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Juan A Orrego-Salas

Biographic Data

ID122667
NAMEJuan A Orrego-Salas
GIVEN NAMESJuan A
FAMILY NAMEOrrego-Salas
SIGNATUREORREGO-SALAS J A
AFFILIATIONSIndiana University
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS1
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1966
LATEST PUBLICATION YEAR2001
H-INDEX1
  • Halffter (Escriche), Rodolfo

    Antonio Iglesias, Juan A Orrego-Salas et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Music in Latin America: An Introduction

    Juan A Orrego-Salas, Juan Orrego-Salas et al.•ARTICLE•Latin American Music Review•1980•Cited by: 1

  • Music in Aztec and Inca Territory

    Juan A Orrego-Salas, Juan Orrego-Salas et al.•ARTICLE•Hispanic American Historical Review•1970

  • Music in Aztec & Inca, Territory

    Juan A Orrego-Salas, Juan Orrego-Salas•ARTICLE•Hispanic American Historical Review•1970

  • The Chilean Verso: A Study in Musical Archaism

    Juan A Orrego-Salas, Juan Orrego-Salas et al.•ARTICLE•Hispanic American Historical Review•1969

  • The Chilean Verso: A Study in Musical Archaism

    Juan A Orrego-Salas, Juan Orrego-Salas•ARTICLE•Hispanic American Historical Review•1969

  • Araucanian Indian Instruments

    Juan A Orrego-Salas, Juan Orrego-Salas•ARTICLE•Ethnomusicology•1966

    t is a well-known fact that at the time of the European conquest America had undergone the first two stages for the evolution of instruments as established by Rowbotham: the cycle of drums, and the cycle of flutes. Ethnographers have today completely abandoned the idea of the existence of stringed instruments in the Pre-Columbian era. Consequently, the alleged presence of rabel players at the Court of Montezuma belongs to the sphere of the many m…

  • Music in Latin America: An Introduction

    Juan A Orrego-Salas, Juan Orrego-Salas et al.•ARTICLE•Latin American Music Review•1980•Cited by: 1

  • Araucanian Indian Instruments

    Juan A Orrego-Salas, Juan Orrego-Salas•ARTICLE•Ethnomusicology•1966

    t is a well-known fact that at the time of the European conquest America had undergone the first two stages for the evolution of instruments as established by Rowbotham: the cycle of drums, and the cycle of flutes. Ethnographers have today completely abandoned the idea of the existence of stringed instruments in the Pre-Columbian era. Consequently, the alleged presence of rabel players at the Court of Montezuma belongs to the sphere of the many m…

  • The Chilean Verso: A Study in Musical Archaism

    Juan A Orrego-Salas, Juan Orrego-Salas et al.•ARTICLE•Hispanic American Historical Review•1969

  • The Chilean Verso: A Study in Musical Archaism

    Juan A Orrego-Salas, Juan Orrego-Salas•ARTICLE•Hispanic American Historical Review•1969

  • Music in Aztec and Inca Territory

    Juan A Orrego-Salas, Juan Orrego-Salas et al.•ARTICLE•Hispanic American Historical Review•1970

  • Music in Aztec & Inca, Territory

    Juan A Orrego-Salas, Juan Orrego-Salas•ARTICLE•Hispanic American Historical Review•1970

  • Music in Latin America: An Introduction

    Juan A Orrego-Salas, Juan Orrego-Salas et al.•ARTICLE•Latin American Music Review•1980•Cited by: 1

  • Halffter (Escriche), Rodolfo

    Antonio Iglesias, Juan A Orrego-Salas et al.•CHAPTER•The new Grove dictionary of music…•2001

Art (7 works) · Visual arts (4 works) · Latin American history and culture (3 works) · Musical (3 works) · Archaeology (2 works) · Art history (2 works) · Comparative Literary Analysis and Criticism (2 works) · Cultural and Social Studies in Latin America (2 works) · Diverse Musicological Studies (2 works) · Geography (2 works)

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