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Philip C Ritterbush

Biographic Data

ID1217619
NAMEPhilip C Ritterbush
GIVEN NAMESPhilip C
FAMILY NAMERitterbush
SIGNATURERITTERBUSH P C
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1964
LATEST PUBLICATION YEAR1981
H-INDEX0
  • Science, Technology and the Human Prospect

    Bertram Morris, Chauncey Starr et al.•ARTICLE•Technology and Culture•1981

  • Technology as Institutionally Related to Human Values

    Frederick A Rossini, Philip C Ritterbush•ARTICLE•Technology and Culture•1975

  • Modern Art and Scientific Thought. John Adkins Richardson

    Philip C Ritterbush•ARTICLE•Isis•1974

  • Environmental studies

    Open Access•Philip C Ritterbush•ARTICLE•Minerva•1971

  • The Shape of Things Seen

    Philip C Ritterbush•ARTICLE•Leonardo•1970

    The author points out that in art, as in science, form must be distinguished from structure. He regards form as a property which may objectively be correlated with the elements of which a work of art is composed and that, as regards the status of form, art and science are closely allied. When form is properly abstracted from a work of art it represents underlying artistic processes which it is the enterprise of criticism to elucidate, which leads…

  • Research training in governmental laboratories in the United States

    Open Access•Philip C Ritterbush•ARTICLE•Minerva•1966

  • The Mechanistic Conception of Life . Jacques Loeb, Donald Fleming

    Philip C Ritterbush•ARTICLE•Isis•1964

No prominent works on this page.

  • The Mechanistic Conception of Life . Jacques Loeb, Donald Fleming

    Philip C Ritterbush•ARTICLE•Isis•1964

  • Research training in governmental laboratories in the United States

    Open Access•Philip C Ritterbush•ARTICLE•Minerva•1966

  • The Shape of Things Seen

    Philip C Ritterbush•ARTICLE•Leonardo•1970

    The author points out that in art, as in science, form must be distinguished from structure. He regards form as a property which may objectively be correlated with the elements of which a work of art is composed and that, as regards the status of form, art and science are closely allied. When form is properly abstracted from a work of art it represents underlying artistic processes which it is the enterprise of criticism to elucidate, which leads…

  • Environmental studies

    Open Access•Philip C Ritterbush•ARTICLE•Minerva•1971

  • Modern Art and Scientific Thought. John Adkins Richardson

    Philip C Ritterbush•ARTICLE•Isis•1974

  • Technology as Institutionally Related to Human Values

    Frederick A Rossini, Philip C Ritterbush•ARTICLE•Technology and Culture•1975

  • Science, Technology and the Human Prospect

    Bertram Morris, Chauncey Starr et al.•ARTICLE•Technology and Culture•1981

Philosophy (4 works) · Political science (4 works) · Epistemology (3 works) · Art (2 works) · Higher education (2 works) · Regional science (2 works) · Science Education and Perceptions (2 works) · Sociology (2 works) · Archaeology (1 works) · Art history (1 works)

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