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David Coughlin

Biographic Data

ID120811
NAMEDavid Coughlin
GIVEN NAMESDavid
FAMILY NAMECoughlin
SIGNATURECOUGHLIN D
AFFILIATIONSUniversity of Birmingham
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS3
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2020
H-INDEX1
  • It may have seemed personal but it wasn't: The Person(al) as Nation(al) in Post-Apartheid Literary Representations of Retribution

    David Coughlin, David D Coughlin•ARTICLE•Journal of Southern African Studies•2020•Cited by: 1

    Crime fiction has experienced a boom in popularity in South Africa in recent years. While some critics argue over the high- or lowbrow status of the genre, a more fruitful approach may be to consider how fiction about crime addresses particular themes in order to negotiate contested ideas of nation-ness. This article will first assess how the Truth and Reconciliation Commission (TRC) and the osmosis between creative non-fiction and crime fiction …

  • Dancing in their own style? Philosophy in Euphrase Kezilahabi'sNagona/Mzingileand the uses of postcolonial discourse in its analysis

    David Coughlin, David D Coughlin•ARTICLE•Journal of African Cultural Studies•2016•Cited by: 2•References: 7

    This paper aims to highlight the ways in which we may use certain theories of postcolonial discourse to shed light on the presence of philosophy (both African and Western) in Afrophone literary works. The analysis focuses on the magical realist Swahili novel Nagona by Euphrase Kezilahabi and how we may use selected theories of postcolonial scholar Homi Bhabha to understand Kezilahabi's discussion of philosophy. Nagona discusses classical Western …

  • Dancing in their own style? Philosophy in Euphrase Kezilahabi'sNagona/Mzingileand the uses of postcolonial discourse in its analysis

    David Coughlin, David D Coughlin•ARTICLE•Journal of African Cultural Studies•2016•Cited by: 2•References: 7

    This paper aims to highlight the ways in which we may use certain theories of postcolonial discourse to shed light on the presence of philosophy (both African and Western) in Afrophone literary works. The analysis focuses on the magical realist Swahili novel Nagona by Euphrase Kezilahabi and how we may use selected theories of postcolonial scholar Homi Bhabha to understand Kezilahabi's discussion of philosophy. Nagona discusses classical Western …

  • It may have seemed personal but it wasn't: The Person(al) as Nation(al) in Post-Apartheid Literary Representations of Retribution

    David Coughlin, David D Coughlin•ARTICLE•Journal of Southern African Studies•2020•Cited by: 1

    Crime fiction has experienced a boom in popularity in South Africa in recent years. While some critics argue over the high- or lowbrow status of the genre, a more fruitful approach may be to consider how fiction about crime addresses particular themes in order to negotiate contested ideas of nation-ness. This article will first assess how the Truth and Reconciliation Commission (TRC) and the osmosis between creative non-fiction and crime fiction …

  • Dancing in their own style? Philosophy in Euphrase Kezilahabi'sNagona/Mzingileand the uses of postcolonial discourse in its analysis

    David Coughlin, David D Coughlin•ARTICLE•Journal of African Cultural Studies•2016•Cited by: 2•References: 7

    This paper aims to highlight the ways in which we may use certain theories of postcolonial discourse to shed light on the presence of philosophy (both African and Western) in Afrophone literary works. The analysis focuses on the magical realist Swahili novel Nagona by Euphrase Kezilahabi and how we may use selected theories of postcolonial scholar Homi Bhabha to understand Kezilahabi's discussion of philosophy. Nagona discusses classical Western …

  • It may have seemed personal but it wasn't: The Person(al) as Nation(al) in Post-Apartheid Literary Representations of Retribution

    David Coughlin, David D Coughlin•ARTICLE•Journal of Southern African Studies•2020•Cited by: 1

    Crime fiction has experienced a boom in popularity in South Africa in recent years. While some critics argue over the high- or lowbrow status of the genre, a more fruitful approach may be to consider how fiction about crime addresses particular themes in order to negotiate contested ideas of nation-ness. This article will first assess how the Truth and Reconciliation Commission (TRC) and the osmosis between creative non-fiction and crime fiction …

Art (2 works) · Literature (2 works) · Sociology (2 works) · Aesthetics (1 works) · African philosophy (1 works) · African studies and sociopolitical issues (1 works) · Colonialism (1 works) · Criminology (1 works) · Economic Justice (1 works) · Epistemology (1 works)

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