Henry Louis Gates
Biographic Data
| ID | 122957 |
|---|---|
| NAME | Henry Louis Gates |
| GIVEN NAMES | Henry Louis |
| FAMILY NAME | Gates |
| SIGNATURE | GATES H L |
| AFFILIATIONS | Harvard University |
| ORCID | 0009-0000-2347-5912 |
| VERIFIED | Yes |
| TOTAL WORKS | 99 |
| TOTAL CITATIONS | 186 |
| AUTHOR COUNT | 89 |
| EDITOR COUNT | 10 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 7 |
“Some Fresh Suggestions about the New Negro Crime”: Harper’s Weekly, January 23, 1904
The New Negro: A History in Documents, 1887–1937
Le rôle de l'Église noire aux États-Unis
Henry Louis Gates, professeur de littérature et intellectuel public américain, publie en français Black Church (Labor et Fides, janvier 2023), un livre qui reprend et approfondit le contenu d'un film documentaire consacré à cette institution centrale de l'expérience afro-américaine. Il nous explique comment le christianisme noir américain a été structuré par l'esclavage et la ségrégation, jusqu'à devenir une véritable contre-société permettant au…
Who’s Black and Why?: A Hidden Chapter from the Eighteenth-Century Invention of Race
Who’s Black and Why: A Hidden Chapter from the Eighteenth-Century Invention of Race
In 1739 Bordeaux’s Royal Academy of Sciences held an essay contest seeking answers to a pressing question: What was the cause of Africans’ black skin? Published here for the first time and translated into English, these early documents of scientific racism lay bare the Enlightenment origins of the phantom of racial hierarchy
The Black Church: This Is Our Story, This Is Our Song
For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity--an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from …
Thirteen Ways of Looking at a Black Man
Black in Latin America
1 Brazil: May Exu Give Me the Power of Speech2 Mexico: e Grandma in the Closet3 Peru: e Blood of the Incas, the Blood of the Mandingas4 h e Dominican Republic: Black behind the Ears5 Haiti: From My Ashes I Rise God Is My Cause and My Sword6 Cuba: h e Next Cuban Revolution
Thirteen Ways of Looking at a Black Man
O. J. Simpson was famous rather than black; that is, until the African-American community took its lead from the cover of Time and, well, blackened him. The Simpson trial—black entertainment television at its finest. Ralph Ellison's hopeful insistence on the Negro's centrality to American culture finds, at last, a certain tawdry confirmation. "The media generated in people a feeling of being spectators at a show;" the novelist John Edgar Wideman …
The annotated African American folktales
The New Annotated African American Folktales revolutionises the canon like no other volume. Henry Louis Gates Jr and Maria Tatar assemble a ground-breaking collection of folktales, myths and legends that revitalise a vibrant African American past. Beginning with introductory essays and 20 seminal African tales, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics but also stories like Witches Who R…
Uncle Tom: From Martyr to Traitor
This book tells the story of how Uncle Tom, the Christ-like protagonist of Uncle Tom's Cabin , became a racial epithet and why Americans have been invoking this controversial figure for more than 160 years
Reconsidering Roots: Race, Politics, and Memory
The Image of the Black in African and Asian Art
BOOKThe Image of the Black in African and Asian ArtDavid Bindman (Editor), Henry Louis Gates Jr. (Editor), Suzanne Preston Blier (Editor) https://doi.org/10.37862/aaeportal.00136 Stable URL: https://aaeportal.com/?id=-17826Copy The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses …
Introduction: Criticism in De Jungle
625 African American Review 50.4 (Winter 2017): 625-629© 2018 Johns Hopkins University Press and Saint Louis University BTS #1 - Gates&Anozie_Gates&Anozie 2/14/2018 5:03 PM Page 625 626 AFRICAN AMERICAN REVIEW BTS #1 - Gates&Anozie_Gates&Anozie 2/14/2018 5:03 PM Page 626 HENRY LOUIS GATES, JR. 627 BTS #1 - Gates&Anozie_Gates&Anozie 2/14/2018 5:03 PM Page 627 628 AFRICAN AMERICAN REVIEW BTS #1 - Gates&Anozie_Gates&Anozie 2/14/2018 5:03 PM Page 628…
Black Literature and Literary Theory
The blackness of blackness: A critique of the sign and the Signifying Monkey
Signification is the nigger’s occupation.
Dictionary of Caribbean and Afro–Latin American Biography
Two entries in the Dictionary of Caribbean and Afro-Latin American Biography: Gastón Baquero and Lino Ayllón D'ou
Frederick Douglass's Camera Obscura: Representing the Antislave 'Clothed and in Their Own Form
A Conversation With Condoleezza Rice: On Leadership
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Visual Culture and the Occupation of the Rhineland
3. Visual Culture and the Occupation of the RhinelandVera Ingrid GrantThe Image of the Black in Western Art, Volume V: The Twentieth Century, Part 1: The Impact of AfricaMost popular images of Africans in twentieth-century Germany followed the pattern in other countries, placing them in humorous contexts mocking their supposedly childlike or savage nature ...AuthorVera Ingrid GrantPublisherHarvard University PressCopyright© 2014 by the President …
The Image of the Black in Western Art, Volume V: The Twentieth Century, Part 1: The Impact of Africa
BOOKThe Image of the Black in Western Art, Volume V: The Twentieth Century, Part 1: The Impact of AfricaDavid Bindman (Editor), Henry Louis Gates Jr. (Editor) https://doi.org/10.37862/aaeportal.00145 Stable URL: https://aaeportal.com/?id=-17704Copy In the 1960s, art patrons Dominique and Jean de Menil founded an image archive showing the ways that people of African descent have been represented in Western art from the ancient world to modern time…
The African Americans: Many Rivers to Cross
Chronicles five hundred years of African-American history from the origins of slavery on the African continent through Barack Obama's second presidential term, examining contributing political and cultural events
The Image of the Black in Western Art, Volume IV: From the American Revolution to World War I, Part 1: Slaves and Liberators
BOOKThe Image of the Black in Western Art, Volume IV: From the American Revolution to World War I, Part 1: Slaves and LiberatorsDavid Bindman (Editor), Henry Louis Gates Jr. (Editor) https://doi.org/10.37862/aaeportal.00143 Stable URL: https://www.aaeportal.com/?id=-17364Copy In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from he…
African American Citizenship
The Oxford Handbook of African American Citizenship, 1865-Present
When newly liberated African American slaves attempted to enter the marketplace and exercise their rights as citizens of the United States in 1865, few, if any, Americans expected that, a century and a half later, the class divide between black and white Americans would be as wide as it is today. The United States has faced several potential key turning points in the status of African Americans over the course of its history, yet at each of these…
Critical Fanonism
The 'Blackness of Blackness: A Critique of the Sign and the Signifying Monkey
Dictionary of African Biography: Volume 3: Hailu -- Lyaut
From the pharaohs to Frantz Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490–1468 BCE) and Hannibal, the military commander and strategist of Carthage (243–183 BCE), …
The Trope of a New Negro and the Reconstruction of the Image of the Black
Research Article| October 01 1988 The Trope of a New Negro and the Reconstruction of the Image of the Black Henry Louis Gates,, Jr. Henry Louis Gates,, Jr. Search for other works by this author on: This Site PubMed Google Scholar Representations (1988) 24: 129–155. https://doi.org/10.2307/2928478 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Per…
Josephine Baker and Paul Colin: African American Dance Seen through Parisian Eyes
New Directions in Afro-American Literary Criticism
Harlem on Our Minds
Black Literature and Literary Theory
Black Literature and Literary Theory is of the first importance, not only for scholars of black literature, but also for literary critics and theorists in the traditional fields of Western literature.--W. Mitchell, University of Chicago
What's Love Got to Do with It: Critical Theory, Integrity, and the Black Idiom
Henry Louis Gates, Jr., "What's Love Got to Do with It?": Critical Theory, Integrity, and the Black Idiom, New Literary History, Vol. 18, No. 2, Literacy, Popular Culture, and the Writing of History (Winter, 1987), pp. 345-362
Authority, (White) Power and the (Black) Critic; It's All Greek to Me
Frederick Douglass's Camera Obscura: Representing the Antislave 'Clothed and in Their Own Form
Encyclopedia of Africa
The Encyclopedia of Africa presents the most up-to-date and thorough reference on this region of ever-growing importance in world history, politics, and culture. Its core is comprised of the entries focusing on African history and culture from OUP's acclaimed five-volume Africana - nearly two-thirds of these 1,300 entries have been updated, revised, and expanded to reflect the most recent scholarship. Articles cover prominent individuals, events,…
A Conversation With Claude M. Steele: Stereotype Threat and Black Achievement
Henry Louis Gates, Jr.: Claude, what exactly is "stereotype threat"? And why does it matter for the intellectual performance of Black youth at school?Claude M. Steele: Stereotype threat is a very simple experience that everybody has, I believe, a couple times a day. It refers to being in a situation or doing something for which a negative stereotype about one of your identities-your age, your race, your gender-is relevant to you. You know then th…
A Conversation With William Julius Wilson on the Election of Barack Obama
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
A Preliminary Response to Ali Mazrui's Preliminary Critique of “Wonders of the African World”
(2000). A Preliminary Response to Ali Mazrui's Preliminary Critique of “Wonders of the African World”. The Black Scholar: Vol. 30, The Debate on Henry Louis Gates, Jr.'s “Wonders of the African World”, pp. 10-14
The Slave’s Narrative
These autobiographies of Afro-American ex-slaves comprise the largest body of literature produced by slaves in human history. The book consists of three sections: selected reviews of slave narratives, dating from 1750 to 1861; essays examining how such narratives serve as historical material; and essays exploring the narratives as literary artifacts
The Master's Pieces: On Canon Formation and the African-American Tradition
Research Article| January 01 1990 The Master's Pieces: On Canon Formation and the African-American Tradition Henry Louis Gates, Jr. Henry Louis Gates, Jr. Search for other works by this author on: This Site Google South Atlantic Quarterly (1990) 89 (1): 89–111. https://doi.org/10.1215/00382876-89-1-89 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Henry Louis Gates; The Master's Pieces: On Canon …
The Image of the Black in African and Asian Art
BOOKThe Image of the Black in African and Asian ArtDavid Bindman (Editor), Henry Louis Gates Jr. (Editor), Suzanne Preston Blier (Editor) https://doi.org/10.37862/aaeportal.00136 Stable URL: https://aaeportal.com/?id=-17826Copy The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt—positioned properly as part of African history—this volume focuses …
A Conversation With Condoleezza Rice: On Leadership
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
A Conversation With Nell Irvin Painter: On the History of White People
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Third World of Theory: Enlightenment's Esau
The Dictionary of Global Culture
Talkin' That Talk
Ishmael Reed, Flight to Canada
Ishmael Reed, Flight to Canada
Chant of Saints: A Gathering of Afro-American Literature, Art, and Scholarship.
The 'Blackness of Blackness: A Critique of the Sign and the Signifying Monkey
Black is the Color of the Cosmos: Essays on Afro-American Literature and Culture, 1942-1981.
Our Nig; or, Sketches from the Life of a Free Black, in a Two-Story White House, North. Showing that Slavery's Shadows Fall Even There
Slavery's Shadow
Black Literature and Literary Theory
The Slave's Narrative
Black Literature and Literary Theory
Black Literature and Literary Theory is of the first importance, not only for scholars of black literature, but also for literary critics and theorists in the traditional fields of Western literature.--W. Mitchell, University of Chicago
Black Literature and Literary Theory
The Slave's Narrative
Talkin' That Talk
The Black Person in Art: How Should S/He Be Portrayed?
Figures in Black: Words, Signs, and the "Racial" Self
Authority, (White) Power and the (Black) Critic; It's All Greek to Me
Opening the Floodgates
What's Love Got to Do with It: Critical Theory, Integrity, and the Black Idiom
Henry Louis Gates, Jr., "What's Love Got to Do with It?": Critical Theory, Integrity, and the Black Idiom, New Literary History, Vol. 18, No. 2, Literacy, Popular Culture, and the Writing of History (Winter, 1987), pp. 345-362
To Make a Poet Black
This classic study of American Black poetry, first published in 1939 and long out of print, is the work of perhaps the pre-eminent figure in Black Studies of the past two generations. A major contribution to the history of Black thought in America, it ranges widely, beginning in the late eighteenth century with Jupiter Hammon, the first American Black writer, and ending in the 1930s with Countee Cullen and Langston Hughes
Figures in Black: Words, Signs, and the "Racial" Self
Figures in Black: Words, Signs, and the "Racial" Self
The originality, brilliance, and scope of the work is remarkable.... Gates will instruct, delight, and stimulate a broad range of readers, both those who are already well versed in Afro-American literature, and those who, after reading this book, will eagerly begin to be.--Barbara E. Johnson, Harvard University. A critical enterprise of the first importance.... Gates promises to lead and to show the way in boldness of conception, in vigor of exec…
Wole Soyinka: A Bibliography of Primary and Secondary Sources
The Trope of a New Negro and the Reconstruction of the Image of the Black
Research Article| October 01 1988 The Trope of a New Negro and the Reconstruction of the Image of the Black Henry Louis Gates,, Jr. Henry Louis Gates,, Jr. Search for other works by this author on: This Site PubMed Google Scholar Representations (1988) 24: 129–155. https://doi.org/10.2307/2928478 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Per…
The Signifying Monkey: A Theory of Afro-American Literary Criticism
Book Review| March 01 1989 The Signifying Monkey: A Theory of Afro-American Literary Criticism Gates, Henry Louis, Jr.The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press, 1988. Henry Louis Gates, Jr. Henry Louis Gates, Jr. Search for other works by this author on: This Site Google Black Sacred Music (1989) 3 (1): 75. https://doi.org/10.1215/10439455-3.1.75.2 Cite Icon Cite Share Icon Share Facebo…
Henty Louis Gates, Jr., and African-American Literary Discourse
A Function at the Junction
History (67 works) · Art (56 works) · Race, History, and American Society (45 works) · Art history (35 works) · Sociology (31 works) · Literature (27 works) · History (25 works) · Political science (25 works) · Computer Science (22 works) · Law (20 works)