Marcia S Calkowski
Biographic Data
| ID | 119646 |
|---|---|
| NAME | Marcia S Calkowski |
| GIVEN NAMES | Marcia S |
| FAMILY NAME | Calkowski |
| SIGNATURE | CALKOWSKI M S |
| AFFILIATIONS | University of Lethbridge |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Is There Authoritative Voice in Ewok Talk: On Postmodernism, Fieldwork, and the Recovery of Unintended Meanings
Postmodernism emphasizes perspectivism, celebrates indeterminacy, and abjures the authoritative voice. Understanding is to be gained dialogically and achieved through participation and performance, activities often synonymous with anthropological fieldwork. However, fieldwork entails the recovery of unintended as well as intended meanings which are, in turn, invariably situated in a hermeneutical hierarchy. This paper points up the inevitability …
Malik, Aditya: Tales of Justice and Rituals of Divine Embodiment - Oral Narratives from the Central Himalayas
Anthropos , Seite 688 - 689
Everyday Arias: An Operatic Ethnography by Paul Atkinson
Single Reviews
Book reviewed in this article: The Weight of the Past: Living with History in Mahajanga, Madagascar . Michael J. Lambek
A day at the Tibetan opera: Actualized Performance and Spectacular Discourse
Recent studies of performance genres suggest that many rituals generate proposi-tional force by manipulating ritual frames and so drawing the audience to reflect upon various levels of performance reality. This article focuses on the fusion of such levels during the performance of a Tibetan opera before an audience of refugee Tibetans living in India, a spectacle wherein the mimetic performance of a mock exorcism became an actual exorcism. The ar…
A day at the Tibetan opera: Actualized Performance and Spectacular Discourse
Recent studies of performance genres suggest that many rituals generate proposi-tional force by manipulating ritual frames and so drawing the audience to reflect upon various levels of performance reality. This article focuses on the fusion of such levels during the performance of a Tibetan opera before an audience of refugee Tibetans living in India, a spectacle wherein the mimetic performance of a mock exorcism became an actual exorcism. The ar…
A day at the Tibetan opera: Actualized Performance and Spectacular Discourse
Recent studies of performance genres suggest that many rituals generate proposi-tional force by manipulating ritual frames and so drawing the audience to reflect upon various levels of performance reality. This article focuses on the fusion of such levels during the performance of a Tibetan opera before an audience of refugee Tibetans living in India, a spectacle wherein the mimetic performance of a mock exorcism became an actual exorcism. The ar…
Single Reviews
Book reviewed in this article: The Weight of the Past: Living with History in Mahajanga, Madagascar . Michael J. Lambek
Everyday Arias: An Operatic Ethnography by Paul Atkinson
Malik, Aditya: Tales of Justice and Rituals of Divine Embodiment - Oral Narratives from the Central Himalayas
Anthropos , Seite 688 - 689
Is There Authoritative Voice in Ewok Talk: On Postmodernism, Fieldwork, and the Recovery of Unintended Meanings
Postmodernism emphasizes perspectivism, celebrates indeterminacy, and abjures the authoritative voice. Understanding is to be gained dialogically and achieved through participation and performance, activities often synonymous with anthropological fieldwork. However, fieldwork entails the recovery of unintended as well as intended meanings which are, in turn, invariably situated in a hermeneutical hierarchy. This paper points up the inevitability …
Art (4 works) · Sociology (4 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Political science (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Epistemology (2 works) · Law (2 works)