Vaughn Booker
Biographic Data
| ID | 1230594 |
|---|---|
| NAME | Vaughn Booker |
| GIVEN NAMES | Vaughn |
| FAMILY NAME | Booker |
| SIGNATURE | BOOKER V |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Performing, Representing, and Archiving Belief
The archives of African American jazz musicians demonstrate rich sites for studying expressions of religious belief and daily religious practice in public and private arenas, in professional and personal capacities. Highlighting print material from the archives of Edward Kennedy "Duke" Ellington (1899-1974) and Mary Lou Williams (1910-1981), this article examines the ways that these musicians worked to articulate their beliefs in print and to mak…
An Authentic Record of My Race
Edward Kennedy "Duke" Ellington (1899-1974) emerged within the jazz profession as a prominent exponent of Harlem Renaissance racial uplift ideals about incorporating African American culture into artistic production. Formed in the early twentieth century's middle-class black Protestant culture but not a churchgoer in adulthood, Ellington conveyed a nostalgic appreciation of African American Christianity whenever hewrote music to chronicle African…
An Authentic Record of My Race
Edward Kennedy "Duke" Ellington (1899-1974) emerged within the jazz profession as a prominent exponent of Harlem Renaissance racial uplift ideals about incorporating African American culture into artistic production. Formed in the early twentieth century's middle-class black Protestant culture but not a churchgoer in adulthood, Ellington conveyed a nostalgic appreciation of African American Christianity whenever hewrote music to chronicle African…
An Authentic Record of My Race
Edward Kennedy "Duke" Ellington (1899-1974) emerged within the jazz profession as a prominent exponent of Harlem Renaissance racial uplift ideals about incorporating African American culture into artistic production. Formed in the early twentieth century's middle-class black Protestant culture but not a churchgoer in adulthood, Ellington conveyed a nostalgic appreciation of African American Christianity whenever hewrote music to chronicle African…
Performing, Representing, and Archiving Belief
The archives of African American jazz musicians demonstrate rich sites for studying expressions of religious belief and daily religious practice in public and private arenas, in professional and personal capacities. Highlighting print material from the archives of Edward Kennedy "Duke" Ellington (1899-1974) and Mary Lou Williams (1910-1981), this article examines the ways that these musicians worked to articulate their beliefs in print and to mak…
African american (2 works) · Art history (2 works) · History (2 works) · Jazz (2 works) · Music History and Culture (2 works) · Philosophy (2 works) · Race, History, and American Society (2 works) · Religious studies (2 works) · Anthropology (1 work) · Art (1 work)