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Matthew Corrigan

Biographic Data

ID1231956
NAMEMatthew Corrigan
GIVEN NAMESMatthew
FAMILY NAMECorrigan
SIGNATURECORRIGAN M
AFFILIATIONSUniversity of North Florida
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS10
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2006
H-INDEX1
  • Reginald F. Lewis Museum of Maryland African American History and Culture, A Slave Ship Speaks

    Matthew Corrigan, M B Corrigan•ARTICLE•Journal of American History•2006

    Reginald F. Lewis Museum of Maryland African American History and Culture, 830 East Pratt St., Baltimore, MD 21202. Permanent exhibitions, opened June 25, 2005. Tu–Su 10–5, closed Tanksgiving Day, Christmas Day, New Year's Day, and Easter Sunday. General admission $8, senior citizens and college students (with I.D.) $6, members' children 6 and under free, group rates available. 11,500 sq. ft. David Taft Terry, exhibition curator; Margaret Hutto, …

  • Exit Surveys as a Tool for Local Officials Who Are Considering Bond Issues for Infrastructure Improvements

    Open Access•Terry Bowen, Matthew Corrigan•ARTICLE•Public Works Management & Policy•2001•References: 19

    This study presents a framework for using exit surveys as a way to identify and explain citizen support for property tax increases for local infrastructure improvements. When local policy makers are interested in surveying their citizens about potential policy options, great care must be taken in choosing the population to be surveyed. Because voter turnout tends to be much lower in local elections, traditional phone and mail techniques may overe…

  • The Transformation of Going Public

    Matthew Corrigan•ARTICLE•Political Communication•2000•Cited by: 10•References: 8

    This article examines the going public thesis in the context of U.S. President Clintons health care reform campaign in 1993 and 1994. This case study highlights the changing nature of presidential public relations. The novel use of the first lady as a public spokesperson for a presidential initiative also raises new questions about presidential public relations and its impact on congressional behavior. Data for the study include appearances and s…

  • Malcolm Lowry

    Matthew Corrigan•ARTICLE•boundary 2•1975

    One can go mad in words. Nietzsche proved, documented, that. Go mad in the sense you wander afield in them, lose not yourself, but your mundane world. In fact you find yourself. Worlds of self that cohere beautifully, because they are stuck together by syntax, that marvellous glue. One recalls the image of Overbeck arriving in Turin to escort the mad Nietzsche home to Basel. The pensione people had sent a desperate telegram. Dutiful Overbeck arri…

  • Aubrey Schwartz

    Aubrey Schwartz, Matthew Corrigan•ARTICLE•boundary 2•1974

    Black and white are not so much colors as they are all colors and none: white, technically, is all color admixed, whirled in space or solution together; black, certainly, gives the opposite effect. In any case they are colors that can be used with ignorance, or with compassion and aplomb. Aubrey Schwartz has many styles. He began boldly, bold ranges of color, black against white, white so white you can feel the texture of the paper: birds of prey…

  • Materials for a Nexus

    Matthew Corrigan•ARTICLE•boundary 2•1973

    Two cultures are loose in America today. Both have their audiences, their dictators, their false prophets, their media and publishing outlets. New York publishing tries to ride the best of both worlds, though its allegiances lie solidly in one direction, towards solid print (the presses are set up that way). You can see, though, at what point they think to step in: when the fourth or fifth small press publication of an important author gets picke…

  • The Poet as Archaeologist

    Matthew Corrigan•ARTICLE•boundary 2•1973

    The poet as archaeologist: arche, beginnings. One recalls that Husserl, when he discovered phenomenology, and was looking for a name for his method (which moved back through the experience of phenomena to basic, infra-psychological structures of perception and jLidgment), wanted to call it an archaeology.The name, however, was pre-empted by the narrowing science of that name. Olson, as Maximus, as original maker, seeks another archaeology: origin…

  • The Transformation of Going Public

    Matthew Corrigan•ARTICLE•Political Communication•2000•Cited by: 10•References: 8

    This article examines the going public thesis in the context of U.S. President Clintons health care reform campaign in 1993 and 1994. This case study highlights the changing nature of presidential public relations. The novel use of the first lady as a public spokesperson for a presidential initiative also raises new questions about presidential public relations and its impact on congressional behavior. Data for the study include appearances and s…

  • Materials for a Nexus

    Matthew Corrigan•ARTICLE•boundary 2•1973

    Two cultures are loose in America today. Both have their audiences, their dictators, their false prophets, their media and publishing outlets. New York publishing tries to ride the best of both worlds, though its allegiances lie solidly in one direction, towards solid print (the presses are set up that way). You can see, though, at what point they think to step in: when the fourth or fifth small press publication of an important author gets picke…

  • The Poet as Archaeologist

    Matthew Corrigan•ARTICLE•boundary 2•1973

    The poet as archaeologist: arche, beginnings. One recalls that Husserl, when he discovered phenomenology, and was looking for a name for his method (which moved back through the experience of phenomena to basic, infra-psychological structures of perception and jLidgment), wanted to call it an archaeology.The name, however, was pre-empted by the narrowing science of that name. Olson, as Maximus, as original maker, seeks another archaeology: origin…

  • Aubrey Schwartz

    Aubrey Schwartz, Matthew Corrigan•ARTICLE•boundary 2•1974

    Black and white are not so much colors as they are all colors and none: white, technically, is all color admixed, whirled in space or solution together; black, certainly, gives the opposite effect. In any case they are colors that can be used with ignorance, or with compassion and aplomb. Aubrey Schwartz has many styles. He began boldly, bold ranges of color, black against white, white so white you can feel the texture of the paper: birds of prey…

  • Malcolm Lowry

    Matthew Corrigan•ARTICLE•boundary 2•1975

    One can go mad in words. Nietzsche proved, documented, that. Go mad in the sense you wander afield in them, lose not yourself, but your mundane world. In fact you find yourself. Worlds of self that cohere beautifully, because they are stuck together by syntax, that marvellous glue. One recalls the image of Overbeck arriving in Turin to escort the mad Nietzsche home to Basel. The pensione people had sent a desperate telegram. Dutiful Overbeck arri…

  • The Transformation of Going Public

    Matthew Corrigan•ARTICLE•Political Communication•2000•Cited by: 10•References: 8

    This article examines the going public thesis in the context of U.S. President Clintons health care reform campaign in 1993 and 1994. This case study highlights the changing nature of presidential public relations. The novel use of the first lady as a public spokesperson for a presidential initiative also raises new questions about presidential public relations and its impact on congressional behavior. Data for the study include appearances and s…

  • Exit Surveys as a Tool for Local Officials Who Are Considering Bond Issues for Infrastructure Improvements

    Open Access•Terry Bowen, Matthew Corrigan•ARTICLE•Public Works Management & Policy•2001•References: 19

    This study presents a framework for using exit surveys as a way to identify and explain citizen support for property tax increases for local infrastructure improvements. When local policy makers are interested in surveying their citizens about potential policy options, great care must be taken in choosing the population to be surveyed. Because voter turnout tends to be much lower in local elections, traditional phone and mail techniques may overe…

  • Reginald F. Lewis Museum of Maryland African American History and Culture, A Slave Ship Speaks

    Matthew Corrigan, M B Corrigan•ARTICLE•Journal of American History•2006

    Reginald F. Lewis Museum of Maryland African American History and Culture, 830 East Pratt St., Baltimore, MD 21202. Permanent exhibitions, opened June 25, 2005. Tu–Su 10–5, closed Tanksgiving Day, Christmas Day, New Year's Day, and Easter Sunday. General admission $8, senior citizens and college students (with I.D.) $6, members' children 6 and under free, group rates available. 11,500 sq. ft. David Taft Terry, exhibition curator; Margaret Hutto, …

Art (4 works) · Political science (4 works) · History (3 works) · History (3 works) · Art history (2 works) · Law (2 works) · Law (2 works) · Medicine (2 works) · Poetry Analysis and Criticism (2 works) · Public Administration (2 works)

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