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Heather Hathaway

Biographic Data

ID1196809
NAMEHeather Hathaway
GIVEN NAMESHeather
FAMILY NAMEHathaway
SIGNATUREHATHAWAY H
AFFILIATIONSMarquette University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2019
H-INDEX0
  • Rewriting Race, Gender and Religion in Toni Morrison's Song of Solomon and Paradise

    Open Access•Heather Hathaway•ARTICLE•Religions•2019•References: 1

    This article explores author Toni Morrison's creation of female spiritual leaders in her 1977 novel, Song of Solomon, and her 1998 novel, Paradise. I argue that she deliberately distorts Biblical imagery and narrative to rewrite women into the roles of spiritual agents rather than subjects, using irony and inversion, in Song of Solomon. She builds on this in Paradise by exploring the limitations of patriarchal orthodox Christian systems of social…

  • Race and the modern artist

    Jeffrey Paul Melnick, Heather Hathaway et al.•EDITOR•BOOK•Race and the modern artist•2003

  • The Daughter's Return

    Heather Hathaway, Caroline Rody•ARTICLE•African American Review•2003

    Caroline Rody's The Daughter's Return offers a close analysis of an emerging genre in African-American and Caribbean fiction: the novels of black women writers who have returned to their ancestral pasts. In novels like Toni Morrison's Beloved, Jean Rhys' Wide Sargasso Sea, and Maryse Conde's I, Tituba, 'magical' black daughters return to sites of trauma through visions, dreams, and memories. Rody reads these texts as allegorical expressions of th…

  • Caribbean Waves. Relocating Claude McKay and Paule Marshall

    Vera M Kutzinski, Heather Hathaway•ARTICLE•African American Review•2001

    Considering two prominent African Caribbean immigrant authors who lived in the U.S., Hathaway provides a thought-provoking volume... -Choice This study investigates the lives and writings of two of the most prominent African Caribbean immigrant authors in the United States, Claude McKay (1890-1948) and Paule Marshall (b. 1929). Although both writers traditionally have been studied within the realm of African American literature, their works are s…

  • Beyond the Limbo Silence

    Heather Hathaway, Elizabeth Nunez•ARTICLE•African American Review•2000

    In the tradition of novelists Alice Walker, Jamaica Kincaid, and Tsitsi Dangarembga, Elizabeth Nunez weaves a personal story into the broader tapestry of political history. Twenty-year-old Sara Edgehill has left her native Trinidad in 1963 to attend college in Oshkosh, Wisconsin, where she joins two other girls -- Courtney from St. Lucia and Angela from British Guyana -- in the task of integrating the all-white school. For Sara, coming from a wor…

  • Dear Future

    Heather Hathaway, Fred D''Aguiar et al.•ARTICLE•African American Review•1998

  • Discrepant Engagement

    Heather Hathaway, Nathaniel Mackey•ARTICLE•African American Review•1996

    This highly regarded and frequently referenced work of literary criticism is essential to any study of avant garde poetics.Nathaniel Mackey addresses the poetry and prose of a number of authors not commonly grouped together: black writers from the United States and the Caribbean and the so-called Black Mountain poets. Although they are seemingly disparate, these writers are united by their experimentation with style and form. Mackey, an important…

  • Jumping Ship and Other Stories

    Heather Hathaway, Kelvin Christopher James•ARTICLE•African American Review•1995

No prominent works on this page.

  • Jumping Ship and Other Stories

    Heather Hathaway, Kelvin Christopher James•ARTICLE•African American Review•1995

  • Discrepant Engagement

    Heather Hathaway, Nathaniel Mackey•ARTICLE•African American Review•1996

    This highly regarded and frequently referenced work of literary criticism is essential to any study of avant garde poetics.Nathaniel Mackey addresses the poetry and prose of a number of authors not commonly grouped together: black writers from the United States and the Caribbean and the so-called Black Mountain poets. Although they are seemingly disparate, these writers are united by their experimentation with style and form. Mackey, an important…

  • Dear Future

    Heather Hathaway, Fred D''Aguiar et al.•ARTICLE•African American Review•1998

  • Beyond the Limbo Silence

    Heather Hathaway, Elizabeth Nunez•ARTICLE•African American Review•2000

    In the tradition of novelists Alice Walker, Jamaica Kincaid, and Tsitsi Dangarembga, Elizabeth Nunez weaves a personal story into the broader tapestry of political history. Twenty-year-old Sara Edgehill has left her native Trinidad in 1963 to attend college in Oshkosh, Wisconsin, where she joins two other girls -- Courtney from St. Lucia and Angela from British Guyana -- in the task of integrating the all-white school. For Sara, coming from a wor…

  • Caribbean Waves. Relocating Claude McKay and Paule Marshall

    Vera M Kutzinski, Heather Hathaway•ARTICLE•African American Review•2001

    Considering two prominent African Caribbean immigrant authors who lived in the U.S., Hathaway provides a thought-provoking volume... -Choice This study investigates the lives and writings of two of the most prominent African Caribbean immigrant authors in the United States, Claude McKay (1890-1948) and Paule Marshall (b. 1929). Although both writers traditionally have been studied within the realm of African American literature, their works are s…

  • Race and the modern artist

    Jeffrey Paul Melnick, Heather Hathaway et al.•EDITOR•BOOK•Race and the modern artist•2003

  • The Daughter's Return

    Heather Hathaway, Caroline Rody•ARTICLE•African American Review•2003

    Caroline Rody's The Daughter's Return offers a close analysis of an emerging genre in African-American and Caribbean fiction: the novels of black women writers who have returned to their ancestral pasts. In novels like Toni Morrison's Beloved, Jean Rhys' Wide Sargasso Sea, and Maryse Conde's I, Tituba, 'magical' black daughters return to sites of trauma through visions, dreams, and memories. Rody reads these texts as allegorical expressions of th…

  • Rewriting Race, Gender and Religion in Toni Morrison's Song of Solomon and Paradise

    Open Access•Heather Hathaway•ARTICLE•Religions•2019•References: 1

    This article explores author Toni Morrison's creation of female spiritual leaders in her 1977 novel, Song of Solomon, and her 1998 novel, Paradise. I argue that she deliberately distorts Biblical imagery and narrative to rewrite women into the roles of spiritual agents rather than subjects, using irony and inversion, in Song of Solomon. She builds on this in Paradise by exploring the limitations of patriarchal orthodox Christian systems of social…

History (7 works) · Art (6 works) · History (5 works) · Literature (3 works) · Aesthetics (2 works) · American and British Literature Analysis (2 works) · Art history (2 works) · Caribbean history, culture, and politics (2 works) · Gender Studies (2 works) · Genealogy (2 works)

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