Tatyana Gershkovich
Biographic Data
| ID | 1229548 |
|---|---|
| NAME | Tatyana Gershkovich |
| GIVEN NAMES | Tatyana |
| FAMILY NAME | Gershkovich |
| SIGNATURE | GERSHKOVICH T |
| AFFILIATIONS | Carnegie Mellon University |
| ORCID | 0000-0001-8152-4217 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Public Patterns in Private Writing
Diaries seem to contain almost anything; how could it be otherwise, given the diversity of their authors, the variety of contexts in which they are authored, and the range of reasons for authoring them? But examining diaries en masse , using computationally assisted reading, discloses large‐scale commonalities obscured by the local variance. The Russophone diarists we examine appear to have a strong (if perhaps tacit) sense of the kind of reflect…
Self-Translation and the Transformation of Nabokov's Aesthetics From "Kamera Obskura" to "Laughter in the Dark
Tatyana Gershkovich, SELF-TRANSLATION AND THE TRANSFORMATION OF NABOKOV'S AESTHETICS FROM "KAMERA OBSKURA" TO "LAUGHTER IN THE DARK", The Slavic and East European Journal, Vol. 63, No. 2 (SUMMER 2019), pp. 206-225
Infecting, Simulating, Judging
This paper places Leo Tolstoy’s often dismissed aesthetic treatise, What is Art?, in the context of the philosophical debate concerning aesthetic judgment. I examine Tolstoy’s argument for the very possibility of making aesthetic judgments, and suggest that his aesthetics proceed from an attempt to reconcile the subjective and the normative aspects of our aesthetic experience. Moreover, I show that Tolstoy, like Kant, seeks to preserve the autono…
Infecting, Simulating, Judging
This paper places Leo Tolstoy’s often dismissed aesthetic treatise, What is Art?, in the context of the philosophical debate concerning aesthetic judgment. I examine Tolstoy’s argument for the very possibility of making aesthetic judgments, and suggest that his aesthetics proceed from an attempt to reconcile the subjective and the normative aspects of our aesthetic experience. Moreover, I show that Tolstoy, like Kant, seeks to preserve the autono…
Infecting, Simulating, Judging
This paper places Leo Tolstoy’s often dismissed aesthetic treatise, What is Art?, in the context of the philosophical debate concerning aesthetic judgment. I examine Tolstoy’s argument for the very possibility of making aesthetic judgments, and suggest that his aesthetics proceed from an attempt to reconcile the subjective and the normative aspects of our aesthetic experience. Moreover, I show that Tolstoy, like Kant, seeks to preserve the autono…
Self-Translation and the Transformation of Nabokov's Aesthetics From "Kamera Obskura" to "Laughter in the Dark
Tatyana Gershkovich, SELF-TRANSLATION AND THE TRANSFORMATION OF NABOKOV'S AESTHETICS FROM "KAMERA OBSKURA" TO "LAUGHTER IN THE DARK", The Slavic and East European Journal, Vol. 63, No. 2 (SUMMER 2019), pp. 206-225
Public Patterns in Private Writing
Diaries seem to contain almost anything; how could it be otherwise, given the diversity of their authors, the variety of contexts in which they are authored, and the range of reasons for authoring them? But examining diaries en masse , using computationally assisted reading, discloses large‐scale commonalities obscured by the local variance. The Russophone diarists we examine appear to have a strong (if perhaps tacit) sense of the kind of reflect…
Aesthetics (2 works) · Political science (2 works) · Aesthetic experience (1 work) · Argument (complex analysis) (1 work) · Art (1 work) · Autobiographical and Biographical Writing (1 work) · Autonomy (1 work) · Chemistry (1 work) · Classical Philosophy and Thought (1 work) · Computer Science (1 work)