Chris Welsby
Biographic Data
| ID | 1200439 |
|---|---|
| NAME | Chris Welsby |
| GIVEN NAMES | Chris |
| FAMILY NAME | Welsby |
| SIGNATURE | WELSBY C |
| AFFILIATIONS | Chris Welsby (artist, educator), School for the Contemporary Arts, Simon Fraser University, Vancouver, BC Canada, V6B 5K3.. |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Expanded cinema
This article will suggest that the conceptual framework of expanded cinema in the mid-twentieth century, particularly the radical performances of the UK-based Filmaktion group, has parallels in the scientific formulations of the time. The argument will be made that the intellectual breadth of the movement extends beyond the limitations of the art world and that the work produced made an important contribution to the history of ideas and, as such,…
Technology, Nature, Software and Networks
The author began making films and installations in the early 1970s. Although he has worked across a range of media, he has always concentrated on one particular theme that he conceptualizes as a two-sided question: How do we see ourselves in relation to the natural world, and how should we position our selves and our technologies within it? This essay traces some of the threads of these seminal ideas through a selection of works made in the years…
Technology, Nature, Software and Networks
The author began making films and installations in the early 1970s. Although he has worked across a range of media, he has always concentrated on one particular theme that he conceptualizes as a two-sided question: How do we see ourselves in relation to the natural world, and how should we position our selves and our technologies within it? This essay traces some of the threads of these seminal ideas through a selection of works made in the years…
Technology, Nature, Software and Networks
The author began making films and installations in the early 1970s. Although he has worked across a range of media, he has always concentrated on one particular theme that he conceptualizes as a two-sided question: How do we see ourselves in relation to the natural world, and how should we position our selves and our technologies within it? This essay traces some of the threads of these seminal ideas through a selection of works made in the years…
Expanded cinema
This article will suggest that the conceptual framework of expanded cinema in the mid-twentieth century, particularly the radical performances of the UK-based Filmaktion group, has parallels in the scientific formulations of the time. The argument will be made that the intellectual breadth of the movement extends beyond the limitations of the art world and that the work produced made an important contribution to the history of ideas and, as such,…
Art (2 works) · History (2 works) · Archaeology (1 works) · Art history (1 works) · Artificial Intelligence (1 works) · Artificial Intelligence (1 works) · Cinema and Media Studies (1 works) · Computer Science (1 works) · Data science (1 works) · Database (1 works)