Henry Phillips

Biographic Data

ID123347
NAMEHenry Phillips
GIVEN NAMESHenry
FAMILY NAMEPhillips
SIGNATUREPHILLIPS H
AFFILIATIONSUniversity of Manchester
ORCID0000-0002-3291-0266
VERIFIEDYes
TOTAL WORKS18
TOTAL CITATIONS0
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1890
LATEST PUBLICATION YEAR2016
H-INDEX0

  • Albert Frigo, L’Évidence du Dieu caché. Introduction à la lecture des Pensées de Pascal

    Henry PhillipsARTICLEThe Seventeenth Century2016

    L'Evidence du Dieu cache. Introduction a la lecture des Pensees de Pascal, by Albert Frigo, Mont-Saint-Aignan, Presses universitaires de Rouen et du Havre /CNED, 2015, 229 pp., euro13.00 (paperback), ISBN 979-10-240-0543-0The structure of this book is rather curious. It begins with a standard account of the textual genesis of the Pensees, but then analyses two other free-standing texts, De l'esprit geometrique, concentrating in the process on the…

  • Le Théâtre universitaire. Pratiques et expériences/The University Theatre. Practice and Experience

    Henry PhillipsARTICLEModern & Contemporary France2014

  • Teaching French Seventeenth-century Theatre: Saying is Believing

    Open AccessHenry PhillipsCHAPTERTeaching the Early Modern Period2011

    In teaching seventeenth-century French theatre, why not choose a method that begins with the materiality and practice of the text? Jacques Copeau comments in respect of Molière: ‘To understand a play and to stage it as it is written, one need simply know how to read the text and to cede to its movement.’ 1 This is a simple but not so simple injunction. What is the sense in a modern context of ‘as it is written’? How exactly do we give ourselves o…

  • Nos Spectacles 1946–1975: Présence et effacement d'une revue catholique

    Henry PhillipsARTICLEModern & Contemporary France2009References: 1

    Nos Spectacles , founded in 1932, was the official organ and voice of two successive associations concerned with Catholic amateur theatre in France, which constituted a means of conserving and propagating Catholic values. After 1945, the journal renewed its dedication to raising the artistic level of Catholic theatre through a process of acculturation of the faithful, but in decidedly different conditions for Catholicism as a whole in a secular s…

  • Poisoned Words: Slander and Satire in Early Modern France

    Henry Phillips, Eric Butterworth et al.ARTICLEThe Modern Language Review2008

  • Dramaturgies de l'ombre: Actes du colloque organisé à Paris IV et Paris VII, 27 au 30 mars 2002

    Henry PhillipsARTICLEFrench Studies2006

    Sous la direction de Françoise Lavocat et François Lecercle. Presses universitaires de Rennes, 2005. 538 pp. Pb €25.00. ‘Place à l'ombre’ are the reported words of the huissier at the Comédie-française trying to get the actor playing the ghost in Voltaire's Sémiramis through the spectators seated on the stage. Well, the ghost certainly gets his place in this impressively large volume comprising twenty-nine essays ranging in period from antiquity …

  • From Obscurity to Bright Dawn: How Nyasaland Became Malawi: An Insider's Account

    John A Wiseman, Henry PhillipsARTICLEAfrica2001

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • From Obscurity to Bright Dawn: How Nyasaland Became Malawi: An Insider's Account

    Colin Baker, Henry PhillipsARTICLEThe International Journal of…1999

  • Church and Culture in Seventeenth-Century France

    Open AccessHenry PhillipsBOOKChurch and Culture in Seventeenth-C…1997

    Church and Culture in Seventeenth-Century France brings together the social, religious and intellectual history of the Grand Siecle and focuses on the involvement of the Church in a variety of cultural domains, including literature, art, censorship and ideas. It explores the limits as well as the extent of the Church's influence, especially in its attempt to impose orthodoxy in all areas and on all sections of society. Given that orthodoxy determ…

  • Italy and France in the Seventeenth-Century Stage Controversy

    Henry PhillipsARTICLEThe Seventeenth Century1996References: 1

    (1996). ITALY AND FRANCE IN THE SEVENTEENTH-CENTURY STAGE CONTROVERSY. The Seventeenth Century: Vol. 11, No. 2, pp. 187-207

  • Descartes and the Dramatic Experience

    Henry PhillipsARTICLEFrench Studies1985

    DESCARTES AND THE DRAMATIC EXPERIENCE Get access HENRY PHILLIPS HENRY PHILLIPS CAMBRIDGE Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXXIX, Issue 4, October 1985, Pages 408–422, https://doi.org/10.1093/fs/XXXIX.4.408 Published: 01 October 1985

  • The Theatre and Its Critics in Seventeenth-Century France

    Harold C Knutson, Henry PhillipsARTICLETheatre Journal1982

  • A New Introduction to Greek

    Thelma B DeGraff, Alston Chase et al.ARTICLEThe Classical World1962

  • A New Greek Reader

    J A Philip, A H Chase et al.ARTICLEPhoenix1955

  • Argentina: Pivot of Pan American Peace

    Felix J Weil, Felix Weil et al.ARTICLEHispanic American Historical Review1944

  • Meet the Spaniards

    Anna M Thompson, Henry Phillips et al.ARTICLEHispania1933

  • The Tribute Roll of Montezuma

    Daniel G Brinton, Henry Phillips et al.ARTICLETransactions of the American…1892

    Volume: 17

  • Primitive Man in Modern Beliefs

    Henry PhillipsARTICLEJournal of American Folklore1890