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Linnea S Dietrich

Biographic Data

ID1217846
NAMELinnea S Dietrich
GIVEN NAMESLinnea S
FAMILY NAMEDietrich
SIGNATUREDIETRICH L S
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS2
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1995
LATEST PUBLICATION YEAR2005
H-INDEX1
  • Contemporary Arab Women's Art

    Linnea S Dietrich, Fran Lloyd•ARTICLE•Woman s Art Journal•2005

  • Orientalism's Interlocutors

    Linnea S Dietrich, Jill Beaulieu et al.•ARTICLE•Woman s Art Journal•2004•Cited by: 2

  • Fire and Ice

    Linnea S Dietrich•ARTICLE•Journal of Colonialism and…•2003

    Reviewed by: Fire and Ice: Treasures from the Photographic Collection of Frederic Church at Olana Linnea S. Dietrich Fire and Ice: Treasures from the Photographic Collection of Frederic Church at Olana. By Thomas Weston Fels. Ithaca: Cornell University Press, 2002. Fire and Ice adds a new dimension to our understanding of nineteenth Century American art. It also provides the beginnings of inquiry into the colonialism of Church (1826–1900) and his…

  • Huda Lutfi

    Linnea S Dietrich•ARTICLE•Woman s Art Journal•2000

  • The Power of Feminist Art

    Linnea S Dietrich, Norma Broude et al.•ARTICLE•Woman s Art Journal•1997

  • Avant-Garde Gambits 1888-1893

    Linnea S Dietrich, G Pollock•ARTICLE•Woman s Art Journal•1995

    In the late 1880s Gauguin, Van Gogh and Bernard abandoned Paris to seek out in rural Brittany, Provence - and later in Tahiti - what Van Gogh called purer nature of the countryside. Griselda Pollock challenges history's usual interpretations of this search for an art of consolation in the distant and exotic regions by arguing that these artists were cultural colonizers. They exhibited the modern tourist's attachment to home - modern Paris and its…

  • Orientalism's Interlocutors

    Linnea S Dietrich, Jill Beaulieu et al.•ARTICLE•Woman s Art Journal•2004•Cited by: 2

  • Avant-Garde Gambits 1888-1893

    Linnea S Dietrich, G Pollock•ARTICLE•Woman s Art Journal•1995

    In the late 1880s Gauguin, Van Gogh and Bernard abandoned Paris to seek out in rural Brittany, Provence - and later in Tahiti - what Van Gogh called purer nature of the countryside. Griselda Pollock challenges history's usual interpretations of this search for an art of consolation in the distant and exotic regions by arguing that these artists were cultural colonizers. They exhibited the modern tourist's attachment to home - modern Paris and its…

  • The Power of Feminist Art

    Linnea S Dietrich, Norma Broude et al.•ARTICLE•Woman s Art Journal•1997

  • Huda Lutfi

    Linnea S Dietrich•ARTICLE•Woman s Art Journal•2000

  • Fire and Ice

    Linnea S Dietrich•ARTICLE•Journal of Colonialism and…•2003

    Reviewed by: Fire and Ice: Treasures from the Photographic Collection of Frederic Church at Olana Linnea S. Dietrich Fire and Ice: Treasures from the Photographic Collection of Frederic Church at Olana. By Thomas Weston Fels. Ithaca: Cornell University Press, 2002. Fire and Ice adds a new dimension to our understanding of nineteenth Century American art. It also provides the beginnings of inquiry into the colonialism of Church (1826–1900) and his…

  • Orientalism's Interlocutors

    Linnea S Dietrich, Jill Beaulieu et al.•ARTICLE•Woman s Art Journal•2004•Cited by: 2

  • Contemporary Arab Women's Art

    Linnea S Dietrich, Fran Lloyd•ARTICLE•Woman s Art Journal•2005

Art (6 works) · Art history (4 works) · Visual arts (4 works) · Aesthetics (2 works) · Gender Studies (2 works) · History (2 works) · Middle East Politics and Society (2 works) · Sociology (2 works) · Travel Writing and Literature (2 works) · Archaeology (1 work)

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