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Mario Attie-Picker

Biographic Data

ID1227395
NAMEMario Attie-Picker
GIVEN NAMESMario
FAMILY NAMEAttie-Picker
SIGNATUREATTIE-PICKER M
AFFILIATIONSLoyola University Chicago
ORCID0000-0002-1834-2784
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Getting Out of Blame

    Open Access•Mario Attie-Picker•ARTICLE•European Journal of Philosophy•2026

    We often feel that what we have done is somehow not in keeping with who we are. This tension, or incongruity, between the person we take ourselves to be and what that person has done seems to matter to us, as judged by how common it is to emphasize it when answering for our behavior. We say that a given action is out of character or that it does not reflect who we really are . What are we trying to accomplish through these appeals? A natural answ…

  • Sad Art Gives Voice to Our Own Sadness

    Open Access•Tara Venkatesan, Mario Attie-Picker et al.•ARTICLE•Cognitive Science•2025•References: 67

    People tend to show greater liking for expressions of sadness when these expressions are described as art. Why does this effect arise? One obvious hypothesis would be that describing something as art makes people more likely to regard it as fictional , and people prefer expressions of sadness that are not real. We contrast this obvious hypothesis with a hypothesis derived from the philosophical literature. In this alternative hypothesis, describi…

  • Personalizing AI art boosts credit, not beauty

    Open Access•Maryam Ali Khan, Elzė Sigutė Mikalonytė et al.•ARTICLE•Technology in Society•2025•References: 2

  • On the Value of Sad Music

    Mario Attie-Picker, Tara Venkatesan et al.•ARTICLE•Journal of Aesthetic Education•2024

    Many people appear to attach great value to sad music. But why? One way to gain insight into this question is to turn away from music and look instead at why people value sad conversations. In the case of conversations, the answer seems to be that expressing sadness creates a sense of genuine connection. We propose that sad music can also have this type of value. Listening to a sad song can give one a sense of genuine connection. We then explore …

  • Obligatory Gifts

    Open Access•Mario Attie-Picker•ARTICLE•Ergo an Open Access Journal of…•2023

    The paper attempts to bridge a gap between two prevalent conceptions of forgiveness that are widely thought to be in opposition. On one side of things, forgiveness is often characterized as a gift. The image is an ever-present one, enduring in popular culture no less than in the sober prose of analytic philosophy. But we also talk of forgiveness as a moral imperative, an important, even vital aspect of our moral life. I argue that, contrary to wh…

  • Against the Entitlement Model of Obligation

    Open Access•Mario Attie-Picker•ARTICLE•Canadian Journal of Philosophy•2023

    The purpose of this paper is to reject what I call the entitlement model of directed obligation: the view that we can conclude from X is obligated to Y that therefore Y has an entitlement against X. I argue that rejecting the model clears up many otherwise puzzling aspects of ordinary moral interaction. The main goal is not to offer a new theory of obligation and entitlement. It is rather to show that, contrary to what most philosophers have assu…

  • Obligations of feeling

    Open Access•Mario Attie-Picker•ARTICLE•European Journal of Philosophy•2022

    Moral obligation, according to one influential conception, is distinct among other moral concepts in at least two respects. First, obligation is linked with demands. If I am obligated to you to do X, then you can demand that I do X. Second, obligation is linked with blame and the rest of our accountability practices. If I am obligated to you to do X, failure to do so is blameworthy and you may hold me accountable for it. The puzzle is the followi…

  • Is the folk concept of luck normative

    Open Access•Mario Attie-Picker•ARTICLE•Synthese•2021•References: 40

No prominent works on this page.

  • Is the folk concept of luck normative

    Open Access•Mario Attie-Picker•ARTICLE•Synthese•2021•References: 40

  • Obligations of feeling

    Open Access•Mario Attie-Picker•ARTICLE•European Journal of Philosophy•2022

    Moral obligation, according to one influential conception, is distinct among other moral concepts in at least two respects. First, obligation is linked with demands. If I am obligated to you to do X, then you can demand that I do X. Second, obligation is linked with blame and the rest of our accountability practices. If I am obligated to you to do X, failure to do so is blameworthy and you may hold me accountable for it. The puzzle is the followi…

  • Obligatory Gifts

    Open Access•Mario Attie-Picker•ARTICLE•Ergo an Open Access Journal of…•2023

    The paper attempts to bridge a gap between two prevalent conceptions of forgiveness that are widely thought to be in opposition. On one side of things, forgiveness is often characterized as a gift. The image is an ever-present one, enduring in popular culture no less than in the sober prose of analytic philosophy. But we also talk of forgiveness as a moral imperative, an important, even vital aspect of our moral life. I argue that, contrary to wh…

  • Against the Entitlement Model of Obligation

    Open Access•Mario Attie-Picker•ARTICLE•Canadian Journal of Philosophy•2023

    The purpose of this paper is to reject what I call the entitlement model of directed obligation: the view that we can conclude from X is obligated to Y that therefore Y has an entitlement against X. I argue that rejecting the model clears up many otherwise puzzling aspects of ordinary moral interaction. The main goal is not to offer a new theory of obligation and entitlement. It is rather to show that, contrary to what most philosophers have assu…

  • On the Value of Sad Music

    Mario Attie-Picker, Tara Venkatesan et al.•ARTICLE•Journal of Aesthetic Education•2024

    Many people appear to attach great value to sad music. But why? One way to gain insight into this question is to turn away from music and look instead at why people value sad conversations. In the case of conversations, the answer seems to be that expressing sadness creates a sense of genuine connection. We propose that sad music can also have this type of value. Listening to a sad song can give one a sense of genuine connection. We then explore …

  • Sad Art Gives Voice to Our Own Sadness

    Open Access•Tara Venkatesan, Mario Attie-Picker et al.•ARTICLE•Cognitive Science•2025•References: 67

    People tend to show greater liking for expressions of sadness when these expressions are described as art. Why does this effect arise? One obvious hypothesis would be that describing something as art makes people more likely to regard it as fictional , and people prefer expressions of sadness that are not real. We contrast this obvious hypothesis with a hypothesis derived from the philosophical literature. In this alternative hypothesis, describi…

  • Personalizing AI art boosts credit, not beauty

    Open Access•Maryam Ali Khan, Elzė Sigutė Mikalonytė et al.•ARTICLE•Technology in Society•2025•References: 2

  • Getting Out of Blame

    Open Access•Mario Attie-Picker•ARTICLE•European Journal of Philosophy•2026

    We often feel that what we have done is somehow not in keeping with who we are. This tension, or incongruity, between the person we take ourselves to be and what that person has done seems to matter to us, as judged by how common it is to emphasize it when answering for our behavior. We say that a given action is out of character or that it does not reflect who we really are . What are we trying to accomplish through these appeals? A natural answ…

Psychology (5 works) · Free Will and Agency (4 works) · Philosophy (4 works) · Social Psychology (4 works) · Epistemology (3 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · War, Ethics, and Justification (3 works) · Forgiveness and Related Behaviors (2 works)

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