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Ortwin De Graef

Biographic Data

ID1214476
NAMEOrtwin De Graef
GIVEN NAMESOrtwin
FAMILY NAMEDe Graef
SIGNATUREDE GRAEF O
AFFILIATIONSKU Leuven
ORCID0000-0002-2183-7761
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS8
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Romanticism in the Age of World Wars

    Brecht de Groote, Ortwin De Graef•ARTICLE•Partial Answers Journal of…•2022

    status: Published

  • The Edinburgh Companion to Anthony Trollope

    Frederik Van Dam, David Skilton et al.•BOOK•The Edinburgh Companion to…•2018

    Explores the many ways in which Anthony Trollope is being read in the twenty-first century Since the turn of the century, the Victorian novelist Anthony Trollope has become a central figure in the critical understanding of Victorian literature. By bringing together leading Victorianists with a wide range of interests, this innovative collection of essays involves the reader in new approaches to Trollope’s work. The contributors to this volume hig…

  • Speculation, Credit, and the Marketplace

    Open Access•Tom Toremans, Ortwin De Graef•ARTICLE•Victoriographies•2017

    status: Published

  • Virgilian Incarnation

    Ortwin De Graef, Pieter Vermeulen•ARTICLE•The Jewish Quarterly Review•2013

    In his memoir A Scholar's Tale, Geoffrey Hartman recognizes the decisive influence of Erich Auerbach, one of his teachers at Yale, on his own early work. Auerbach came to Yale after having spent the Second World War in Istanbul, where he wrote his magisterial Mimesis. That book not only bears the stamp of the war that was then ravaging Europe, the continent whose literary heritage he aimed to preserve in Mimesis, but also of a second trauma: the …

  • Dispersal and redemption

    Open Access•Pieter Vermeulen, Stef Crap et al.•ARTICLE•Memory Studies•2012•Cited by: 8•References: 11

  • Congestion of the Brain in an Age of Unpoetrylessness

    Open Access•Ortwin De Graef•ARTICLE•Victorian Literature and Culture•1998•References: 4

    “Kan kunst de wereld redden?” When Antwerp was cultural capital of Europe in 1993, this question — “Can art save the world?” — was adopted as one of the city's official slogans, prompting the mayor at the time, Bob Cools, to offer his contribution to an answer by way of a quotation: “Culture is to know the best that has been said and thought in the world.” As his source Cools mentioned Literature and Dogma , but in order to register accurately th…

  • Serenity in Crisis

    Jeffrey S Librett, Ortwin De Graef•ARTICLE•SubStance•1995

    A polymath well versed in European literature and philosophy, one of the founders of deconstruction, and a widely respected teacher, Paul de Man brought unprecedented attention and acclaim to the so-called Yale Critics. His fame was at a zenith when he died suddenly in 1983. A few years later, Ortwin de Graef found the de Man had written for the collaborationist press during the Nazi occupation, a discovery that ignited an international reassessm…

  • Serenity in Crisis

    Open Access•Allan Stoekl, Ortwin De Graef et al.•ARTICLE•South Central Review•1994

  • Paul de Man's Wanderjahre

    Thomas Pepper, Ortwin De Graef•ARTICLE•Modern Language Notes•1993

  • The Eye of the Text

    Ortwin De Graef•ARTICLE•Modern Language Notes•1989

    Edgar Allan Poe: this essay addresses death-or, more accurately, that death which is almost never absent in his writings. What, and where, is the presence of death in the literary text? Is there literature worthy of the name that is not irrevocably marked by death? In order to approach these problems, however obliquely, I propose to read two stories Poe was, by his own account, very fond of: Ligeia and The Man that was Used Up.1 For reasons that …

  • Dispersal and redemption

    Open Access•Pieter Vermeulen, Stef Crap et al.•ARTICLE•Memory Studies•2012•Cited by: 8•References: 11

  • The Eye of the Text

    Ortwin De Graef•ARTICLE•Modern Language Notes•1989

    Edgar Allan Poe: this essay addresses death-or, more accurately, that death which is almost never absent in his writings. What, and where, is the presence of death in the literary text? Is there literature worthy of the name that is not irrevocably marked by death? In order to approach these problems, however obliquely, I propose to read two stories Poe was, by his own account, very fond of: Ligeia and The Man that was Used Up.1 For reasons that …

  • Paul de Man's Wanderjahre

    Thomas Pepper, Ortwin De Graef•ARTICLE•Modern Language Notes•1993

  • Serenity in Crisis

    Open Access•Allan Stoekl, Ortwin De Graef et al.•ARTICLE•South Central Review•1994

  • Serenity in Crisis

    Jeffrey S Librett, Ortwin De Graef•ARTICLE•SubStance•1995

    A polymath well versed in European literature and philosophy, one of the founders of deconstruction, and a widely respected teacher, Paul de Man brought unprecedented attention and acclaim to the so-called Yale Critics. His fame was at a zenith when he died suddenly in 1983. A few years later, Ortwin de Graef found the de Man had written for the collaborationist press during the Nazi occupation, a discovery that ignited an international reassessm…

  • Congestion of the Brain in an Age of Unpoetrylessness

    Open Access•Ortwin De Graef•ARTICLE•Victorian Literature and Culture•1998•References: 4

    “Kan kunst de wereld redden?” When Antwerp was cultural capital of Europe in 1993, this question — “Can art save the world?” — was adopted as one of the city's official slogans, prompting the mayor at the time, Bob Cools, to offer his contribution to an answer by way of a quotation: “Culture is to know the best that has been said and thought in the world.” As his source Cools mentioned Literature and Dogma , but in order to register accurately th…

  • Dispersal and redemption

    Open Access•Pieter Vermeulen, Stef Crap et al.•ARTICLE•Memory Studies•2012•Cited by: 8•References: 11

  • Virgilian Incarnation

    Ortwin De Graef, Pieter Vermeulen•ARTICLE•The Jewish Quarterly Review•2013

    In his memoir A Scholar's Tale, Geoffrey Hartman recognizes the decisive influence of Erich Auerbach, one of his teachers at Yale, on his own early work. Auerbach came to Yale after having spent the Second World War in Istanbul, where he wrote his magisterial Mimesis. That book not only bears the stamp of the war that was then ravaging Europe, the continent whose literary heritage he aimed to preserve in Mimesis, but also of a second trauma: the …

  • Speculation, Credit, and the Marketplace

    Open Access•Tom Toremans, Ortwin De Graef•ARTICLE•Victoriographies•2017

    status: Published

  • The Edinburgh Companion to Anthony Trollope

    Frederik Van Dam, David Skilton et al.•BOOK•The Edinburgh Companion to…•2018

    Explores the many ways in which Anthony Trollope is being read in the twenty-first century Since the turn of the century, the Victorian novelist Anthony Trollope has become a central figure in the critical understanding of Victorian literature. By bringing together leading Victorianists with a wide range of interests, this innovative collection of essays involves the reader in new approaches to Trollope’s work. The contributors to this volume hig…

  • Romanticism in the Age of World Wars

    Brecht de Groote, Ortwin De Graef•ARTICLE•Partial Answers Journal of…•2022

    status: Published

Art (7 works) · History (6 works) · Literature (5 works) · Philosophy (5 works) · Art history (3 works) · Psychoanalysis (3 works) · Psychology (3 works) · Sociology (3 works) · Aesthetics (2 works) · Contemporary Literature and Criticism (2 works)

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