H L Tracy

Biographic Data

ID1206648
NAMEH L Tracy
GIVEN NAMESH L
FAMILY NAMETracy
SIGNATURETRACY H L
VERIFIEDNo
TOTAL WORKS17
TOTAL CITATIONS14
AUTHOR COUNT17
EDITOR COUNT0
FIRST PUBLICATION YEAR1941
LATEST PUBLICATION YEAR1964
H-INDEX2

  • Boundaries of Dionysus

    H L Tracy, Alfred Cary SchlesingerARTICLEPhoenix1964

  • Barbarians in Greek Tragedy

    H L TracyREVIEWPhoenix1962

  • Art and Literature in Fourth Century Athens

    H L Tracy, T B L WebsterARTICLEPhoenix1959Cited by: 10

  • A Study of Sophoclean Drama

    H L Tracy, G M KirkwoodARTICLEThe Classical World1958

  • Philoctetes: The Play and The Man

    H L Tracy, Ivan M LinforthARTICLEPhoenix1956

  • Alcestis

    H L Tracy, A M DaleARTICLEPhoenix1955

  • Ancilla to Classical Reading

    H L Tracy, Moses HadasARTICLEPhoenix1955

  • Hades in Montage

    H L TracyARTICLEPhoenix1954

    IN the ancient epic, as everyone knows, the author was an adaptor rather than an inventor. Obliged by custom to keep close to the traditions laid down for the literary type he was using, he could not slight or omit standard plot-material or methods of treatment. The margin for originality, at least in the actual story, was small. We have become familiar, through the work of such critics as Sir Maurice Bowra and Professor Rhys Carpenter, with the …

  • Horace, Odes and Epodes

    H L Tracy, A Y Campbell et al.ARTICLEPhoenix1954

  • "Religion and Drama in "Oedipus at Colonus

    H L Tracy, Ivan M LinforthARTICLEThe Classical Weekly1953Cited by: 4

  • Kakemono. A Sketch Book of Post-War Japan

    Joseph Roggendorf, Honor Tracy et al.ARTICLEMonumenta Nipponica1952

  • Maius Opus (Aeneid 7-12)

    H L Tracy, William H AlexanderARTICLEPhoenix1952

  • Aristotelis Categoriae et Liber de Interpretatione

    H L Tracy, L Minio-PaluelloARTICLEThe Classical Weekly1951

  • The Greek Tragic Poets

    H L Tracy, D W LucasARTICLEPhoenix1951

  • Thought-Sequence in the Ode

    H L TracyARTICLEPhoenix1951

    A NCIENT lyric poetry falls into two main types: the Doric choir-song, and the Asiatic monody. Sir Maurice Bowra describes these types as fundamentally different in form, origin, style, and character, despite some interaction.' The choral ode, he says, was formal and artificial, designed to go with music and dance, concerned with a definite occasion, abounding in maxims and old tales, generally religious in its associations. Such was the work of …

  • The Pattern of Vergil's "Aeneid" I-VI

    H L TracyARTICLEPhoenix1950

    I am well aware that lofty genius is far removed from flawlessness; for invariable accuracy incurs the risk of pettiness, and in the sublime . . . there must be something which is overlooked... I have myself noted not a few errors on the part of Homer and other writers of the greatest distinction .... Still I do not term them wilful errors, but rather oversights of a random and casual kind, due to neglect and introduced with all the heedlessness …

  • An Intellectual Factor in Aesthetic Pleasure

    H L TracyARTICLEThe Philosophical Review1941