Barbara Rose Lange
Biographic Data
| ID | 120419 |
|---|---|
| NAME | Barbara Rose Lange |
| GIVEN NAMES | Barbara Rose |
| FAMILY NAME | Lange |
| SIGNATURE | LANGE B R |
| AFFILIATIONS | University of Houston |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 13 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Local Fusions
Local Fusions: Folk Music Experiments in Central Europe at the Millennium explores musical life in Hungary, Slovakia, and Austria between the end of the Cold War and the world financial crisis of 2008. It describes how artists made new social commentary and tried new ways of working together as the political and economic atmosphere changed. The book presents case studies from Budapest, Bratislava, and Vienna, drawing from ethnographic research an…
Urban Nostalgia in the Music of Požoň sentimentál
Chapter 5 discusses nostalgia and avant-garde art in Bratislava with a case study of the musical group Požoň sentimentál. This chapter argues that although nostalgia is a feature of the postcommunist urban scene, Bratislava residents and many other Central Europeans are not nostalgic. Drawing on the ideas of Eve Kosofsky Sedgwick, the chapter proposes that Bratislava avant-gardists make postmodern reparative readings. The chapter details how duri…
Recuperating the Alpine Image in Austrian Music
Chapter 7 discusses the identity politics of alpine music in Austria; alongside art music, it defined the nation until the turn of the millennium. The chapter describes how past and present adherents of the far right claimed the alpine as German-speaking rather than multiethnic, and as traditional in its gender roles. The chapter then explores how intellectuals and artists proposed new concepts of the nation. Neue Volksmusik (new folk music) was …
Folk Music and Commercialization in Danubian Trances and Boheme
Hungary participates in the Central European narrative of rejuvenation and renewal through EDM, but the commercialization of remixes has disturbed that account. Hungarians debate the meanings of two different CD projects: Deep Forest's 1995 album Boheme and Kroly Cserepes's 2003 album Danubian Trances: mikroworldambient. Hungarian fans praise Danubian Trances as an elegant update of national sensibility. Boheme's remixes of Hungarian and Romani f…
Musiques hongroises de Transylvanie
Book Review| May 01 2011 Musiques hongroises de Transylvanie: Traditions du Gyimes et de la Grande Plaine / Hungarian Music from Transylvania: Traditions of Gyimes and the Great Plain Musiques hongroises de Transylvanie: Traditions du Gyimes et de la Grande Plaine / Hungarian Music from Transylvania: Traditions of Gyimes and the Great Plain. 2001. Recording project directed by László Kelemen and Róbert Kerényi. Editing and selection of tracks by …
Fire in the Mountains. Polish Mountain Fiddle Music, Vol. I
The Musical World of a Hungarian Village-Aj, 1940
Hypermedia and Ethnomusicology
L'A. discute les apports et les consequences methodologiques, theoriques et relationnels de l'utilisation des supports hypermedia (CD-ROM et internet) en ethnomusicologie. Examinant les differentes applications et possibilites de l'hypermedia pour la recherche (complement et renouvellement des procedes de publication, interactivite et experimentation dans la narration et representation ethnographique, redefinition des relations avec les informate…
Sociality. Music. Dance
The Exotic in Western Music
Exoticism has flourished in western music since the 17th century. A blend of familiar and unfamiliar gestures, this vibrant musical language takes the listener beyond the ordinary by evoking foreign cultures and forbidden desires. In this collection, musicologists explore the ways in which western composers have used exotic elements for dramatic and striking effect. Interweaving historical, musical, and cultural perspectives, the contributors exa…
What Was That Conquering Magic
La musique populaire nota des gitans hongrois, appeles communement Romungro, a connu diverses ruptures au cours du XX e siecle en fonction du contexte socio-historique et des relations conflictuelles de la communaute Rom avec les pouvoirs hegemoniques. L'A. analyse les definitions du style nota, le contexte actuel des pratiques musicales, et l'importance de la symbolisation de la perte et de la rupture dans les chansons. Ce style musical est proc…
Gender Politics and Musical Performers in the Isten Gyulekezet
L'A. decrit sa recherche sur le terrain avec les musiciens gitans d'Isten Gyulekezet, une Eglise pentecotiste du Sud de la Hongrie. La performance musicale instrumentale represente une forme speciale de leadership, limitee par les categories de sexe et basee dans une histoire culturelle seculiere ainsi que dans la pratique religieuse. Les musiciens et autres croyants interpreterent le role de l'ethnographe de differentes manieres. L'expose de ces…
Chants tziganes. Gypsy folksongs
Hypermedia and Ethnomusicology
L'A. discute les apports et les consequences methodologiques, theoriques et relationnels de l'utilisation des supports hypermedia (CD-ROM et internet) en ethnomusicologie. Examinant les differentes applications et possibilites de l'hypermedia pour la recherche (complement et renouvellement des procedes de publication, interactivite et experimentation dans la narration et representation ethnographique, redefinition des relations avec les informate…
Gender Politics and Musical Performers in the Isten Gyulekezet
L'A. decrit sa recherche sur le terrain avec les musiciens gitans d'Isten Gyulekezet, une Eglise pentecotiste du Sud de la Hongrie. La performance musicale instrumentale represente une forme speciale de leadership, limitee par les categories de sexe et basee dans une histoire culturelle seculiere ainsi que dans la pratique religieuse. Les musiciens et autres croyants interpreterent le role de l'ethnographe de differentes manieres. L'expose de ces…
Gender Politics and Musical Performers in the Isten Gyulekezet
L'A. decrit sa recherche sur le terrain avec les musiciens gitans d'Isten Gyulekezet, une Eglise pentecotiste du Sud de la Hongrie. La performance musicale instrumentale represente une forme speciale de leadership, limitee par les categories de sexe et basee dans une histoire culturelle seculiere ainsi que dans la pratique religieuse. Les musiciens et autres croyants interpreterent le role de l'ethnographe de differentes manieres. L'expose de ces…
Chants tziganes. Gypsy folksongs
What Was That Conquering Magic
La musique populaire nota des gitans hongrois, appeles communement Romungro, a connu diverses ruptures au cours du XX e siecle en fonction du contexte socio-historique et des relations conflictuelles de la communaute Rom avec les pouvoirs hegemoniques. L'A. analyse les definitions du style nota, le contexte actuel des pratiques musicales, et l'importance de la symbolisation de la perte et de la rupture dans les chansons. Ce style musical est proc…
Sociality. Music. Dance
The Exotic in Western Music
Exoticism has flourished in western music since the 17th century. A blend of familiar and unfamiliar gestures, this vibrant musical language takes the listener beyond the ordinary by evoking foreign cultures and forbidden desires. In this collection, musicologists explore the ways in which western composers have used exotic elements for dramatic and striking effect. Interweaving historical, musical, and cultural perspectives, the contributors exa…
Hypermedia and Ethnomusicology
L'A. discute les apports et les consequences methodologiques, theoriques et relationnels de l'utilisation des supports hypermedia (CD-ROM et internet) en ethnomusicologie. Examinant les differentes applications et possibilites de l'hypermedia pour la recherche (complement et renouvellement des procedes de publication, interactivite et experimentation dans la narration et representation ethnographique, redefinition des relations avec les informate…
Fire in the Mountains. Polish Mountain Fiddle Music, Vol. I
The Musical World of a Hungarian Village-Aj, 1940
Musiques hongroises de Transylvanie
Book Review| May 01 2011 Musiques hongroises de Transylvanie: Traditions du Gyimes et de la Grande Plaine / Hungarian Music from Transylvania: Traditions of Gyimes and the Great Plain Musiques hongroises de Transylvanie: Traditions du Gyimes et de la Grande Plaine / Hungarian Music from Transylvania: Traditions of Gyimes and the Great Plain. 2001. Recording project directed by László Kelemen and Róbert Kerényi. Editing and selection of tracks by …
Folk Music and Commercialization in Danubian Trances and Boheme
Hungary participates in the Central European narrative of rejuvenation and renewal through EDM, but the commercialization of remixes has disturbed that account. Hungarians debate the meanings of two different CD projects: Deep Forest's 1995 album Boheme and Kroly Cserepes's 2003 album Danubian Trances: mikroworldambient. Hungarian fans praise Danubian Trances as an elegant update of national sensibility. Boheme's remixes of Hungarian and Romani f…
Local Fusions
Local Fusions: Folk Music Experiments in Central Europe at the Millennium explores musical life in Hungary, Slovakia, and Austria between the end of the Cold War and the world financial crisis of 2008. It describes how artists made new social commentary and tried new ways of working together as the political and economic atmosphere changed. The book presents case studies from Budapest, Bratislava, and Vienna, drawing from ethnographic research an…
Urban Nostalgia in the Music of Požoň sentimentál
Chapter 5 discusses nostalgia and avant-garde art in Bratislava with a case study of the musical group Požoň sentimentál. This chapter argues that although nostalgia is a feature of the postcommunist urban scene, Bratislava residents and many other Central Europeans are not nostalgic. Drawing on the ideas of Eve Kosofsky Sedgwick, the chapter proposes that Bratislava avant-gardists make postmodern reparative readings. The chapter details how duri…
Recuperating the Alpine Image in Austrian Music
Chapter 7 discusses the identity politics of alpine music in Austria; alongside art music, it defined the nation until the turn of the millennium. The chapter describes how past and present adherents of the far right claimed the alpine as German-speaking rather than multiethnic, and as traditional in its gender roles. The chapter then explores how intellectuals and artists proposed new concepts of the nation. Neue Volksmusik (new folk music) was …
Art (9 works) · Musical (8 works) · Visual arts (8 works) · History (6 works) · Art history (4 works) · Geography (4 works) · Musicology and Musical Analysis (4 works) · Political science (4 works) · Aesthetics (3 works) · Diverse Musicological Studies (3 works)