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Mariette Harcombe

Biographic Data

ID1209123
NAMEMariette Harcombe
GIVEN NAMESMariette
FAMILY NAMEHarcombe
SIGNATUREHARCOMBE M
AFFILIATIONSUniversity of South Africa
ORCID0000-0003-0052-5053
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2023
H-INDEX0
  • A Comparative Stylistic Analysis of an ‘Arabian Dagger’ from the Ditsong National Museum of Cultural History, South Africa

    Mariette Harcombe, AM Harcombe•ARTICLE•South African Journal of Cultural…•2023

  • A Comparative Stylistic and Technical Analysis of Four Ancient Egyptian Bronzes from Ditsong Museum, South Africa

    Open Access•Mariette Harcombe•ARTICLE•Journal for Semitics•2023

    The Ditsong National Museum of Cultural History in Pretoria, South Africa, is a holding institute for thousands of objects that are accessioned in its collections, including a small collection of Egyptian antiquities. As a multitude of these objects have been donated to the museum over many decades by private collectors, some information regarding object provenance and provenience is unknown. Missing details often include the object’s place of or…

  • Reconsidering the Nehushtan as a Magical Healing Device within the Geographical, Cultural, and Magico-Religious Context of the Ancient Near East

    Open Access•Gillian Williams, Mariette Harcombe•ARTICLE•Religions•2023•References: 19

    According to Numbers 21:4-9, the Nehushtan was a copper/bronze snake effigy that functioned as a 'magical' healing tool to cure the early Israelites from venomous snakebites they incurred during their desert wanderings. What is unclear from the narrative is the symbolic significance of the event, the materials used, the technical skills required, and whether magic was at play. Firstly, when considering the magical effects of the Nehushtan, we mus…

No prominent works on this page.

  • A Comparative Stylistic Analysis of an ‘Arabian Dagger’ from the Ditsong National Museum of Cultural History, South Africa

    Mariette Harcombe, AM Harcombe•ARTICLE•South African Journal of Cultural…•2023

  • A Comparative Stylistic and Technical Analysis of Four Ancient Egyptian Bronzes from Ditsong Museum, South Africa

    Open Access•Mariette Harcombe•ARTICLE•Journal for Semitics•2023

    The Ditsong National Museum of Cultural History in Pretoria, South Africa, is a holding institute for thousands of objects that are accessioned in its collections, including a small collection of Egyptian antiquities. As a multitude of these objects have been donated to the museum over many decades by private collectors, some information regarding object provenance and provenience is unknown. Missing details often include the object’s place of or…

  • Reconsidering the Nehushtan as a Magical Healing Device within the Geographical, Cultural, and Magico-Religious Context of the Ancient Near East

    Open Access•Gillian Williams, Mariette Harcombe•ARTICLE•Religions•2023•References: 19

    According to Numbers 21:4-9, the Nehushtan was a copper/bronze snake effigy that functioned as a 'magical' healing tool to cure the early Israelites from venomous snakebites they incurred during their desert wanderings. What is unclear from the narrative is the symbolic significance of the event, the materials used, the technical skills required, and whether magic was at play. Firstly, when considering the magical effects of the Nehushtan, we mus…

Art (3 works) · History (3 works) · Ancient history (2 works) · Anthropology (2 works) · Archaeology (2 works) · Geography (2 works) · Literature (2 works) · Philosophy (2 works) · Sociology (2 works) · Aesthetics (1 works)

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