Molly Krueger Enz
Biographic Data
| ID | 121400 |
|---|---|
| NAME | Molly Krueger Enz |
| GIVEN NAMES | Molly Krueger |
| FAMILY NAME | Enz |
| SIGNATURE | ENZ M K |
| AFFILIATIONS | South Dakota State University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Entangling the stigmas of albinism and mental illness in Adams Sie’s Oumy et moi and Khady Sylla’s Une fenêtre ouverte
This article examines how contemporary Senegalese filmmakers Adams Sie and Khady Sylla depict the stigmatization of albinism and mental illness in their documentaries Oumy et moi and Une fenêtre ouverte . We analyse the representation of the close relationships between the filmmakers and their stigmatized subjects through the concept of entanglement. Relying on this critical framework, we present the unique ways in which Sie and Sylla intimately …
Using enclave groups to discuss workplace cultural diversity and community inclusion
Workplace cultural diversity and community inclusion are two facets of a complex public issue that require a deliberative community-based problem-solving approach. This article reports findings from a qualitative analysis of fourteen focus groups (N = 83 participants) held in a rural Midwestern community that centered on community members’ experiences with workplace cultural diversity and community inclusion. Three themes emerged: (a) racism and …
Desiring women in contemporary Senegal: Nafissatou Dia Diouf and Kalista Sy’s inclusive afrotopos
In Afrotopia, Senegalese scholar and writer Felwine Sarr argues that it is time for Africa to undertake “the efforts of critical reflection in regard to oneself, one’s own realities and situation in the world: to think oneself, to represent oneself, to project oneself” in order to “contribute to the positive transformation of African societies.” Contemporary Senegalese writers Nafissatou Dia Diouf and Kalista Sy are committed to transformative vi…
Joseph Gaï Ramaka and Nicolas Sawalo Cissé Promote Change Through Cinema: Representations of Flooding and Trash in the Margins of Dakar
Joseph Gaï Ramaka and Nicolas Sawalo Cissé are two contemporary Senegalese filmmakers who depict the social and environmental issues of flooding and trash that impact those living in the periphery of Dakar. Ramaka’s documentary Plan Jaxaay! (2007) illustrates how former President Wade and his administration failed to adequately respond to the urban flooding crisis in Dakar despite the creation of the Plan Jaxaay intended to relocate those most af…
Forging a New Path: Plurality, Social Change, and Innovation in Contemporary Senegalese Cinema
Forging a New Path: Plurality, Social Change, and Innovation in Contemporary Senegalese Cinema Molly Krueger Enz (bio) and Devin Bryson (bio) To see a movie in a theater in Dakar, the capital city of Senegal, one must be ready for a certain amount of whiplash in negotiating among the few choices. On one hand, a cinephile could choose the Sea Plaza cinema, located along the Atlantic coast next to the posh Radisson Blu hotel. It attracts mostly exp…
The Haitian Flight for Freedom in Maryse Condé’s Rêves amers and Marie-Célie Agnant’s Alexis d’Haïti
This article analyzes how Maryse Condé and Marie-Célie Agnant portray the struggles faced by Haitian “boat people” in their novels Rêves amers and Alexis d’Haïti which feature child protagonists forced to leave their homeland in search of a better life in the United States. As children and migrants, they are often forgotten and misrepresented in official histories. I argue that by restoring the voices of the most vulnerable, Condé and Agnant rect…
Joseph Gaï Ramaka, director. Plan Jaxaay! 2007. 25 minutes. Wolof with English and French subtitles. Senegal. Observatoire Audiovisuel sur les Libertés. Available on Vimeo.com. No price reported
Joseph Gaï Ramaka, director. Plan Jaxaay! 2007. 25 minutes. Wolof with English and French subtitles. Senegal. Observatoire Audiovisuel sur les Libertés. Available on Vimeo.com. No price reported. - Volume 59 Issue 2
Ex/île on the Île-de-France: Gisèle Pineau’s L’exil selon Julia
The First of the (Black) Memorialists: Toussaint Louverture
Daniel Desormeaux, Deborah Jenson, Molly Krueger Enz, The First of the (Black) Memorialists: Toussaint Louverture, Yale French Studies, No. 107, The Haiti Issue: 1804 and Nineteenth-Century French Studies (2005), pp. 131-145
The First of the (Black) Memorialists: Toussaint Louverture
Daniel Desormeaux, Deborah Jenson, Molly Krueger Enz, The First of the (Black) Memorialists: Toussaint Louverture, Yale French Studies, No. 107, The Haiti Issue: 1804 and Nineteenth-Century French Studies (2005), pp. 131-145
The First of the (Black) Memorialists: Toussaint Louverture
Daniel Desormeaux, Deborah Jenson, Molly Krueger Enz, The First of the (Black) Memorialists: Toussaint Louverture, Yale French Studies, No. 107, The Haiti Issue: 1804 and Nineteenth-Century French Studies (2005), pp. 131-145
Ex/île on the Île-de-France: Gisèle Pineau’s L’exil selon Julia
Joseph Gaï Ramaka, director. Plan Jaxaay! 2007. 25 minutes. Wolof with English and French subtitles. Senegal. Observatoire Audiovisuel sur les Libertés. Available on Vimeo.com. No price reported
Joseph Gaï Ramaka, director. Plan Jaxaay! 2007. 25 minutes. Wolof with English and French subtitles. Senegal. Observatoire Audiovisuel sur les Libertés. Available on Vimeo.com. No price reported. - Volume 59 Issue 2
Joseph Gaï Ramaka and Nicolas Sawalo Cissé Promote Change Through Cinema: Representations of Flooding and Trash in the Margins of Dakar
Joseph Gaï Ramaka and Nicolas Sawalo Cissé are two contemporary Senegalese filmmakers who depict the social and environmental issues of flooding and trash that impact those living in the periphery of Dakar. Ramaka’s documentary Plan Jaxaay! (2007) illustrates how former President Wade and his administration failed to adequately respond to the urban flooding crisis in Dakar despite the creation of the Plan Jaxaay intended to relocate those most af…
Forging a New Path: Plurality, Social Change, and Innovation in Contemporary Senegalese Cinema
Forging a New Path: Plurality, Social Change, and Innovation in Contemporary Senegalese Cinema Molly Krueger Enz (bio) and Devin Bryson (bio) To see a movie in a theater in Dakar, the capital city of Senegal, one must be ready for a certain amount of whiplash in negotiating among the few choices. On one hand, a cinephile could choose the Sea Plaza cinema, located along the Atlantic coast next to the posh Radisson Blu hotel. It attracts mostly exp…
The Haitian Flight for Freedom in Maryse Condé’s Rêves amers and Marie-Célie Agnant’s Alexis d’Haïti
This article analyzes how Maryse Condé and Marie-Célie Agnant portray the struggles faced by Haitian “boat people” in their novels Rêves amers and Alexis d’Haïti which feature child protagonists forced to leave their homeland in search of a better life in the United States. As children and migrants, they are often forgotten and misrepresented in official histories. I argue that by restoring the voices of the most vulnerable, Condé and Agnant rect…
Using enclave groups to discuss workplace cultural diversity and community inclusion
Workplace cultural diversity and community inclusion are two facets of a complex public issue that require a deliberative community-based problem-solving approach. This article reports findings from a qualitative analysis of fourteen focus groups (N = 83 participants) held in a rural Midwestern community that centered on community members’ experiences with workplace cultural diversity and community inclusion. Three themes emerged: (a) racism and …
Desiring women in contemporary Senegal: Nafissatou Dia Diouf and Kalista Sy’s inclusive afrotopos
In Afrotopia, Senegalese scholar and writer Felwine Sarr argues that it is time for Africa to undertake “the efforts of critical reflection in regard to oneself, one’s own realities and situation in the world: to think oneself, to represent oneself, to project oneself” in order to “contribute to the positive transformation of African societies.” Contemporary Senegalese writers Nafissatou Dia Diouf and Kalista Sy are committed to transformative vi…
Entangling the stigmas of albinism and mental illness in Adams Sie’s Oumy et moi and Khady Sylla’s Une fenêtre ouverte
This article examines how contemporary Senegalese filmmakers Adams Sie and Khady Sylla depict the stigmatization of albinism and mental illness in their documentaries Oumy et moi and Une fenêtre ouverte . We analyse the representation of the close relationships between the filmmakers and their stigmatized subjects through the concept of entanglement. Relying on this critical framework, we present the unique ways in which Sie and Sylla intimately …
Art (7 works) · African history and culture studies (6 works) · Sociology (6 works) · Political science (5 works) · History (4 works) · Art history (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Movie theater (3 works)