Katie Bank
Biographic Data
| ID | 1202674 |
|---|---|
| NAME | Katie Bank |
| GIVEN NAMES | Katie |
| FAMILY NAME | Bank |
| SIGNATURE | BANK K |
| AFFILIATIONS | University of Oxford |
| ORCID | 0000-0001-6757-9510 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Syrene Soundes
“Amphions Harp gaue sence vnto stone Walles”
In 1582 George Whetstone described the feeling of entering a barren Great Chamber the morning after a night of sparkling social and musical entertainments. Recounting the previous night’s activities, he reflected on the relationship between musical activity and space, saying ‘the Poets fayned not without reason, that Amphions Harp gaue sence vnto stone Walles’. This article explores the complex relationships between sensing, sociability, activity…
Composing Community in Late Medieval Music
Reviewed by: Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice by Jane D. Hatter Katie Bank Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice. By Jane D. Hatter. Cambridge: Cambridge University Press, 2019. (Music in context.) [xvii, 298 p. ISBN 978-1-108-47491-7 (hardcover); 978-1-108-57580-5 (e-book). £75] Jane D. Hatter’s first monograph, Composing Community in Late Medieval Mus…
The Praise of Musicke, 1586
Routledge’s series Music Theory in Britain, 1500–1700: Critical Editions is a welcome contribution to recent revision in the scholarly approach to early modern English writing on music. In the past fifty years, English musical treatises have been often regarded as inferior to their Continental counterparts for a variety of reasons. Though more recent approaches to history better appreciate the value of an anonymously authored treatise such as The…
Dialogues of Byrd and Sidney
This article offers a reading of Byrd's setting of Sidney's text ‘O you that heare this voice’ from Byrd's 1588 publication Psalms, sonets, and songs of sadness and piety that positions the piece as a practical performance of the negotiation surrounding changes in episteme that unfolded over the seventeenth century. Musical analysis of William Byrd's settings of poetry by Philip Sidney has proven to present significant hermeneutic challenges. Thi…
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Dialogues of Byrd and Sidney
This article offers a reading of Byrd's setting of Sidney's text ‘O you that heare this voice’ from Byrd's 1588 publication Psalms, sonets, and songs of sadness and piety that positions the piece as a practical performance of the negotiation surrounding changes in episteme that unfolded over the seventeenth century. Musical analysis of William Byrd's settings of poetry by Philip Sidney has proven to present significant hermeneutic challenges. Thi…
The Praise of Musicke, 1586
Routledge’s series Music Theory in Britain, 1500–1700: Critical Editions is a welcome contribution to recent revision in the scholarly approach to early modern English writing on music. In the past fifty years, English musical treatises have been often regarded as inferior to their Continental counterparts for a variety of reasons. Though more recent approaches to history better appreciate the value of an anonymously authored treatise such as The…
Composing Community in Late Medieval Music
Reviewed by: Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice by Jane D. Hatter Katie Bank Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice. By Jane D. Hatter. Cambridge: Cambridge University Press, 2019. (Music in context.) [xvii, 298 p. ISBN 978-1-108-47491-7 (hardcover); 978-1-108-57580-5 (e-book). £75] Jane D. Hatter’s first monograph, Composing Community in Late Medieval Mus…
“Amphions Harp gaue sence vnto stone Walles”
In 1582 George Whetstone described the feeling of entering a barren Great Chamber the morning after a night of sparkling social and musical entertainments. Recounting the previous night’s activities, he reflected on the relationship between musical activity and space, saying ‘the Poets fayned not without reason, that Amphions Harp gaue sence vnto stone Walles’. This article explores the complex relationships between sensing, sociability, activity…
Syrene Soundes
Art (4 works) · Literature (4 works) · Musical (4 works) · Art history (3 works) · History (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Law (2 works) · Linguistics (2 works) · Medieval Literature and History (2 works)