Nasko Kriznar
Biographic Data
| ID | 123510 |
|---|---|
| NAME | Nasko Kriznar |
| GIVEN NAMES | Nasko |
| FAMILY NAME | Kriznar |
| SIGNATURE | KRIZNAR N |
| AFFILIATIONS | Karst Research Institute |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Creators, Researchers and Users of Intangible Cultural Heritage in the Light of the National List of Living Cultural Heritage
The drafting of the national list of intangible cultural heritage is a great challenge for the ethnological methodology for the study of cultural heritage. The author focuses on the significance of the triangle that links creators, researchers and users of cultural heritage; this can aid in the redefinition of the role of cultural heritage in science and in society. *** Izdelava nacionalnega seznama nesnovne kulturne dediščine je velik izziv za e…
Ethnographic Film in Slovenia and Serbia: Outline of Project Results
V času Socialistične federativne republike Jugoslavije so bila med njenimi nacionalnimi etnologijami v navadi redna srečevanja in razprave. Ko so bili tovrstni stiki zaradi razpada države prekinjeni, je bilo prekinjeno tudi medsebojno informiranje o stanju na področju etnografskega filma. Medtem je prišlo do hitrega razvoja in velikih sprememb v etnografskem filmu in vizualni antropologiji v celoti. Zato se avtor članka v sklepu osredinja predvse…
Images of culture in visual ethnography
Visual ethnography is a kind of ethnographic filming which aim is to gather visual information and to help analyzing the data in the process of a research. It can help also to enhance communication between researcher and his subjects in the field or between researcher and the audience. Because of the prevailing use of a camera visual ethnography is called also camera-ethnography. This field of anthropological activity is raising different questio…
Portfolio of Ethnographic Film, Visual Anthropology and Visual Research in Slovenia
Slovenia has a diverse range of ethnographic film, visual anthropology and visual research. Visual production includes ethnographic and documentary film, as well as emerging genres such as videos produced for museum exhibition and student video works. Commentary on these productions focuses on the difference between documentary and ethnographic film, and on the difference between ethnographic films and visuals works made for research. Much visual…
The Films of Božo Škerlj
Božo Škerlj je bil prvi doktor antropologije v Jugoslaviji, manj pa je poznano, da je bil tudi filmski amater. V tridesetih letih preteklega stoletja in še nekaj let po drugi svetovni vojni je snemal z malo ozkotračno filmsko kamero družinsko življenje in utrinke iz službenega okolja. Ohranjenih je 24 filmskih enot v skupnem trajanju 90 minut. V članku so predstavljene okoliščine in značilnosti njegovega filmskega ustvarjanja, vsebine filmov in n…
Visual symbols of national identity: Slovene bumper stickers and the collective unconscious
During the struggle for international recognition of Slovenia as independent state, common people produced many visual symbols. These symbols functioned as a metaphor for the promotion of Slovene national independence, consistent with Jung's view that a myth consists of symbols which are created on the unconscious level. Many of the proposals for new coat‐of‐arms, flag, money and license plates of cars appeared on the streets and, as a special ch…
Visual symbols of national identity: Slovene bumper stickers and the collective unconscious
During the struggle for international recognition of Slovenia as independent state, common people produced many visual symbols. These symbols functioned as a metaphor for the promotion of Slovene national independence, consistent with Jung's view that a myth consists of symbols which are created on the unconscious level. Many of the proposals for new coat‐of‐arms, flag, money and license plates of cars appeared on the streets and, as a special ch…
Creators, Researchers and Users of Intangible Cultural Heritage in the Light of the National List of Living Cultural Heritage
The drafting of the national list of intangible cultural heritage is a great challenge for the ethnological methodology for the study of cultural heritage. The author focuses on the significance of the triangle that links creators, researchers and users of cultural heritage; this can aid in the redefinition of the role of cultural heritage in science and in society. *** Izdelava nacionalnega seznama nesnovne kulturne dediščine je velik izziv za e…
Visual symbols of national identity: Slovene bumper stickers and the collective unconscious
During the struggle for international recognition of Slovenia as independent state, common people produced many visual symbols. These symbols functioned as a metaphor for the promotion of Slovene national independence, consistent with Jung's view that a myth consists of symbols which are created on the unconscious level. Many of the proposals for new coat‐of‐arms, flag, money and license plates of cars appeared on the streets and, as a special ch…
The Films of Božo Škerlj
Božo Škerlj je bil prvi doktor antropologije v Jugoslaviji, manj pa je poznano, da je bil tudi filmski amater. V tridesetih letih preteklega stoletja in še nekaj let po drugi svetovni vojni je snemal z malo ozkotračno filmsko kamero družinsko življenje in utrinke iz službenega okolja. Ohranjenih je 24 filmskih enot v skupnem trajanju 90 minut. V članku so predstavljene okoliščine in značilnosti njegovega filmskega ustvarjanja, vsebine filmov in n…
Portfolio of Ethnographic Film, Visual Anthropology and Visual Research in Slovenia
Slovenia has a diverse range of ethnographic film, visual anthropology and visual research. Visual production includes ethnographic and documentary film, as well as emerging genres such as videos produced for museum exhibition and student video works. Commentary on these productions focuses on the difference between documentary and ethnographic film, and on the difference between ethnographic films and visuals works made for research. Much visual…
Images of culture in visual ethnography
Visual ethnography is a kind of ethnographic filming which aim is to gather visual information and to help analyzing the data in the process of a research. It can help also to enhance communication between researcher and his subjects in the field or between researcher and the audience. Because of the prevailing use of a camera visual ethnography is called also camera-ethnography. This field of anthropological activity is raising different questio…
Ethnographic Film in Slovenia and Serbia: Outline of Project Results
V času Socialistične federativne republike Jugoslavije so bila med njenimi nacionalnimi etnologijami v navadi redna srečevanja in razprave. Ko so bili tovrstni stiki zaradi razpada države prekinjeni, je bilo prekinjeno tudi medsebojno informiranje o stanju na področju etnografskega filma. Medtem je prišlo do hitrega razvoja in velikih sprememb v etnografskem filmu in vizualni antropologiji v celoti. Zato se avtor članka v sklepu osredinja predvse…
Creators, Researchers and Users of Intangible Cultural Heritage in the Light of the National List of Living Cultural Heritage
The drafting of the national list of intangible cultural heritage is a great challenge for the ethnological methodology for the study of cultural heritage. The author focuses on the significance of the triangle that links creators, researchers and users of cultural heritage; this can aid in the redefinition of the role of cultural heritage in science and in society. *** Izdelava nacionalnega seznama nesnovne kulturne dediščine je velik izziv za e…
Art (6 works) · Sociology (4 works) · Aesthetics (3 works) · Anthropology (3 works) · Cultural Heritage Management and Preservation (3 works) · Diverse Musicological Studies (3 works) · Ethnography (3 works) · Visual anthropology (3 works) · Archaeology (2 works) · Filmmaking (2 works)