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Sara S Poor

Biographic Data

ID1207499
NAMESara S Poor
GIVEN NAMESSara S
FAMILY NAMEPoor
SIGNATUREPOOR S S
AFFILIATIONSPrinceton University
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS2
AUTHOR COUNT12
EDITOR COUNT1
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2026
H-INDEX1
  • From Melancholy to Hope: The Future Use-Value of the Past via Medieval German Romance

    Sara S Poor•ARTICLE•Speculum•2026

  • Gender, Reading, and Truth in the Twelfth Century: The Woman in the Mirror

    Sara S Poor•ARTICLE•Speculum•2024

  • Vertical German Studies: The Significance of the Past for a Concept of World Literature

    Open Access•Sara S Poor•ARTICLE•The German Quarterly•2021

  • The Fuss about Fiction: A View from Medieval German Studies

    Sara S Poor•ARTICLE•New Literary History•2020

    In this response, I offer a perspective on the topic of fictionality from the point of view of medieval German studies, where discussions of what constitutes fiction in medieval literature have been of special interest to scholars since the early 1980s. My own addition to this debate is inspired by discussions among German scholars about the problematic authorship of mystical revelations and devotional literature. That is to say, while these disc…

  • Women Teaching Men in the Medieval Devotional Imagination

    Sara S Poor•CHAPTER•Partners in Spirit•2014

    Partners in Spirit focuses on relations between chaste men and women within religious life in Germany (c. 1100-1500), concentrating on the complex set of negotiations that governed contact between a male priest and his female charge. Although religious women were undeniably reliant on priests for pastoral care (the cura monialium) throughout the medieval period, it does not follow that men saw such care as burdensome or that women were spirituall…

  • Why Surface Reading Is Not Enough: Morolf, the Skin of the Jew, and German Medieval Studies

    Sara S Poor•ARTICLE•Exemplaria•2014

    This essay makes a case for the continued necessity and usefulness of so-called “symptomatic reading” within the context of German medieval studies. To demonstrate this necessity, the essay focuses on a short episode at the beginning of the medieval German minstrel epic Salman und Morolf in which Morolf, brother of Salman, the Christian king of Jerusalem, disguises himself in the skin of a murdered Jew in order to retrieve Salman’s wife Salme, wh…

  • Women and Medieval Epic

    Open Access•Sara S Poor, Jana K Schulman•BOOK•Women and the Medieval Epic•2007

    These essays explore the place, function and meaning of women as characters, authors, constructs and symbols in Medieval epics from Persia, Spain, France, England, Germany and Scandinavia. Usually bel

  • The Presentation of Authorship in Medieval German Narrative Literature, 1220-1290 . Sebastian Coxon

    Sara S Poor•ARTICLE•Speculum•2003

  • Mechthild von Magdeburg, Gender, and the “Unlearned Tongue”

    Sara S Poor•ARTICLE•Journal of Medieval and Early…•2001•Cited by: 1•References: 2

    Journal of Medieval and Early Modern Studies - Volume 31, Number 2, Spring 2001

  • Cloaking the Body in Text: The Question of Female Authorship in the Writings of Mechthild von Magdeburg

    Sara S Poor•ARTICLE•Exemplaria•2000•Cited by: 1

    Dar nach tet der selbe priester die stillen messe, der gewihet wart in siner můter libe mit dem heligen geiste. Do er die wissen ovelaten nam in sine hende, do hůp sich das selbe lamp uf, das uf dem alter stůnt, und vogete sich mit den worten under die zeichen siner hant in die ovelaten und die ovelaten in das lamp, also das ich der ovelaten nút me sach, mere ein blfitig lamp, gehangen an einem rotten crúze. Mit also sussen ogen sach es úns an, d…

  • Medieval German Literature: A Companion. Marion E. Gibbs , Sidney M. Johnson

    Sara S Poor•ARTICLE•Speculum•1999

  • Light Sorrow: Siegfried Kracauer as Literary Critic

    Karsten Witte, Sara S Poor•ARTICLE•New German Critique•1991

    To study a well-known author within a lesser-known discipline is not to diminish his accomplishments or stature. Historians of modem thought are well aware that Siegfried Kracauer was first an architect, then a sociologist, ajournalist, and a novelist, and finally a historian and a theorist of film and historiography. But are we thus obligated to maintain that he approached his Sociology as Science scientifically, his novels literarily, The White…

  • Kluge on Opera, Film, and Feelings

    Miriam Hansen, Sara S Poor•ARTICLE•New German Critique•1990

  • Mechthild von Magdeburg, Gender, and the “Unlearned Tongue”

    Sara S Poor•ARTICLE•Journal of Medieval and Early…•2001•Cited by: 1•References: 2

    Journal of Medieval and Early Modern Studies - Volume 31, Number 2, Spring 2001

  • Cloaking the Body in Text: The Question of Female Authorship in the Writings of Mechthild von Magdeburg

    Sara S Poor•ARTICLE•Exemplaria•2000•Cited by: 1

    Dar nach tet der selbe priester die stillen messe, der gewihet wart in siner můter libe mit dem heligen geiste. Do er die wissen ovelaten nam in sine hende, do hůp sich das selbe lamp uf, das uf dem alter stůnt, und vogete sich mit den worten under die zeichen siner hant in die ovelaten und die ovelaten in das lamp, also das ich der ovelaten nút me sach, mere ein blfitig lamp, gehangen an einem rotten crúze. Mit also sussen ogen sach es úns an, d…

  • Kluge on Opera, Film, and Feelings

    Miriam Hansen, Sara S Poor•ARTICLE•New German Critique•1990

  • Light Sorrow: Siegfried Kracauer as Literary Critic

    Karsten Witte, Sara S Poor•ARTICLE•New German Critique•1991

    To study a well-known author within a lesser-known discipline is not to diminish his accomplishments or stature. Historians of modem thought are well aware that Siegfried Kracauer was first an architect, then a sociologist, ajournalist, and a novelist, and finally a historian and a theorist of film and historiography. But are we thus obligated to maintain that he approached his Sociology as Science scientifically, his novels literarily, The White…

  • Medieval German Literature: A Companion. Marion E. Gibbs , Sidney M. Johnson

    Sara S Poor•ARTICLE•Speculum•1999

  • Cloaking the Body in Text: The Question of Female Authorship in the Writings of Mechthild von Magdeburg

    Sara S Poor•ARTICLE•Exemplaria•2000•Cited by: 1

    Dar nach tet der selbe priester die stillen messe, der gewihet wart in siner můter libe mit dem heligen geiste. Do er die wissen ovelaten nam in sine hende, do hůp sich das selbe lamp uf, das uf dem alter stůnt, und vogete sich mit den worten under die zeichen siner hant in die ovelaten und die ovelaten in das lamp, also das ich der ovelaten nút me sach, mere ein blfitig lamp, gehangen an einem rotten crúze. Mit also sussen ogen sach es úns an, d…

  • Mechthild von Magdeburg, Gender, and the “Unlearned Tongue”

    Sara S Poor•ARTICLE•Journal of Medieval and Early…•2001•Cited by: 1•References: 2

    Journal of Medieval and Early Modern Studies - Volume 31, Number 2, Spring 2001

  • The Presentation of Authorship in Medieval German Narrative Literature, 1220-1290 . Sebastian Coxon

    Sara S Poor•ARTICLE•Speculum•2003

  • Women and Medieval Epic

    Open Access•Sara S Poor, Jana K Schulman•BOOK•Women and the Medieval Epic•2007

    These essays explore the place, function and meaning of women as characters, authors, constructs and symbols in Medieval epics from Persia, Spain, France, England, Germany and Scandinavia. Usually bel

  • Women Teaching Men in the Medieval Devotional Imagination

    Sara S Poor•CHAPTER•Partners in Spirit•2014

    Partners in Spirit focuses on relations between chaste men and women within religious life in Germany (c. 1100-1500), concentrating on the complex set of negotiations that governed contact between a male priest and his female charge. Although religious women were undeniably reliant on priests for pastoral care (the cura monialium) throughout the medieval period, it does not follow that men saw such care as burdensome or that women were spirituall…

  • Why Surface Reading Is Not Enough: Morolf, the Skin of the Jew, and German Medieval Studies

    Sara S Poor•ARTICLE•Exemplaria•2014

    This essay makes a case for the continued necessity and usefulness of so-called “symptomatic reading” within the context of German medieval studies. To demonstrate this necessity, the essay focuses on a short episode at the beginning of the medieval German minstrel epic Salman und Morolf in which Morolf, brother of Salman, the Christian king of Jerusalem, disguises himself in the skin of a murdered Jew in order to retrieve Salman’s wife Salme, wh…

  • The Fuss about Fiction: A View from Medieval German Studies

    Sara S Poor•ARTICLE•New Literary History•2020

    In this response, I offer a perspective on the topic of fictionality from the point of view of medieval German studies, where discussions of what constitutes fiction in medieval literature have been of special interest to scholars since the early 1980s. My own addition to this debate is inspired by discussions among German scholars about the problematic authorship of mystical revelations and devotional literature. That is to say, while these disc…

  • Vertical German Studies: The Significance of the Past for a Concept of World Literature

    Open Access•Sara S Poor•ARTICLE•The German Quarterly•2021

  • Gender, Reading, and Truth in the Twelfth Century: The Woman in the Mirror

    Sara S Poor•ARTICLE•Speculum•2024

  • From Melancholy to Hope: The Future Use-Value of the Past via Medieval German Romance

    Sara S Poor•ARTICLE•Speculum•2026

Art (11 works) · Historical, Literary, and Cultural Studies (7 works) · History (7 works) · Literature (7 works) · German (6 works) · Medieval Literature and History (6 works) · Computer Science (5 works) · Philosophy (5 works) · Archaeology (4 works) · History (4 works)

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