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Mary G Winkler

Biographic Data

ID1199085
NAMEMary G Winkler
GIVEN NAMESMary G
FAMILY NAMEWinkler
SIGNATUREWINKLER M G
AFFILIATIONSThe University of Texas Medical Branch at Galveston
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS14
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2002
H-INDEX1
  • Doctor and Doll

    Open Access•Mary G Winkler•ARTICLE•The AMA Journal of Ethic•2002

    Norman Rockwell described the essence of his artistic approach thus: "I guess I am a storyteller, and although this may not be the highest form of art, it is what I love to do."1 His chosen style was realism, intensified by a rigorous attention to closely observed detail, and his chosen subject was the commonplace

  • Prophets of Modernity

    Mary G Winkler, Roger D Masters•ARTICLE•The Hastings Center Report•1998

  • Perilous Chastity

    Mary G Winkler, Laurinda S Dixon et al.•ARTICLE•Woman s Art Journal•1997

  • Representing Aids

    Open Access•Mary G Winkler, Mary Winkler•ARTICLE•Journal of Medical Humanities•1994

  • The Anatomical Theater

    Mary G Winkler•ARTICLE•Literature and medicine•1993

    The Anatomical Theater' Mary G. Winkler The Institute for the Medical Humanities is housed at one end of the second floor of the elliptical, late nineteenth-century building that once housed the entire original medical school of the University of Texas. At the other end of the second floor, conforming to the apsidal shape of the building, is the amphitheater—the old anatomical theater. On the third floor, under a ring of skyUghts that bathe the a…

  • Helping People Find a Good Death

    Open Access•Mary G Winkler, Mary Winkler•ARTICLE•Illness Crisis & Loss•1993

  • Seeing Patients

    Mary G Winkler•ARTICLE•Literature and medicine•1992

    Seeing Patients Mary G. Winkler The contemporary American portraitist Alice Neel remembers the town in which she grew up as "a benighted little town." She recalls that "all the events for art were there, but there was no art."1 In medicine, as in Neel's hometown, there are "events for art." But the visual arts are linked to medicine in a unique way that has its roots in the development of modern science. From the time of Andreas Vesalius and the …

  • Representing the Heavens

    Mary G Winkler, Albert Van Helden•ARTICLE•Isis•1992•Cited by: 14

  • History of Old Age from Antiquity to the Renaissance

    Mary G Winkler•ARTICLE•Sixteenth Century Journal•1991

    History of Old Age is the first major study of the ways in which old age has been perceived in western culture throughout history. Georges Minois paints a vast fresco, starting with the first old man to relate his own story an Egyptian scribe some 4500 years ago and ending with the deaths of Elizabeth I and Henry IV in the sixteenth century. Tracing the changing conceptions of the nature, value, and burden of the old, Minois argues that western h…

  • Gabriele Zerbi Gerontocomia

    Mary G Winkler•ARTICLE•Sixteenth Century Journal•1990

  • Eros and Magic in the Renaissance

    Mary G Winkler, Mary Winkler•ARTICLE•Sixteenth Century Journal•1989

  • Tragic figures

    Open Access•Mary G Winkler•ARTICLE•Journal of Medical Humanities•1989

  • A Divided Heart

    Mary G Winkler•ARTICLE•Sixteenth Century Journal•1987

  • Representing the Heavens

    Mary G Winkler, Albert Van Helden•ARTICLE•Isis•1992•Cited by: 14

  • A Divided Heart

    Mary G Winkler•ARTICLE•Sixteenth Century Journal•1987

  • Eros and Magic in the Renaissance

    Mary G Winkler, Mary Winkler•ARTICLE•Sixteenth Century Journal•1989

  • Tragic figures

    Open Access•Mary G Winkler•ARTICLE•Journal of Medical Humanities•1989

  • Gabriele Zerbi Gerontocomia

    Mary G Winkler•ARTICLE•Sixteenth Century Journal•1990

  • History of Old Age from Antiquity to the Renaissance

    Mary G Winkler•ARTICLE•Sixteenth Century Journal•1991

    History of Old Age is the first major study of the ways in which old age has been perceived in western culture throughout history. Georges Minois paints a vast fresco, starting with the first old man to relate his own story an Egyptian scribe some 4500 years ago and ending with the deaths of Elizabeth I and Henry IV in the sixteenth century. Tracing the changing conceptions of the nature, value, and burden of the old, Minois argues that western h…

  • Seeing Patients

    Mary G Winkler•ARTICLE•Literature and medicine•1992

    Seeing Patients Mary G. Winkler The contemporary American portraitist Alice Neel remembers the town in which she grew up as "a benighted little town." She recalls that "all the events for art were there, but there was no art."1 In medicine, as in Neel's hometown, there are "events for art." But the visual arts are linked to medicine in a unique way that has its roots in the development of modern science. From the time of Andreas Vesalius and the …

  • Representing the Heavens

    Mary G Winkler, Albert Van Helden•ARTICLE•Isis•1992•Cited by: 14

  • The Anatomical Theater

    Mary G Winkler•ARTICLE•Literature and medicine•1993

    The Anatomical Theater' Mary G. Winkler The Institute for the Medical Humanities is housed at one end of the second floor of the elliptical, late nineteenth-century building that once housed the entire original medical school of the University of Texas. At the other end of the second floor, conforming to the apsidal shape of the building, is the amphitheater—the old anatomical theater. On the third floor, under a ring of skyUghts that bathe the a…

  • Helping People Find a Good Death

    Open Access•Mary G Winkler, Mary Winkler•ARTICLE•Illness Crisis & Loss•1993

  • Representing Aids

    Open Access•Mary G Winkler, Mary Winkler•ARTICLE•Journal of Medical Humanities•1994

  • Perilous Chastity

    Mary G Winkler, Laurinda S Dixon et al.•ARTICLE•Woman s Art Journal•1997

  • Prophets of Modernity

    Mary G Winkler, Roger D Masters•ARTICLE•The Hastings Center Report•1998

  • Doctor and Doll

    Open Access•Mary G Winkler•ARTICLE•The AMA Journal of Ethic•2002

    Norman Rockwell described the essence of his artistic approach thus: "I guess I am a storyteller, and although this may not be the highest form of art, it is what I love to do."1 His chosen style was realism, intensified by a rigorous attention to closely observed detail, and his chosen subject was the commonplace

Art (10 works) · Philosophy (8 works) · History (7 works) · Art history (6 works) · History (6 works) · Aesthetics (5 works) · Philosophy (5 works) · Sociology (5 works) · Visual arts (4 works) · Empathy and Medical Education (3 works)

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