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Anandam Kavoori

Biographic Data

ID119928
NAMEAnandam Kavoori
GIVEN NAMESAnandam
FAMILY NAMEKavoori
SIGNATUREKAVOORI A
AFFILIATIONSUniversity of Georgia
ORCID0000-0001-6361-207X
VERIFIEDYes
TOTAL WORKS25
TOTAL CITATIONS119
AUTHOR COUNT25
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2025
H-INDEX4
  • This Land is La Bamba Land Autoethnographic Encounters With Mexico's Son Jarocho

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2025•References: 1

    This essay is a contribution to Autoethnography as a qualitative method drawing on site visits over a decade in Mexico examining a musical-performative tradition called Son Jarocho . Melding together elements of memoir, reportage, and narrative travelogue-it seeks to provide an exemplar of a scripting technique, entitled 'Autoethnographic Encounters.' (hereafter AE). Contextual information is provided in end notes. Each AE represents one moment i…

  • Remembering My Duniya

    Anandam Kavoori•ARTICLE•Journal of Autoethnography•2023

    This autoethnographic place-based essay explores the ecological space the author grew up in the desert state of Gujarat, in western India.1 Simultaneously, it is also an exploration of the inner journey of discovery, joy, and belonging that a child enacts in discovering the outdoors, his /her/their Duniya,2 or to put it more formally, comes into an environmental consciousness. The essay is a contribution to autoethnographic scholarship in the evo…

  • Becoming Southern: 10 Autoethnographic Polaroids

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2023•Cited by: 1

    I call it 'the great emptying.' This business of making and re-making of the self. The immigrant self, that is: I hold a bucket in my hand Piled high with memories Of Delhi, India, I begin Swirling, Swinging it over head Holding in a deep-deep breath, Throwing it out, away, as far as I can Back to where it belongs The past I call it The Great Filling. This business of making and re-making of the self. The immigrant self, that is: I hold a bucket …

  • Re-making the World

    Anandam Kavoori•ARTICLE•Journal of Autoethnography•2021

    This collection of autoethnographic eco-poetry offers a pedagogical vision for environmental education in an age of Climate Change (and its denial). The poems reflect on the author’s 10+ years of teaching environmental storytelling. Differing in tone and thematic and emotive imprint (ruminative, conciliatory, angry, deliberative), these autoethnographic eco-poems offer entry points for the reader/educator to engage with the coming crises of Clima…

  • Dull as Dachau

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2021•References: 3

    Dull as Dachau is a reflexive, autoethnographic account of the contrived engagement of American undergraduates (from a privileged background) of a class-mandated visit to the Dachau Concentration Camp, near Munich, Germany. Written as a poem, with commentary/contextual referencing in end notes, the essay explores the transactional nature of dark tourism and offers a critique of such pedagogical engagements with history, especially in the context …

  • The Dreams of Nations: An Ethno-Story

    Open Access•Anandam Kavoori•ARTICLE•International Review of…•2018

    This postcolonial “Ethno-Story” narrative weaves through the unwilled constructs (dreams) of two protagonists/recent graduate students—an Indian Muslim man and a (Caucasian) American woman—working/living at the intersection of media, self, and nation. It explores the inner dynamics of personhood (and couplehood) through intersecting narratives of the self with those of mass-mediated images and realities in an age of terrorism and ethnoreligious c…

  • An Autoethnographic Quest: Searching for 'Peace' in Seoul, South Korea

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2018•Cited by: 1•References: 11

    This autoethnographic narrative explores the cultural contours of 'Peace' in Seoul, South Korea, bringing together elements of cultural criticism, narrative travelogue, and cultural anthropology. Written as an exemplar for a 'Quest Autoethnography,' it seeks to explore the multiple, layered nature of the question of 'Peace' through local vocabularies for identity, including media, language, consumption, community, and above all, culture. The essa…

  • The Most Peaceful Place on Earth

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2018•Cited by: 2

    This reflexive non-fiction/autoethnographic account tells the story of the authors visit to Cheung Eeok Killing fields focusing on themes of peace, place, and the politics of cultural renewal in a country devastated by the Khmer Rouge. It offers a pedagogical vision of how such renewal is taking place through tourism (even of a dark kind) and the unsettling (but also inspirational) experience of walking through this liminal space of Cambodian his…

  • What Is Peace? Being an Autoethnographic Account of Methodological Musings From the Beach

    Open Access•Anandam Kavoori•ARTICLE•Qualitative Inquiry•2018•References: 3

    This autoethnographic essay is focused on methodological space of "problematization"-the wrenching intellectual and emotional process (and lived experience) that a scholar goes through before settling into a long-term writing project-in this case travel to different parts of the world, in an attempt to explore the idea and experience of "Peace" in each of those places. Weaving through elements of family memoir, Georgia history, eco-criticism, and…

  • Transcultural Subjectivity: Beyond the Global/Local Divide - Towards a Transcultural Understanding of Mediated Subjectivity

    Open Access•Brian Creech, Anandam Kavoori•CHAPTER•Postcolonial Studies Meets Media…•2016

  • The new normal: From media imperialism to market liberalization – Asia’s shifting television landscapes

    Open Access•Kalyani Chadha, Anandam Kavoori•ARTICLE•Media Culture & Society•2015•Cited by: 7•References: 9

    This article explores television landscapes in Asia two decades after the introduction of satellite television in the region. Exploring both past trends and emergent logics, it argues that whereas nation-states in Asia originally saw foreign, particularly Western, media flows as an existential threat to local culture and identity, and sought to limit them via a variety of gatekeeping mechanisms, the contemporary situation is very different. Indee…

  • Mapping India's television landscape: Constitutive dimensions and emerging issues

    Kalyani Chadha, Anandam Kavoori•ARTICLE•South Asian History and Culture•2012•Cited by: 1•References: 3

    Over the last few decades, the Indian television sector has experienced a profound transformation with regard to policies, players, production and practices. Exploring this altered landscape, this essay argues that the present television landscape in India represents a heterogeneous, ‘rhizomatic’ formation characterized by complex constitutive dimensions that simultaneously reflect both the forces of media globalization and local, contextually ro…

  • Bollyculture: Ethnography of identity, media and performance

    Open Access•Anandam Kavoori, Christina A Joseph•ARTICLE•Global Media and Communication•2011•Cited by: 1•References: 6

    This article offers the concept of ‘Bollyculture’ as a paradigmatic frame for understanding the media/dance cultures and life-space of young South-Asian Americans. Drawing on an extended ethnographic study of India Nite 1 (a performance of Bollywood inspired dances), the essay argues that concepts like Bollyculture capture the hybrid and contested nature of diasporic subcultures, while offering concrete ways of observing the longitudinal and disc…

  • Film Review: Why the sun shines on Slum Dog

    Open Access•Anandam Kavoori•ARTICLE•Global Media and Communication•2009

  • Bring back the local, work the divide: Two curricular recommendations

    Open Access•Anandam Kavoori•ARTICLE•Global Media and Communication•2007

  • Media Literacy, 'Thinking Television,' and African American Communication

    Open Access•Anandam Kavoori, Anandam P Kavoori•ARTICLE•Culture Studies ↔ Critical…•2007•Cited by: 2•References: 12

    This essay is a critical, reflexive engagement with the practice, politics and pedagogy of a student centered media literacy project titled 'thinking television.' Written as a theoretical diagnostic, the essay examines the project's value-providing a new vocabulary for democratic communication-and drawbacks, the restrictive nature of narrative possibilities around race in the student projects

  • Mediated resistance

    Open Access•Christina A Joseph, Anandam Kavoori et al.•ARTICLE•Annals of Tourism Research•2001•Cited by: 31•References: 26

  • Mapping a critical framework for the study of travel journalism

    Open Access•Elfriede Fürsich, Anandam Kavoori et al.•ARTICLE•International Journal of Cultural…•2001•Cited by: 38•References: 6

    This article provides a programmatic framework for the investigation of travel journalism. We argue that travel journalism is an important site for studying the ideological dimensions of tourism, transcultural encounters and the ongoing dynamics of media globalization. Based on the literature on tourism in sociology, anthropology and cultural studies, we identify three distinct but interrelated theoretical perspectives for the analysis of travel …

  • Media imperialism revisited: Some findings from the Asian case

    Open Access•Kalyani Chadha, Anandam Kavoori•ARTICLE•Media Culture & Society•2000•Cited by: 24•References: 5

    The media imperialism thesis has long argued that the expansion of Western media production into developing countries has resulted in the domination of their national media environments and the consequent destruction of their indigenous media production. This article examines the empirical tenability of this claim with regard to Asia. Delineating the region's media developments, it identifies forces such as national gate-keeping policies, the dyn…

  • Discursive texts, reflexive audiences: Global trends in television news texts and audience reception

    Anandam Kavoori, Anandam P Kavoori•ARTICLE•Journal of Broadcasting &…•1999•Cited by: 3•References: 9

    This study examines the process of media globalization at the level of meaning generation (by television news texts) and interpretation (by audiences) based on the analysis of news‐texts and focus groups from four countries. It is suggested that the narrative of television news is discursive: it provides a specific vision of cultural “others”. At the audience level there is the emergence of a global culture of critical media consumption. This ref…

  • Postcolonial or neocolonial? Defining the grounds of research in global communication studies: Getting past the latest “post”: Assessing the term “post‐colonial”

    Celeste Michelle Condit, Anandam Kavoori et al.•ARTICLE•Critical Studies in Mass…•1998

    (1998). Postcolonial or neocolonial? Defining the grounds of research in global communication studies. Critical Studies in Mass Communication: Vol. 15, No. 2, pp. 195-203

  • Constructing the ‘national’ on Indian television news

    Anandam Kavoori, Anandam P Kavoori et al.•ARTICLE•Ecquid Novi African Journalism…•1998

    This conceptual essay explores how television news articulates an image of the ‘national’ in an age of commercial liberalisation. Using India as the example, it specifically examines how (a) national politics is covered by four different TV news broadcasts and (b) the cultural and ideological function of these broadcasts. It is argued that the ‘national’ is a segmented discourse, speaking either to a national culture that has the political intere…

  • Global Texts, Narrativity and the Construction of Local and Global Meanings in Television News

    Michael Gurevitch, Anandam Kavoori et al.•ARTICLE•Journal of Narrative and Life…•1994•Cited by: 4•References: 1

    This article discusses the relevance of narrative analysis to the study of media globalization by presenting results of an ongoing study of television news in the United States, Europe, and the Middle East. It discusses issues of local and global meanings by focusing on a number of elements of narrative structure (time, valence, story/discourse, themes, drama, genre, and myths) and argues that each element presents ways to track particularistic a…

  • The Purebred and the Platypus: Disciplinarity and Site in Mass Communication Research

    Open Access•Anandam Kavoori, Anandam P Kavoori et al.•ARTICLE•Journal of Communication•1993

  • Television spectacles as politics

    Michael Gurevitch, Anandam Kavoori et al.•ARTICLE•Communication Monographs•1992•Cited by: 4•References: 3

  • Mapping a critical framework for the study of travel journalism

    Open Access•Elfriede Fürsich, Anandam Kavoori et al.•ARTICLE•International Journal of Cultural…•2001•Cited by: 38•References: 6

    This article provides a programmatic framework for the investigation of travel journalism. We argue that travel journalism is an important site for studying the ideological dimensions of tourism, transcultural encounters and the ongoing dynamics of media globalization. Based on the literature on tourism in sociology, anthropology and cultural studies, we identify three distinct but interrelated theoretical perspectives for the analysis of travel …

  • Mediated resistance

    Open Access•Christina A Joseph, Anandam Kavoori et al.•ARTICLE•Annals of Tourism Research•2001•Cited by: 31•References: 26

  • Media imperialism revisited: Some findings from the Asian case

    Open Access•Kalyani Chadha, Anandam Kavoori•ARTICLE•Media Culture & Society•2000•Cited by: 24•References: 5

    The media imperialism thesis has long argued that the expansion of Western media production into developing countries has resulted in the domination of their national media environments and the consequent destruction of their indigenous media production. This article examines the empirical tenability of this claim with regard to Asia. Delineating the region's media developments, it identifies forces such as national gate-keeping policies, the dyn…

  • The new normal: From media imperialism to market liberalization – Asia’s shifting television landscapes

    Open Access•Kalyani Chadha, Anandam Kavoori•ARTICLE•Media Culture & Society•2015•Cited by: 7•References: 9

    This article explores television landscapes in Asia two decades after the introduction of satellite television in the region. Exploring both past trends and emergent logics, it argues that whereas nation-states in Asia originally saw foreign, particularly Western, media flows as an existential threat to local culture and identity, and sought to limit them via a variety of gatekeeping mechanisms, the contemporary situation is very different. Indee…

  • Global Texts, Narrativity and the Construction of Local and Global Meanings in Television News

    Michael Gurevitch, Anandam Kavoori et al.•ARTICLE•Journal of Narrative and Life…•1994•Cited by: 4•References: 1

    This article discusses the relevance of narrative analysis to the study of media globalization by presenting results of an ongoing study of television news in the United States, Europe, and the Middle East. It discusses issues of local and global meanings by focusing on a number of elements of narrative structure (time, valence, story/discourse, themes, drama, genre, and myths) and argues that each element presents ways to track particularistic a…

  • Television spectacles as politics

    Michael Gurevitch, Anandam Kavoori et al.•ARTICLE•Communication Monographs•1992•Cited by: 4•References: 3

  • Discursive texts, reflexive audiences: Global trends in television news texts and audience reception

    Anandam Kavoori, Anandam P Kavoori•ARTICLE•Journal of Broadcasting &…•1999•Cited by: 3•References: 9

    This study examines the process of media globalization at the level of meaning generation (by television news texts) and interpretation (by audiences) based on the analysis of news‐texts and focus groups from four countries. It is suggested that the narrative of television news is discursive: it provides a specific vision of cultural “others”. At the audience level there is the emergence of a global culture of critical media consumption. This ref…

  • The Most Peaceful Place on Earth

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2018•Cited by: 2

    This reflexive non-fiction/autoethnographic account tells the story of the authors visit to Cheung Eeok Killing fields focusing on themes of peace, place, and the politics of cultural renewal in a country devastated by the Khmer Rouge. It offers a pedagogical vision of how such renewal is taking place through tourism (even of a dark kind) and the unsettling (but also inspirational) experience of walking through this liminal space of Cambodian his…

  • Media Literacy, 'Thinking Television,' and African American Communication

    Open Access•Anandam Kavoori, Anandam P Kavoori•ARTICLE•Culture Studies ↔ Critical…•2007•Cited by: 2•References: 12

    This essay is a critical, reflexive engagement with the practice, politics and pedagogy of a student centered media literacy project titled 'thinking television.' Written as a theoretical diagnostic, the essay examines the project's value-providing a new vocabulary for democratic communication-and drawbacks, the restrictive nature of narrative possibilities around race in the student projects

  • Becoming Southern: 10 Autoethnographic Polaroids

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2023•Cited by: 1

    I call it 'the great emptying.' This business of making and re-making of the self. The immigrant self, that is: I hold a bucket in my hand Piled high with memories Of Delhi, India, I begin Swirling, Swinging it over head Holding in a deep-deep breath, Throwing it out, away, as far as I can Back to where it belongs The past I call it The Great Filling. This business of making and re-making of the self. The immigrant self, that is: I hold a bucket …

  • An Autoethnographic Quest: Searching for 'Peace' in Seoul, South Korea

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2018•Cited by: 1•References: 11

    This autoethnographic narrative explores the cultural contours of 'Peace' in Seoul, South Korea, bringing together elements of cultural criticism, narrative travelogue, and cultural anthropology. Written as an exemplar for a 'Quest Autoethnography,' it seeks to explore the multiple, layered nature of the question of 'Peace' through local vocabularies for identity, including media, language, consumption, community, and above all, culture. The essa…

  • Mapping India's television landscape: Constitutive dimensions and emerging issues

    Kalyani Chadha, Anandam Kavoori•ARTICLE•South Asian History and Culture•2012•Cited by: 1•References: 3

    Over the last few decades, the Indian television sector has experienced a profound transformation with regard to policies, players, production and practices. Exploring this altered landscape, this essay argues that the present television landscape in India represents a heterogeneous, ‘rhizomatic’ formation characterized by complex constitutive dimensions that simultaneously reflect both the forces of media globalization and local, contextually ro…

  • Bollyculture: Ethnography of identity, media and performance

    Open Access•Anandam Kavoori, Christina A Joseph•ARTICLE•Global Media and Communication•2011•Cited by: 1•References: 6

    This article offers the concept of ‘Bollyculture’ as a paradigmatic frame for understanding the media/dance cultures and life-space of young South-Asian Americans. Drawing on an extended ethnographic study of India Nite 1 (a performance of Bollywood inspired dances), the essay argues that concepts like Bollyculture capture the hybrid and contested nature of diasporic subcultures, while offering concrete ways of observing the longitudinal and disc…

  • Television spectacles as politics

    Michael Gurevitch, Anandam Kavoori et al.•ARTICLE•Communication Monographs•1992•Cited by: 4•References: 3

  • The Purebred and the Platypus: Disciplinarity and Site in Mass Communication Research

    Open Access•Anandam Kavoori, Anandam P Kavoori et al.•ARTICLE•Journal of Communication•1993

  • Global Texts, Narrativity and the Construction of Local and Global Meanings in Television News

    Michael Gurevitch, Anandam Kavoori et al.•ARTICLE•Journal of Narrative and Life…•1994•Cited by: 4•References: 1

    This article discusses the relevance of narrative analysis to the study of media globalization by presenting results of an ongoing study of television news in the United States, Europe, and the Middle East. It discusses issues of local and global meanings by focusing on a number of elements of narrative structure (time, valence, story/discourse, themes, drama, genre, and myths) and argues that each element presents ways to track particularistic a…

  • Postcolonial or neocolonial? Defining the grounds of research in global communication studies: Getting past the latest “post”: Assessing the term “post‐colonial”

    Celeste Michelle Condit, Anandam Kavoori et al.•ARTICLE•Critical Studies in Mass…•1998

    (1998). Postcolonial or neocolonial? Defining the grounds of research in global communication studies. Critical Studies in Mass Communication: Vol. 15, No. 2, pp. 195-203

  • Constructing the ‘national’ on Indian television news

    Anandam Kavoori, Anandam P Kavoori et al.•ARTICLE•Ecquid Novi African Journalism…•1998

    This conceptual essay explores how television news articulates an image of the ‘national’ in an age of commercial liberalisation. Using India as the example, it specifically examines how (a) national politics is covered by four different TV news broadcasts and (b) the cultural and ideological function of these broadcasts. It is argued that the ‘national’ is a segmented discourse, speaking either to a national culture that has the political intere…

  • Discursive texts, reflexive audiences: Global trends in television news texts and audience reception

    Anandam Kavoori, Anandam P Kavoori•ARTICLE•Journal of Broadcasting &…•1999•Cited by: 3•References: 9

    This study examines the process of media globalization at the level of meaning generation (by television news texts) and interpretation (by audiences) based on the analysis of news‐texts and focus groups from four countries. It is suggested that the narrative of television news is discursive: it provides a specific vision of cultural “others”. At the audience level there is the emergence of a global culture of critical media consumption. This ref…

  • Media imperialism revisited: Some findings from the Asian case

    Open Access•Kalyani Chadha, Anandam Kavoori•ARTICLE•Media Culture & Society•2000•Cited by: 24•References: 5

    The media imperialism thesis has long argued that the expansion of Western media production into developing countries has resulted in the domination of their national media environments and the consequent destruction of their indigenous media production. This article examines the empirical tenability of this claim with regard to Asia. Delineating the region's media developments, it identifies forces such as national gate-keeping policies, the dyn…

  • Mediated resistance

    Open Access•Christina A Joseph, Anandam Kavoori et al.•ARTICLE•Annals of Tourism Research•2001•Cited by: 31•References: 26

  • Mapping a critical framework for the study of travel journalism

    Open Access•Elfriede Fürsich, Anandam Kavoori et al.•ARTICLE•International Journal of Cultural…•2001•Cited by: 38•References: 6

    This article provides a programmatic framework for the investigation of travel journalism. We argue that travel journalism is an important site for studying the ideological dimensions of tourism, transcultural encounters and the ongoing dynamics of media globalization. Based on the literature on tourism in sociology, anthropology and cultural studies, we identify three distinct but interrelated theoretical perspectives for the analysis of travel …

  • Bring back the local, work the divide: Two curricular recommendations

    Open Access•Anandam Kavoori•ARTICLE•Global Media and Communication•2007

  • Media Literacy, 'Thinking Television,' and African American Communication

    Open Access•Anandam Kavoori, Anandam P Kavoori•ARTICLE•Culture Studies ↔ Critical…•2007•Cited by: 2•References: 12

    This essay is a critical, reflexive engagement with the practice, politics and pedagogy of a student centered media literacy project titled 'thinking television.' Written as a theoretical diagnostic, the essay examines the project's value-providing a new vocabulary for democratic communication-and drawbacks, the restrictive nature of narrative possibilities around race in the student projects

  • Film Review: Why the sun shines on Slum Dog

    Open Access•Anandam Kavoori•ARTICLE•Global Media and Communication•2009

  • Bollyculture: Ethnography of identity, media and performance

    Open Access•Anandam Kavoori, Christina A Joseph•ARTICLE•Global Media and Communication•2011•Cited by: 1•References: 6

    This article offers the concept of ‘Bollyculture’ as a paradigmatic frame for understanding the media/dance cultures and life-space of young South-Asian Americans. Drawing on an extended ethnographic study of India Nite 1 (a performance of Bollywood inspired dances), the essay argues that concepts like Bollyculture capture the hybrid and contested nature of diasporic subcultures, while offering concrete ways of observing the longitudinal and disc…

  • Mapping India's television landscape: Constitutive dimensions and emerging issues

    Kalyani Chadha, Anandam Kavoori•ARTICLE•South Asian History and Culture•2012•Cited by: 1•References: 3

    Over the last few decades, the Indian television sector has experienced a profound transformation with regard to policies, players, production and practices. Exploring this altered landscape, this essay argues that the present television landscape in India represents a heterogeneous, ‘rhizomatic’ formation characterized by complex constitutive dimensions that simultaneously reflect both the forces of media globalization and local, contextually ro…

  • The new normal: From media imperialism to market liberalization – Asia’s shifting television landscapes

    Open Access•Kalyani Chadha, Anandam Kavoori•ARTICLE•Media Culture & Society•2015•Cited by: 7•References: 9

    This article explores television landscapes in Asia two decades after the introduction of satellite television in the region. Exploring both past trends and emergent logics, it argues that whereas nation-states in Asia originally saw foreign, particularly Western, media flows as an existential threat to local culture and identity, and sought to limit them via a variety of gatekeeping mechanisms, the contemporary situation is very different. Indee…

  • Transcultural Subjectivity: Beyond the Global/Local Divide - Towards a Transcultural Understanding of Mediated Subjectivity

    Open Access•Brian Creech, Anandam Kavoori•CHAPTER•Postcolonial Studies Meets Media…•2016

  • The Dreams of Nations: An Ethno-Story

    Open Access•Anandam Kavoori•ARTICLE•International Review of…•2018

    This postcolonial “Ethno-Story” narrative weaves through the unwilled constructs (dreams) of two protagonists/recent graduate students—an Indian Muslim man and a (Caucasian) American woman—working/living at the intersection of media, self, and nation. It explores the inner dynamics of personhood (and couplehood) through intersecting narratives of the self with those of mass-mediated images and realities in an age of terrorism and ethnoreligious c…

  • An Autoethnographic Quest: Searching for 'Peace' in Seoul, South Korea

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2018•Cited by: 1•References: 11

    This autoethnographic narrative explores the cultural contours of 'Peace' in Seoul, South Korea, bringing together elements of cultural criticism, narrative travelogue, and cultural anthropology. Written as an exemplar for a 'Quest Autoethnography,' it seeks to explore the multiple, layered nature of the question of 'Peace' through local vocabularies for identity, including media, language, consumption, community, and above all, culture. The essa…

  • The Most Peaceful Place on Earth

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2018•Cited by: 2

    This reflexive non-fiction/autoethnographic account tells the story of the authors visit to Cheung Eeok Killing fields focusing on themes of peace, place, and the politics of cultural renewal in a country devastated by the Khmer Rouge. It offers a pedagogical vision of how such renewal is taking place through tourism (even of a dark kind) and the unsettling (but also inspirational) experience of walking through this liminal space of Cambodian his…

  • What Is Peace? Being an Autoethnographic Account of Methodological Musings From the Beach

    Open Access•Anandam Kavoori•ARTICLE•Qualitative Inquiry•2018•References: 3

    This autoethnographic essay is focused on methodological space of "problematization"-the wrenching intellectual and emotional process (and lived experience) that a scholar goes through before settling into a long-term writing project-in this case travel to different parts of the world, in an attempt to explore the idea and experience of "Peace" in each of those places. Weaving through elements of family memoir, Georgia history, eco-criticism, and…

  • Re-making the World

    Anandam Kavoori•ARTICLE•Journal of Autoethnography•2021

    This collection of autoethnographic eco-poetry offers a pedagogical vision for environmental education in an age of Climate Change (and its denial). The poems reflect on the author’s 10+ years of teaching environmental storytelling. Differing in tone and thematic and emotive imprint (ruminative, conciliatory, angry, deliberative), these autoethnographic eco-poems offer entry points for the reader/educator to engage with the coming crises of Clima…

  • Dull as Dachau

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2021•References: 3

    Dull as Dachau is a reflexive, autoethnographic account of the contrived engagement of American undergraduates (from a privileged background) of a class-mandated visit to the Dachau Concentration Camp, near Munich, Germany. Written as a poem, with commentary/contextual referencing in end notes, the essay explores the transactional nature of dark tourism and offers a critique of such pedagogical engagements with history, especially in the context …

  • Remembering My Duniya

    Anandam Kavoori•ARTICLE•Journal of Autoethnography•2023

    This autoethnographic place-based essay explores the ecological space the author grew up in the desert state of Gujarat, in western India.1 Simultaneously, it is also an exploration of the inner journey of discovery, joy, and belonging that a child enacts in discovering the outdoors, his /her/their Duniya,2 or to put it more formally, comes into an environmental consciousness. The essay is a contribution to autoethnographic scholarship in the evo…

  • Becoming Southern: 10 Autoethnographic Polaroids

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2023•Cited by: 1

    I call it 'the great emptying.' This business of making and re-making of the self. The immigrant self, that is: I hold a bucket in my hand Piled high with memories Of Delhi, India, I begin Swirling, Swinging it over head Holding in a deep-deep breath, Throwing it out, away, as far as I can Back to where it belongs The past I call it The Great Filling. This business of making and re-making of the self. The immigrant self, that is: I hold a bucket …

  • This Land is La Bamba Land Autoethnographic Encounters With Mexico's Son Jarocho

    Open Access•Anandam Kavoori•ARTICLE•Culture Studies ↔ Critical…•2025•References: 1

    This essay is a contribution to Autoethnography as a qualitative method drawing on site visits over a decade in Mexico examining a musical-performative tradition called Son Jarocho . Melding together elements of memoir, reportage, and narrative travelogue-it seeks to provide an exemplar of a scripting technique, entitled 'Autoethnographic Encounters.' (hereafter AE). Contextual information is provided in end notes. Each AE represents one moment i…

Sociology (22 works) · Political science (18 works) · Media studies (14 works) · Art (12 works) · Anthropology (9 works) · Law (9 works) · Literature (9 works) · Media Studies and Communication (9 works) · Aesthetics (8 works) · Law (7 works)

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