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Diana De Marly

Biographic Data

ID1200987
NAMEDiana De Marly
GIVEN NAMESDiana
FAMILY NAMEDe Marly
SIGNATUREDE MARLY D
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR2003
H-INDEX1
  • Dress in the 19th and 20th centuries in Europe and North America

    Eleanor Gawne, Diana De Marly•CHAPTER•2003

  • Dress in North America, The New World 1492-1800

    Michele Majer, Diana De Marly•ARTICLE•Eighteenth-Century Studies•1991

  • Fashion and History

    Lois Banner, Lois W Banner et al.•ARTICLE•The Journal of Interdisciplinary…•1982

  • Dress in Baroque Portraiture: The Flight From Fashion

    Open Access•Diana De Marly•ARTICLE•The Antiquaries Journal•1980•References: 3

    Baroque artists were so concerned at the changeability of contemporary fashion that they employed Roman, Arcadian and informal dress in portraits in an attempt to be timeless

  • Fashionable Suppliers 1660–1700: Leading Tailors and Clothing Tradesmen of the Restoration Period

    Open Access•Diana De Marly•ARTICLE•The Antiquaries Journal•1978•Cited by: 1•References: 1

    A study of seven collections of clothing accounts reveals that in the period 1660–1700 ten firms held a dominant position in London as suppliers of clothes and materials to the nobility. Below this group there were numerous tradesmen with only one aristocratic patron at a time

  • Fashionable Suppliers 1660–1700: Leading Tailors and Clothing Tradesmen of the Restoration Period

    Open Access•Diana De Marly•ARTICLE•The Antiquaries Journal•1978•Cited by: 1•References: 1

    A study of seven collections of clothing accounts reveals that in the period 1660–1700 ten firms held a dominant position in London as suppliers of clothes and materials to the nobility. Below this group there were numerous tradesmen with only one aristocratic patron at a time

  • Fashionable Suppliers 1660–1700: Leading Tailors and Clothing Tradesmen of the Restoration Period

    Open Access•Diana De Marly•ARTICLE•The Antiquaries Journal•1978•Cited by: 1•References: 1

    A study of seven collections of clothing accounts reveals that in the period 1660–1700 ten firms held a dominant position in London as suppliers of clothes and materials to the nobility. Below this group there were numerous tradesmen with only one aristocratic patron at a time

  • Dress in Baroque Portraiture: The Flight From Fashion

    Open Access•Diana De Marly•ARTICLE•The Antiquaries Journal•1980•References: 3

    Baroque artists were so concerned at the changeability of contemporary fashion that they employed Roman, Arcadian and informal dress in portraits in an attempt to be timeless

  • Fashion and History

    Lois Banner, Lois W Banner et al.•ARTICLE•The Journal of Interdisciplinary…•1982

  • Dress in North America, The New World 1492-1800

    Michele Majer, Diana De Marly•ARTICLE•Eighteenth-Century Studies•1991

  • Dress in the 19th and 20th centuries in Europe and North America

    Eleanor Gawne, Diana De Marly•CHAPTER•2003

Fashion and Cultural Textiles (4 works) · History (3 works) · Ancient history (2 works) · Art (2 works) · Clothing (2 works) · Historical Art and Culture Studies (2 works) · History (2 works) · Aesthetics (1 works) · American Environmental and Regional History (1 works) · American History and Culture (1 works)

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