Megan Wines
Biographic Data
| ID | 1209119 |
|---|---|
| NAME | Megan Wines |
| GIVEN NAMES | Megan |
| FAMILY NAME | Wines |
| SIGNATURE | WINES M |
| AFFILIATIONS | Loyola University Chicago |
| ORCID | 0009-0003-2592-5763 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Jesus: A Life in Class Conflict
This essay is a review of Jesus: A Life in Class Conflict by James Crossley and Robert J. Myles, a historical materialist exploration of what we know about the life of Jesus and the Jesus movement in first-century Roman Palestine. This review focuses particularly on the ways in which Crossley and Myles engage with considerations of gender and masculinity as part of their engagement with the historical materials
Mas(c/k) of a Man: Masculinity and Jesus in Performance
While both narrative and performance criticisms take whole-story approaches to the texts they are engaging with, performance critical approaches are uniquely suited to considerations of the body, and particularly of gender. Alongside the growth in performance critical analyses of the gospels that place prominence on the embodied, performed dimension of the texts, when thinking about gender it becomes critical to examine the ways in which masculin…
“It wasn’t about Me”: Artistic Representation, Theological Representation, and Terrence McNally’s Corpus Christi
This paper uncovers how Terrence McNally’s 1998 gay passion play Corpus Christi braids together queerness and religiosity to highlight that queer people are also welcome at the “spiritual table.” By bringing together his life experiences as a gay man who grew up in Texas with the biblical passion story, McNally highlights ways in which the Bible has been weaponized against gay men specifically, while at the same time creatively retelling Jesus’s …
No prominent works on this page.
“It wasn’t about Me”: Artistic Representation, Theological Representation, and Terrence McNally’s Corpus Christi
This paper uncovers how Terrence McNally’s 1998 gay passion play Corpus Christi braids together queerness and religiosity to highlight that queer people are also welcome at the “spiritual table.” By bringing together his life experiences as a gay man who grew up in Texas with the biblical passion story, McNally highlights ways in which the Bible has been weaponized against gay men specifically, while at the same time creatively retelling Jesus’s …
Mas(c/k) of a Man: Masculinity and Jesus in Performance
While both narrative and performance criticisms take whole-story approaches to the texts they are engaging with, performance critical approaches are uniquely suited to considerations of the body, and particularly of gender. Alongside the growth in performance critical analyses of the gospels that place prominence on the embodied, performed dimension of the texts, when thinking about gender it becomes critical to examine the ways in which masculin…
Jesus: A Life in Class Conflict
This essay is a review of Jesus: A Life in Class Conflict by James Crossley and Robert J. Myles, a historical materialist exploration of what we know about the life of Jesus and the Jesus movement in first-century Roman Palestine. This review focuses particularly on the ways in which Crossley and Myles engage with considerations of gender and masculinity as part of their engagement with the historical materials
Art (3 works) · Gender Studies (3 works) · Philosophy (3 works) · Sociology (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Literature (2 works) · Masculinity (2 works) · Psychoanalysis (2 works) · Psychology (2 works)