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Celina De Sá

Biographic Data

ID122707
NAMECelina De Sá
GIVEN NAMESCelina
FAMILY NAMEDe Sá
SIGNATUREDE SÁ C
AFFILIATIONSThe University of Texas at Austin
ORCID0000-0002-6066-4242
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2025
H-INDEX0
  • The Obscuring Effect: Whiteness in the celebration of black performance in Senegal

    Celina De Sá•CHAPTER•Anthropology of White Supremacy•2025

  • The Afro-Paradox: Diasporic Chauvinism and Cultural Expertise in Afro-Brazilian Capoeira

    Celina De Sá•ARTICLE•Diaspora A Journal of Transnational…•2024•References: 52

    Increasingly, Brazilian experts of capoeira-an Afro-Brazilian combat game-travel to African cities for an imagined return to the sites of capoeira's origins, as well as to train African students. Focusing on a cultural festival in Abidjan, I analyze capoeira cultural exchange events across West Africa through the anthropological lenses of expertise and racial analysis. These exchanges feature displays of Brazilian nationalism embodied by West Afr…

  • Playing with Origins: Racial Self‐Making and Embodying History in Togolese Capoeira

    Open Access•Celina De Sá•ARTICLE•Transforming Anthropology•2023

    This article discusses how contemporary expressive cultural projects in Lomé, Togo, highlight practices of racial self-making emerging from urban African contexts through a martial art developed by enslaved Afro-Brazilians in colonial Brazil. This specific case analyzes Nukunu, the country's first capoeira group, and their ideological constructions of self, people, and historical time. Through capoeira—as a practice that I suggest makes intervent…

No prominent works on this page.

  • Playing with Origins: Racial Self‐Making and Embodying History in Togolese Capoeira

    Open Access•Celina De Sá•ARTICLE•Transforming Anthropology•2023

    This article discusses how contemporary expressive cultural projects in Lomé, Togo, highlight practices of racial self-making emerging from urban African contexts through a martial art developed by enslaved Afro-Brazilians in colonial Brazil. This specific case analyzes Nukunu, the country's first capoeira group, and their ideological constructions of self, people, and historical time. Through capoeira—as a practice that I suggest makes intervent…

  • The Afro-Paradox: Diasporic Chauvinism and Cultural Expertise in Afro-Brazilian Capoeira

    Celina De Sá•ARTICLE•Diaspora A Journal of Transnational…•2024•References: 52

    Increasingly, Brazilian experts of capoeira-an Afro-Brazilian combat game-travel to African cities for an imagined return to the sites of capoeira's origins, as well as to train African students. Focusing on a cultural festival in Abidjan, I analyze capoeira cultural exchange events across West Africa through the anthropological lenses of expertise and racial analysis. These exchanges feature displays of Brazilian nationalism embodied by West Afr…

  • The Obscuring Effect: Whiteness in the celebration of black performance in Senegal

    Celina De Sá•CHAPTER•Anthropology of White Supremacy•2025

Art (3 works) · Aesthetics (2 works) · Law (2 works) · Martial Arts: Techniques, Psychology, and Education (2 works) · Political science (2 works) · Sociology (2 works) · Sports, Gender, and Society (2 works) · African history and culture studies (1 works) · Afro-Caribbean (1 works) · Anthropology (1 works)

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