Michael Chaney
Biographic Data
| ID | 1198683 |
|---|---|
| NAME | Michael Chaney |
| GIVEN NAMES | Michael |
| FAMILY NAME | Chaney |
| SIGNATURE | CHANEY M |
| AFFILIATIONS | Dartmouth College |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
I Knew Then Who I Was. I Was a Negro”
This essay investigates literary and autobiographical representations of the defense of Black-owned property in the face of anti-Black mob violence during the first decades of the twentieth century. In his autobiography, A Man Called White (1948), NAACP leader Walter White represents guns as desperate tools of an always tenuous security marked by the violence of the world wars, lynchings, and racially motivated massacres. The backdrop for these s…
Consequences of Sexism in Counselor Education
In this article we used collective analytic autoethnography to explore experiences and perceptions of sexism among five counselor educators. Based on analysis of narrative data, we introduced a model that illustrates how sexism was experienced and given meaning by participants. Sexist events lead to positive (empowerment, sexism externalization, advocacy, and relationships with others) and negative (low self-confidence, internalized sexism, negat…
The Cambridge Companion to the African American Slave Narrative
Reviewed by: The Cambridge Companion to the African American Slave Narrative Michael Chaney (bio) Fisch, Audrey. The Cambridge Companion to the African American Slave Narrative. Cambridge: Cambridge UP, 2007. In this companion Audrey Fisch convenes major scholars of African-American literature to comprise a valuable introduction to the slave narrative. Timely, comprehensive, and admirably accessible, the book’s only drawback arises from occasiona…
Madawaska Twin Barn
Virtually unique to the upper St. John Valley of Maine, the Madawaska twin barn is a large structure consisting of two parallel sections joined to form an “H.” Although the form has its origin in a restricted barn building tradition of nineteenth century Quebec, oral history research and detailed survey suggest that the barn is not the product of direct diffusion. Rather it is a symbol of French Canadian culture adopted during the period between …
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Madawaska Twin Barn
Virtually unique to the upper St. John Valley of Maine, the Madawaska twin barn is a large structure consisting of two parallel sections joined to form an “H.” Although the form has its origin in a restricted barn building tradition of nineteenth century Quebec, oral history research and detailed survey suggest that the barn is not the product of direct diffusion. Rather it is a symbol of French Canadian culture adopted during the period between …
The Cambridge Companion to the African American Slave Narrative
Reviewed by: The Cambridge Companion to the African American Slave Narrative Michael Chaney (bio) Fisch, Audrey. The Cambridge Companion to the African American Slave Narrative. Cambridge: Cambridge UP, 2007. In this companion Audrey Fisch convenes major scholars of African-American literature to comprise a valuable introduction to the slave narrative. Timely, comprehensive, and admirably accessible, the book’s only drawback arises from occasiona…
Consequences of Sexism in Counselor Education
In this article we used collective analytic autoethnography to explore experiences and perceptions of sexism among five counselor educators. Based on analysis of narrative data, we introduced a model that illustrates how sexism was experienced and given meaning by participants. Sexist events lead to positive (empowerment, sexism externalization, advocacy, and relationships with others) and negative (low self-confidence, internalized sexism, negat…
I Knew Then Who I Was. I Was a Negro”
This essay investigates literary and autobiographical representations of the defense of Black-owned property in the face of anti-Black mob violence during the first decades of the twentieth century. In his autobiography, A Man Called White (1948), NAACP leader Walter White represents guns as desperate tools of an always tenuous security marked by the violence of the world wars, lynchings, and racially motivated massacres. The backdrop for these s…
Art (3 works) · Archaeology (2 works) · Biology (2 works) · History (2 works) · Narrative (2 works) · Race, History, and American Society (2 works) · African american (1 work) · American Sports and Literature (1 work) · Autoethnography (1 work) · Barn (1 work)