Joy H Calico
Biographic Data
| ID | 1223355 |
|---|---|
| NAME | Joy H Calico |
| GIVEN NAMES | Joy H |
| FAMILY NAME | Calico |
| SIGNATURE | CALICO J H |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Composing Clémence in L’amour de loin
This article expands our knowledge of the inception of the opera, L’amour de loin, by introducing primary documents from the as-yet uncatalogued Kaija Saariaho Sammlung (KSS) at the Paul Sacher Stiftung in Basel, Switzerland. It then focuses on the development of the vocal part for Clémence that resulted in two versions of the role, one for coloratura and one for a lyric soprano, and situates the revision Saariaho undertook with soprano Dawn Upsh…
Noise and Arnold Schoenberg’s 1913 Scandal Concert
On March 31, 1913, Arnold Schoenberg conducted a concert in the Great Hall of Vienna’s Musikverein that would become known as that city’s most notorious musical scandal. The event was broken up by physical violence, charges were filed, and the subsequent court proceedings were reported in the press. The composer then gave an interview in which he accused the audience of committing two crimes: making illegal noise in a concert hall and destroying …
Old-Age Style: The Case of Arnold Schoenberg (1874-1951)
This article argues that misreadings of Theodor W. Adorno undermine some musicological research on late musical style, particularly with regard to the works of Arnold Schoenberg. It considers alternatives in the forms of exile (Edward Said), old-age style (Stuart Taberner), and disabled style (Joseph Straus) for Schoenberg's very late oeuvre, a body of work characterized by diatonically inflected dodecaphony and overt communication with the audie…
No prominent works on this page.
Old-Age Style: The Case of Arnold Schoenberg (1874-1951)
This article argues that misreadings of Theodor W. Adorno undermine some musicological research on late musical style, particularly with regard to the works of Arnold Schoenberg. It considers alternatives in the forms of exile (Edward Said), old-age style (Stuart Taberner), and disabled style (Joseph Straus) for Schoenberg's very late oeuvre, a body of work characterized by diatonically inflected dodecaphony and overt communication with the audie…
Noise and Arnold Schoenberg’s 1913 Scandal Concert
On March 31, 1913, Arnold Schoenberg conducted a concert in the Great Hall of Vienna’s Musikverein that would become known as that city’s most notorious musical scandal. The event was broken up by physical violence, charges were filed, and the subsequent court proceedings were reported in the press. The composer then gave an interview in which he accused the audience of committing two crimes: making illegal noise in a concert hall and destroying …
Composing Clémence in L’amour de loin
This article expands our knowledge of the inception of the opera, L’amour de loin, by introducing primary documents from the as-yet uncatalogued Kaija Saariaho Sammlung (KSS) at the Paul Sacher Stiftung in Basel, Switzerland. It then focuses on the development of the vocal part for Clémence that resulted in two versions of the role, one for coloratura and one for a lyric soprano, and situates the revision Saariaho undertook with soprano Dawn Upsh…
Art (3 works) · Art history (3 works) · Musicology and Musical Analysis (3 works) · History (2 works) · Literature (2 works) · Musical (2 works) · Aesthetics (1 works) · Computer Science (1 works) · Diverse Music Education Insights (1 works) · Diverse Musicological Studies (1 works)