Frances Harding

Biographic Data

ID120464
NAMEFrances Harding
GIVEN NAMESFrances
FAMILY NAMEHarding
SIGNATUREHARDING F
AFFILIATIONSSOAS University of London
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS13
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2007
H-INDEX2

  • Appearing fabu-lous

    Frances HardingARTICLEFilm International2007

    Preview this article: Appearing fabu-lous: from tender romance to horrifying sex, Page 1 of 1 /docserver/preview/fulltext/fint/5/4/s2-1.gif

  • Performing (in) everyday life

    Frances HardingARTICLEJournal of African Cultural Studies2007References: 3

    Life (is) all inclusion and confusion and art (is) all discrimination and selection (Henry James 1908/1967: 5) For many years I have had this version of words by Henry James1 pinned up outside my o

  • African Theater Women

    Frances HardingARTICLEAfrican Arts2004

    October 01 2004 African Theater Women by JanePlastow Frances Harding Frances Harding Search for other works by this author on: This Site Google Scholar Author and Article Information Frances Harding Online Issn: 1937-2108 Print Issn: 0001-9933 Copyright 2004 Regents of the University of California2004 African Arts (2004) 37 (3): 89. https://doi.org/10.1162/afar.2004.37.3.89 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Mai…

  • African Film

    Frances Harding, Josef GuglerARTICLEAfrica2004Cited by: 5

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Africa and the moving image

    Frances HardingARTICLEJournal of African Cultural Studies2003Cited by: 6References: 5

    Drawing on the media in several countries on the continent of Africa and in the UK, in this article I explore the different ways in which the media produces and presents visual images of Africa. The various images of Africa have of course been dependent on two main factors: firstly, the development of technology and subsequent access to it; and secondly, the ideology and ethos informing the use of the technology. I begin by considering an unlikel…

  • The media and Africa

    Frances HardingARTICLEJournal of African Cultural Studies2003Cited by: 1

  • Presenting and Re-Presenting the Self

    Frances HardingARTICLETDR/The Drama Review1999

    June 01 1999 Presenting and Re-Presenting the Self: From Not-Acting to Acting in African Performance Frances Harding Frances Harding Search for other works by this author on: This Site Google Scholar Author and Article Information Frances Harding Frances Harding is Lecturer in African Drama in the Department of African Languages and Cultures at the School of Oriental and African Studies (SOAS), University of London. She has worked in theatre in s…

  • To Present the Self in a Special Way

    Frances HardingARTICLEAfrican Arts1998Cited by: 1

    Depuis les annees 1960, la societe Tiv du Nigeria a forge un theâtre populaire appele Kwagh-hir qui met en scene de grandes marionnettes et des masques sculptes en bois. Le statut d'acteur ou d'artiste dans la societe Tiv confere un prestige social qui porte le nom de shagba. L'A. analyse comment l'identite personnelle du porteur de masque est cependant camouflee et redefinie durant les spectacles, puis compare cette pratique specifique avec cell…

  • Speaking for Women

    Anne Mungai, Frances HardingARTICLEMatatu1997

  • Yoruba Ritual

    Frances Harding, Margaret Thompson DrewalARTICLEAfrican Arts1993

  • Soyinka and power

    Frances HardingARTICLEAfrican Languages and Cultures1991