Pariece Nelligan
Biographic Data
| ID | 1202157 |
|---|---|
| NAME | Pariece Nelligan |
| GIVEN NAMES | Pariece |
| FAMILY NAME | Nelligan |
| SIGNATURE | NELLIGAN P |
| AFFILIATIONS | Deakin University |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 8 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
It was hard before and it’s even harder now’
This article offers reflections on the impact of COVID-19 on the arts and entertainment industries in Australia, with a specific focus on the music industry. The pandemic has placed added financial and psychological strain on the industry’s workers and performing artists, many of whom were already struggling emotionally with financial instability and job insecurity prior to the pandemic. The federal government’s inadequate financial support for a…
The Creativity Hoax
The Creativity Hoax
Politicians, educators and business leaders often tell young people they will need to develop their creative skills to be ready for the new economy. Vast numbers of school leavers enrol in courses in media, communications, creative and performing arts, yet few will ever achieve the creative careers they aspire to. The big cities are filled with performers, designers, producers and writers who cannot make a living from their art/craft. They are to…
Labile Labour - Gender, Flexibility and Creative Work
The growth of the new economy and creative work has posed a range of challenges for young workers in the West. Creativity has come to signify something more than simply performing symbolic and knowledge work. To be creative is now also to exhibit an entrepreneurial savviness and a readiness to endure the vagaries of precarious work and the scrutiny of creative gatekeepers. In this paper, based on research in Australia amongst creative aspirants, …
Beyond the vocational fragments
The subjective experience of employment insecurity may be more contradictory than discourses of ‘fragmentation’ and ‘flexploitation’ suggest. For young people seeking careers in creative occupations, the expectation of insecure employment conditions has become normalised. This may be the combined effect of intergenerational changes in the youth labour market generally, and the nature of employment in creative industries at all career stages. The …
Labile Labour - Gender, Flexibility and Creative Work
The growth of the new economy and creative work has posed a range of challenges for young workers in the West. Creativity has come to signify something more than simply performing symbolic and knowledge work. To be creative is now also to exhibit an entrepreneurial savviness and a readiness to endure the vagaries of precarious work and the scrutiny of creative gatekeepers. In this paper, based on research in Australia amongst creative aspirants, …
Beyond the vocational fragments
The subjective experience of employment insecurity may be more contradictory than discourses of ‘fragmentation’ and ‘flexploitation’ suggest. For young people seeking careers in creative occupations, the expectation of insecure employment conditions has become normalised. This may be the combined effect of intergenerational changes in the youth labour market generally, and the nature of employment in creative industries at all career stages. The …
Labile Labour - Gender, Flexibility and Creative Work
The growth of the new economy and creative work has posed a range of challenges for young workers in the West. Creativity has come to signify something more than simply performing symbolic and knowledge work. To be creative is now also to exhibit an entrepreneurial savviness and a readiness to endure the vagaries of precarious work and the scrutiny of creative gatekeepers. In this paper, based on research in Australia amongst creative aspirants, …
The Creativity Hoax
The Creativity Hoax
Politicians, educators and business leaders often tell young people they will need to develop their creative skills to be ready for the new economy. Vast numbers of school leavers enrol in courses in media, communications, creative and performing arts, yet few will ever achieve the creative careers they aspire to. The big cities are filled with performers, designers, producers and writers who cannot make a living from their art/craft. They are to…
It was hard before and it’s even harder now’
This article offers reflections on the impact of COVID-19 on the arts and entertainment industries in Australia, with a specific focus on the music industry. The pandemic has placed added financial and psychological strain on the industry’s workers and performing artists, many of whom were already struggling emotionally with financial instability and job insecurity prior to the pandemic. The federal government’s inadequate financial support for a…
Political science (4 works) · Sociology (4 works) · Creativity (3 works) · Cultural Industries and Urban Development (3 works) · Digital Economy and Work Transformation (3 works) · Economics (3 works) · Engineering (3 works) · Law (3 works) · Medicine (3 works) · Psychology (3 works)