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Richard D Cureton

Biographic Data

ID121859
NAMERichard D Cureton
GIVEN NAMESRichard D
FAMILY NAMECureton
SIGNATURECURETON R D
AFFILIATIONSUniversity of Michigan
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS1
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR1996
H-INDEX1
  • A Response to Derek Attridge

    Richard D Cureton•ARTICLE•Poetics Today•1996

    Rhythmic Phrasing in English Verse (Cureton 1992; RPEV) could have no better reviewer than Derek Attridge. RPEV was inspired by Attridge's (1982) Rhythms of English Poetry (REP), and Attridge contributed significantly to RPEV throughout the long course of its writing. Attridge's review is lucid and challenging, and I am grateful for both his comments and the chance to reply to them. The following issues merit further discussion

  • Apposition in English

    Open Access•Richard D Cureton•ARTICLE•World Englishes•1994

    Peer Reviewed

  • Read with care

    Open Access•Richard D Cureton•ARTICLE•English Today•1993

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Of Context and Metaphor

    Richard D Cureton, Phillip Stambovsky•ARTICLE•American Speech•1990

  • Approaches to Stylistics and Language Teaching

    Open Access•Richard D Cureton•ARTICLE•World Englishes•1985•References: 5

  • English in the World Context

    Open Access•Richard D Cureton•ARTICLE•World Englishes•1985•References: 1

  • The Metrics of English

    Richard D Cureton, Derek Attridge•ARTICLE•American Speech•1985•Cited by: 1

  • Outstanding Stylistics Study

    Richard D Cureton, Geoffrey Leech et al.•ARTICLE•American Speech•1984

  • Philosophers on Metaphors

    Richard D Cureton, Mark Johnson•ARTICLE•American Speech•1983

  • Metaphor without Analogy

    Richard D Cureton, Stephen R Levin et al.•ARTICLE•Poetics Today•1983

  • He Danced His Did’

    Open Access•Richard D Cureton•ARTICLE•Journal of Linguistics•1980•References: 8

    In the last twenty years, Cummings's line ‘he danced his did’; has been at the centre of almost every major discussion of the deviant language of literature. In the last two decades, hundreds of pages and scores of articles have been written which have attempted to assess and motivate its linguistic status and aesthetic success. Without question, ‘he danced his did’ has been more closely scrutinized and extensively analysed than any other single …

  • E.E. Cummings

    Richard D Cureton•ARTICLE•Poetics Today•1979

    Yet, despite numerous studies by critics, literary scholars and linguists, the effectiveness of many of Cummings's major poetic techniques remains unexplained. Most linguistic studies have referred to Cummings's poetry only anecdotally. Oriented toward theoretical disputes, they have largely argued above the data rather than from substantial analyses of the poetry itself, and, even then, these theoretical controversies have been largely inconclus…

  • The Metrics of English

    Richard D Cureton, Derek Attridge•ARTICLE•American Speech•1985•Cited by: 1

  • E.E. Cummings

    Richard D Cureton•ARTICLE•Poetics Today•1979

    Yet, despite numerous studies by critics, literary scholars and linguists, the effectiveness of many of Cummings's major poetic techniques remains unexplained. Most linguistic studies have referred to Cummings's poetry only anecdotally. Oriented toward theoretical disputes, they have largely argued above the data rather than from substantial analyses of the poetry itself, and, even then, these theoretical controversies have been largely inconclus…

  • He Danced His Did’

    Open Access•Richard D Cureton•ARTICLE•Journal of Linguistics•1980•References: 8

    In the last twenty years, Cummings's line ‘he danced his did’; has been at the centre of almost every major discussion of the deviant language of literature. In the last two decades, hundreds of pages and scores of articles have been written which have attempted to assess and motivate its linguistic status and aesthetic success. Without question, ‘he danced his did’ has been more closely scrutinized and extensively analysed than any other single …

  • Philosophers on Metaphors

    Richard D Cureton, Mark Johnson•ARTICLE•American Speech•1983

  • Metaphor without Analogy

    Richard D Cureton, Stephen R Levin et al.•ARTICLE•Poetics Today•1983

  • Outstanding Stylistics Study

    Richard D Cureton, Geoffrey Leech et al.•ARTICLE•American Speech•1984

  • Approaches to Stylistics and Language Teaching

    Open Access•Richard D Cureton•ARTICLE•World Englishes•1985•References: 5

  • English in the World Context

    Open Access•Richard D Cureton•ARTICLE•World Englishes•1985•References: 1

  • The Metrics of English

    Richard D Cureton, Derek Attridge•ARTICLE•American Speech•1985•Cited by: 1

  • Of Context and Metaphor

    Richard D Cureton, Phillip Stambovsky•ARTICLE•American Speech•1990

  • Read with care

    Open Access•Richard D Cureton•ARTICLE•English Today•1993

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Apposition in English

    Open Access•Richard D Cureton•ARTICLE•World Englishes•1994

    Peer Reviewed

  • A Response to Derek Attridge

    Richard D Cureton•ARTICLE•Poetics Today•1996

    Rhythmic Phrasing in English Verse (Cureton 1992; RPEV) could have no better reviewer than Derek Attridge. RPEV was inspired by Attridge's (1982) Rhythms of English Poetry (REP), and Attridge contributed significantly to RPEV throughout the long course of its writing. Attridge's review is lucid and challenging, and I am grateful for both his comments and the chance to reply to them. The following issues merit further discussion

Linguistics (8 works) · Philosophy (7 works) · History (6 works) · Computer Science (5 works) · Lexicography and Language Studies (5 works) · Philosophy (5 works) · Art (4 works) · History (4 works) · Sociology (4 works) · Citation (3 works)

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