Amalia Gladhart
Biographic Data
| ID | 1205000 |
|---|---|
| NAME | Amalia Gladhart |
| GIVEN NAMES | Amalia |
| FAMILY NAME | Gladhart |
| SIGNATURE | GLADHART A |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Afterword
In the fall of 2011, I spent three months in Rosario, Argentina, teaching in a study abroad program. Before I went, the program’s site director, who was acquainted with Angélica Gorodischer, kindly
Disarticulations
I have to write these texts while she is alive, before either death or closure, to try to understand this being/not being of a person who is coming apart before my eyes. I have to do it this way so
Tango (Tango, 2007)
Mobile Thresholds, Immobile Phones
In the past decade, hundreds of thousands of Ecuadorians have emigrated, principally to Spain and the United States. A growing body of recent Ecuadorian plays has treated the experiences of the migrants and, tellingly, the experiences of those left behind. This essay focuses on three plays that present migration as a kind of threshold, a space of transition that is paradoxically temporary yet solid: Con estos zapatos me quería comer el mundo ‘Wit…
Partial Knowledge
Partial knowledge:challenges for Latin American theatre scholarship in the US Amalia Gladhart The theatres of Latin America, traditional, experimental or (to borrow Augusto Boal's term) invisible, are a fertile yet contested space in which to approach key questions of history, memory, identity, and representation. The theatre may offer a space of freedom and resistance, but it may also reflect the relations of power and of violence that exist off…
The Leper in Blue
The Leper in Blue. Coercive Performance and the Contemporary Latin American Theater
The Leper in Blue: Coercive and the Contemporary Latin American Theater. By Amalia Gladhart. Chapel Hill: North Carolina Studies in Romance Languages and Literatures, 2000. 245 pages.Once the least studied branch of Latin American literature, theater has gradually been sparking increased interest since the mid 1970s. In fact, in recent years we have witnessed a notable surge in book-length contributions to the field, not the least of which is Gla…
No prominent works on this page.
The Leper in Blue. Coercive Performance and the Contemporary Latin American Theater
The Leper in Blue: Coercive and the Contemporary Latin American Theater. By Amalia Gladhart. Chapel Hill: North Carolina Studies in Romance Languages and Literatures, 2000. 245 pages.Once the least studied branch of Latin American literature, theater has gradually been sparking increased interest since the mid 1970s. In fact, in recent years we have witnessed a notable surge in book-length contributions to the field, not the least of which is Gla…
The Leper in Blue
Partial Knowledge
Partial knowledge:challenges for Latin American theatre scholarship in the US Amalia Gladhart The theatres of Latin America, traditional, experimental or (to borrow Augusto Boal's term) invisible, are a fertile yet contested space in which to approach key questions of history, memory, identity, and representation. The theatre may offer a space of freedom and resistance, but it may also reflect the relations of power and of violence that exist off…
Mobile Thresholds, Immobile Phones
In the past decade, hundreds of thousands of Ecuadorians have emigrated, principally to Spain and the United States. A growing body of recent Ecuadorian plays has treated the experiences of the migrants and, tellingly, the experiences of those left behind. This essay focuses on three plays that present migration as a kind of threshold, a space of transition that is paradoxically temporary yet solid: Con estos zapatos me quería comer el mundo ‘Wit…
Tango (Tango, 2007)
Afterword
In the fall of 2011, I spent three months in Rosario, Argentina, teaching in a study abroad program. Before I went, the program’s site director, who was acquainted with Angélica Gorodischer, kindly
Disarticulations
I have to write these texts while she is alive, before either death or closure, to try to understand this being/not being of a person who is coming apart before my eyes. I have to do it this way so
Art (4 works) · History (4 works) · Latin American and Latino Studies (3 works) · Latin American Literature Studies (3 works) · Latin Americans (3 works) · Law (3 works) · Political science (3 works) · Aesthetics (2 works) · History (2 works) · Law (2 works)