lives of St. John the Baptist and St. John the Evangelist in the Peruzzi Chapel in Santa Croce, Florence, have not enjoyed as much scholarly attention as the vast fresco cycle in the Arena Chapel. Scholars have analyzed the space depicted in the frescoes, the striking monumentality of the figures, and the depiction of architecture oblique to the picture plane; thematic content, however, has received less attention th…

  • Giotto's Peruzzi Chapel Frescoes

    Open Access•Julie F Codell, Julie Codell•ARTICLE•Renaissance Quarterly•1988•Cited by: 1•References: 3

    Giotto's fresco cycles of the lives of St. John the Baptist and St. John the Evangelist in the Peruzzi Chapel in Santa Croce, Florence, have not enjoyed as much scholarly attention as the vast fresco cycle in the Arena Chapel. Scholars have analyzed the space depicted in the frescoes, the striking monumentality of the figures, and the depiction of architecture oblique to the picture plane; thematic content, however, has received less attention th…

  • Sir Isumbras, M.P

    Open Access•Julie F Codell, Julie Codell•ARTICLE•The Journal of Popular Culture•1988

  • The Dilemma of the Artist in Millais's Lorenzo and Isabella

    Open Access•Julie F Codell, Julie Codell•ARTICLE•Art History•1991

  • Ford Madox Brown, Carlyle, Macaulay and Bakhtin

    Open Access•Julie F Codell, Julie Codell•ARTICLE•Art History•1998

    Ford Madox Brown’s Manchester Town Hall mural series was the site of late Victorian contentions about both history and history painting. A long‐standing discourse of history, represented in Manchester’s many local histories and guidebooks, debated the ‘facts’ and significance of Manchester’s history and contributions to British history. Brown’s murals participated in this debate at the very moment of the city’s new emergence as an independent mun…

  • Becoming

    Julie F Codell, Julie Codell•ARTICLE•Biography•2001

    Carol Mavor. Becoming: The Photographs of Clementina Viscountess Hawarden. Durham: Duke UP, 1999. xxxii + 213 pp. 134 illus. ISBN 0-8223-2355-9, $59.95 cloth; ISBN 0-8223-2389-3, $19.95 paper

  • Visual Culture beyond Consumption and Finding Post-Colonial Victorians

    Julie F Codell, Julie Codell•ARTICLE•Journal of Victorian Culture•2002

  • Imperial co-histories

    Julie F Codell, Julie Codell•BOOK•Imperial co-histories•2003

    This book explores the creation of imperial identities in Britain and several of its colonies - South Africa, India, Australia, Wales - and the ways in which the Victorian press around the world shaped and reflected these identities. The concept of co-histories, borrowed from Edward Said and Frantz Fanon, helps explain how the press shaped the imperial and national identities of Britain and of the colonies into co-histories that were thoroughly i…

  • Telling Lives in India

    Julie F Codell, Julie Codell•ARTICLE•Biography•2006

    Reviewed by: Telling Lives in India: Biography, Autobiography, and Life History Julie F. Codell (bio) David Arnold and Stuart Blackburn, eds. Telling Lives in India: Biography, Autobiography, and Life History. Bloomington: Indiana UP and Permanent Black, 2004. 323 pp. + x. ISBN 0-253-21727-X, $24.95. Addressing the presumed universality of life histories, David Arnold and Stuart Blackburn's edited volume focuses on difference—differences in the g…

  • Playing Doctor

    Julie F Codell, Julie Codell•ARTICLE•Biography•2006•Cited by: 1

    Truffaut, impersonating/performing Dr. Itard, represents multiple layers of autobiographical content through allusions to film history, his life, cultural ideals, colonial upheavals, and critiques of the Enlightenment. Instead of the optimism critics have seen in this film, I suggest that it offers a criticism of colonialism and the Enlightenment through a convoluted autobiographicality that shifts its central subjectivity from Itard to Victor

  • Reversing the Grand Tour

    Julie F Codell, Julie Codell•ARTICLE•Huntington Library Quarterly•2007•Cited by: 2

    In this article, Julie F. Codell examines the rhetorical turns and themes of travel accounts written in the late nineteenth century by Indian travelers to Europe, demonstrating how their guest narratives structured comparisons between Britain and India in particular, comparisons that at once sublimated and remained invisible to imperial power relationships. The essay shows the way in which these travelers wrote back to the genre of travel account…

  • India by Design

    Julie F Codell, Julie Codell•ARTICLE•Victorian Studies•2008

  • Decentring and Doubling Imperial Cosmopolitan Discourse in the British Press

    Julie F Codell, Julie Codell•ARTICLE•Media History•2009•References: 3

    Both Liberal Dadabhai Naoroji, the first Indian elected to Parliament in 1892, and Conservative M.M. Bhownaggree, elected in 1895, used the press to deconstruct Indian stereotypes and to present personae that combined Western and Indian ideas without being simply hybrids or mimic men. They intervened in Orientalist discourses and in imperial policies from opposite political positions but their interventions were outside, as well as within, party …

  • Victorian Portraits

    Julie F Codell, Julie Codell•ARTICLE•Nineteenth Century Contexts•2012•References: 5

  • Museum Politics in Industrial Britain

    Julie F Codell, Julie Codell•ARTICLE•Journal of Victorian Culture•2013

    In this compelling book, Amy Woodson-Boulton tells several stories about cultural institutions in Victorian England's industrial cities. She maps the development of city museums in Liverpool, Birmingham and Manchester, clarifying differences and similarities in their strategies for museum creation and collection development. She weaves into these stories additional material relating to class conflicts, John Ruskin's influence and the reasons for …

  • Projected Art History

    Julie F Codell, Julie Codell•ARTICLE•Biography•2014

    Reviewed by: Projected Art History: Biopics, Celebrity Culture, and the Popularizing of American Art by Doris Berger Julie F. Codell (bio) Doris Berger. Projected Art History: Biopics, Celebrity Culture, and the Popularizing of American Art. Trans. Brigitte Pichon and Dorian Rudnytsky. London: Bloomsbury, 2014. 368pp. ISBN 978-1623560324, £75. Doris Berger’s well-researched book, published originally in German (2009), argues that popular art hist…

  • Excursive Discursive in Gandhi's Autobiography

    Julie F Codell, Julie Codell•CHAPTER•Life Writing and Victorian Culture•2017

    Gandhi&s;s Autobiography: The Story of My Experiments with Truth remains understudied by scholars. This chapter examines Gandhi&s;s Autobiography as an adaptation of Carlyle&s;s Sartor Resartus in Gandhi&s;s obsession with clothes as signs of change and multiple identities. It argues that Sartor Resartus offered Gandhi ideals, themes and metaphors of clothes and wanderings with which to help him fashion an Indian national self as a transnational …

  • Orientalism Transposed

    Dianne Sacko Macleod, Julie F Codell et al.•EDITOR•BOOK•Orientalism transposed•2018

    Colonialism transposed the Easternization of Britain and interventions to colonial discourse, Julie F. Codell, Dianne Sachko Macleod. Part 1 Identity, agency and masquerade: resistance and performance - native informant discourse in the biographies of Maharajah Sayaji Rao III of Baroda, 1863-1939, Julie F. Codell about face - Sir David Wilkie's portraits of Mehmet Ali, Pasha of Egypt, Emily Weeks cross-culture cross-dressing - class, gender and m…

  • Victorian Artists’ Autograph Replicas

    Julie F Codell•EDITOR•BOOK•Victorian Artists' Autograph…•2020

  • Victorian Artists' Autograph Replicas

    Julie F Codell•BOOK•Victorian Artists' Autograph…•2020

  • Victorian Artists’ Autograph Replicas

    Julie F Codell, Julie Codell•CHAPTER•Victorian Artists' Autograph…•2020

    This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book argues that replicas in the Victorian art world were among the most prolific, sought-after, and vigorously consumed objects in the Victorian art world, becoming a near industry for many artists. It examines the founding collection of the Walters Art Museum in Baltimore, which contains a critical mass of replicas, to explore the r…

Art (16 works) · History (14 works) · Art history (12 works) · Literature (9 works) · History (8 works) · Sociology (8 works) · Philosophy (6 works) · Law (5 works) · Narrative (5 works) · Photography and Visual Culture (5 works)

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