Andre Bazin
Biographic Data
| ID | 1197265 |
|---|---|
| NAME | Andre Bazin |
| GIVEN NAMES | Andre |
| FAMILY NAME | Bazin |
| SIGNATURE | BAZIN A |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1960 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Seven Essays on Documentary Films About Art, 1949–52
These essays, originally published in French between 1949 and 1952, represent André Bazin’s responses to recent documentary films about art by directors including Luciano Emmer and Alain Resnais. The essays describe Bazin’s claims about the importance of the form and his arguments concerning their distinctive treatment of space. Overall, Bazin argues that a “new esthetic entity” is born from the “synthesis” of film with painting, which he compare…
De Sica
Cinema and Theology
peer reviewed
Jean Renoir
The Ontology of the Photographic Image
Research Article| July 01 1960 The Ontology of the Photographic Image André Bazin, André Bazin Search for other works by this author on: This Site PubMed Google Scholar Hugh Gray Hugh Gray Search for other works by this author on: This Site PubMed Google Scholar Film Quarterly (1960) 13 (4): 4–9. https://doi.org/10.2307/1210183 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook …
Cinema and Theology
peer reviewed
Jean Renoir
The Ontology of the Photographic Image
Research Article| July 01 1960 The Ontology of the Photographic Image André Bazin, André Bazin Search for other works by this author on: This Site PubMed Google Scholar Hugh Gray Hugh Gray Search for other works by this author on: This Site PubMed Google Scholar Film Quarterly (1960) 13 (4): 4–9. https://doi.org/10.2307/1210183 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook …
Jean Renoir
Cinema and Theology
peer reviewed
De Sica
Seven Essays on Documentary Films About Art, 1949–52
These essays, originally published in French between 1949 and 1952, represent André Bazin’s responses to recent documentary films about art by directors including Luciano Emmer and Alain Resnais. The essays describe Bazin’s claims about the importance of the form and his arguments concerning their distinctive treatment of space. Overall, Bazin argues that a “new esthetic entity” is born from the “synthesis” of film with painting, which he compare…
Art (4 works) · Computer Science (3 works) · Cinema and Media Studies (2 works) · Art history (1 work) · Artificial Intelligence (1 work) · Citation (1 work) · Computer graphics (images) (1 work) · Computer vision (1 work) · Diverse Cultural and Historical Studies (1 work) · Documentary evidence (1 work)