Colin Quigley
Biographic Data
| ID | 123665 |
|---|---|
| NAME | Colin Quigley |
| GIVEN NAMES | Colin |
| FAMILY NAME | Quigley |
| SIGNATURE | QUIGLEY C |
| AFFILIATIONS | University of California, Los Angeles |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
Douglastown: Musique et chanson de la Gaspésie / Music and song from the Gaspé Coast. 2014. Centre communautaire Douglas/Douglas Community Centre. Mastered by Denis Martin. Annotated by Glenn Patterso…
Douglastown: Musique et chanson de la Gaspésie / Music and song from the Gaspé Coast. 2014. Centre communautaire Douglas/Douglas Community Centre. Mastered by Denis Martin. Annotated by Glenn Patterson, Laura Risk, and Luc Chaput. Produced by Laura Risk and Glenn Patterson. 56-page booklet with notes in French and English. Colour and b/w photographs, drawings, musical notations. CD, 46 tracks (72:40). - Volume 48
Confronting Legacies of Ethnic-National Discourse in Scholarship and Practice: Traditional Music and Dance in Central Transylvania
Ethnic-national discourse in traditional music and dance practice and theory in central Transylvania is pervasive and persistent. Scholarship in the field has been deeply implicated in the elaboration and imposition of national ideologies by cultural elites, but while ethnicity is a naturalized category, the local practice of music and dance in social life need not be primarily so marked. This article examines and critiques the identification of …
Locating the Choreomusical: The Case of European and American Dance Fiddling
This essay takes the term choreomusical as a starting place for discussion of attention to the study of music and dance relationships within ethnomusicology and ethnochoreology. Extending this neologism, choreomusicology has been proposed as a distinct disciplinary perspective on its own. Recent publications advocating for the usefulness of this joint research perspective have begun to establish this terminology more generally. Explicit studies o…
György Martin's place in applied ethnochoreology
Apart from a few key works on dance structure, improvisation and Central European traditional dance, the breadth and depth of Martin's work remains inaccessible to the English reading audience and little known in dance studies. One such unacknowledged area of significant contribution is his important work in applied ethnochoreology through key interventions in Hungarian presentational stage choreography and participatory social dance revival. In …
Dancing from Past to Present: Nation, Culture, Identities
Book Review| October 01 2009 Dancing from Past to Present: Nation, Culture, Identities Dancing from Past to Present: Nation, Culture, Identities, Theresa Jill Buckland. Colin Quigley Colin Quigley Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (3): 522–525. https://doi.org/10.2307/25653092 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Colin Quigley; Dancing …
"Reflections on the Hearing to "Designate the Square Dance as the American Folk Dance of the United States: Cultural Politics and an American Vernacular Dance Form
Colin Quigley, Reflections on the Hearing to "Designate the Square Dance as the American Folk Dance of the United States": Cultural Politics and an American Vernacular Dance Form, Yearbook for Traditional Music, Vol. 33 (2001), pp. 145-157
Music from the Heart: Compositions of a Folk Fiddler
Music from the Heart: Compositions of a Folk Fiddler
The subject of this study of music creativity in the oral tradition is Emile Benoit (1913-1992), a traditional fiddler from French Newfoundland. It follows Benoit through a rapidly changing musical milieau as he moves from a small rural community to international musical and folk festivals
International Council for Traditional Music Study Group on Ethnochoreology, 17th Symposium (Nafplion, Greece, 2–10 July 1992)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Catching Rhymes: Generative Musical Processes in the Compositions of a French Newfoundland Fiddler
Examines the compositional process of a Newfoundland fiddler, Emile Benoit. Several transcriptions are provided in order to illustrate connections of melodic structure between tunes, challenging previous theories about tune-family genesis in fiddle music
Zydeco: Creole Music and Culture in Rural Louisiana
Nick Spitzer film on African American dance-hall music in French-speaking southwest Louisiana, with Dolon Carriere, Armand Ardoin, and Alphonse “Bois Sec” Ardoin
Folk Dance in Newfoundland
Close to the Floor. Folk Dance in Newfoundland
Dance across Texas
"Reflections on the Hearing to "Designate the Square Dance as the American Folk Dance of the United States: Cultural Politics and an American Vernacular Dance Form
Colin Quigley, Reflections on the Hearing to "Designate the Square Dance as the American Folk Dance of the United States": Cultural Politics and an American Vernacular Dance Form, Yearbook for Traditional Music, Vol. 33 (2001), pp. 145-157
Music from the Heart: Compositions of a Folk Fiddler
The subject of this study of music creativity in the oral tradition is Emile Benoit (1913-1992), a traditional fiddler from French Newfoundland. It follows Benoit through a rapidly changing musical milieau as he moves from a small rural community to international musical and folk festivals
Locating the Choreomusical: The Case of European and American Dance Fiddling
This essay takes the term choreomusical as a starting place for discussion of attention to the study of music and dance relationships within ethnomusicology and ethnochoreology. Extending this neologism, choreomusicology has been proposed as a distinct disciplinary perspective on its own. Recent publications advocating for the usefulness of this joint research perspective have begun to establish this terminology more generally. Explicit studies o…
György Martin's place in applied ethnochoreology
Apart from a few key works on dance structure, improvisation and Central European traditional dance, the breadth and depth of Martin's work remains inaccessible to the English reading audience and little known in dance studies. One such unacknowledged area of significant contribution is his important work in applied ethnochoreology through key interventions in Hungarian presentational stage choreography and participatory social dance revival. In …
International Council for Traditional Music Study Group on Ethnochoreology, 17th Symposium (Nafplion, Greece, 2–10 July 1992)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Dance across Texas
Folk Dance in Newfoundland
Close to the Floor. Folk Dance in Newfoundland
Zydeco: Creole Music and Culture in Rural Louisiana
Nick Spitzer film on African American dance-hall music in French-speaking southwest Louisiana, with Dolon Carriere, Armand Ardoin, and Alphonse “Bois Sec” Ardoin
International Council for Traditional Music Study Group on Ethnochoreology, 17th Symposium (Nafplion, Greece, 2–10 July 1992)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Catching Rhymes: Generative Musical Processes in the Compositions of a French Newfoundland Fiddler
Examines the compositional process of a Newfoundland fiddler, Emile Benoit. Several transcriptions are provided in order to illustrate connections of melodic structure between tunes, challenging previous theories about tune-family genesis in fiddle music
Music from the Heart: Compositions of a Folk Fiddler
The subject of this study of music creativity in the oral tradition is Emile Benoit (1913-1992), a traditional fiddler from French Newfoundland. It follows Benoit through a rapidly changing musical milieau as he moves from a small rural community to international musical and folk festivals
Music from the Heart: Compositions of a Folk Fiddler
"Reflections on the Hearing to "Designate the Square Dance as the American Folk Dance of the United States: Cultural Politics and an American Vernacular Dance Form
Colin Quigley, Reflections on the Hearing to "Designate the Square Dance as the American Folk Dance of the United States": Cultural Politics and an American Vernacular Dance Form, Yearbook for Traditional Music, Vol. 33 (2001), pp. 145-157
Dancing from Past to Present: Nation, Culture, Identities
Book Review| October 01 2009 Dancing from Past to Present: Nation, Culture, Identities Dancing from Past to Present: Nation, Culture, Identities, Theresa Jill Buckland. Colin Quigley Colin Quigley Search for other works by this author on: This Site Google Ethnomusicology (2009) 53 (3): 522–525. https://doi.org/10.2307/25653092 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Colin Quigley; Dancing …
György Martin's place in applied ethnochoreology
Apart from a few key works on dance structure, improvisation and Central European traditional dance, the breadth and depth of Martin's work remains inaccessible to the English reading audience and little known in dance studies. One such unacknowledged area of significant contribution is his important work in applied ethnochoreology through key interventions in Hungarian presentational stage choreography and participatory social dance revival. In …
Douglastown: Musique et chanson de la Gaspésie / Music and song from the Gaspé Coast. 2014. Centre communautaire Douglas/Douglas Community Centre. Mastered by Denis Martin. Annotated by Glenn Patterso…
Douglastown: Musique et chanson de la Gaspésie / Music and song from the Gaspé Coast. 2014. Centre communautaire Douglas/Douglas Community Centre. Mastered by Denis Martin. Annotated by Glenn Patterson, Laura Risk, and Luc Chaput. Produced by Laura Risk and Glenn Patterson. 56-page booklet with notes in French and English. Colour and b/w photographs, drawings, musical notations. CD, 46 tracks (72:40). - Volume 48
Confronting Legacies of Ethnic-National Discourse in Scholarship and Practice: Traditional Music and Dance in Central Transylvania
Ethnic-national discourse in traditional music and dance practice and theory in central Transylvania is pervasive and persistent. Scholarship in the field has been deeply implicated in the elaboration and imposition of national ideologies by cultural elites, but while ethnicity is a naturalized category, the local practice of music and dance in social life need not be primarily so marked. This article examines and critiques the identification of …
Locating the Choreomusical: The Case of European and American Dance Fiddling
This essay takes the term choreomusical as a starting place for discussion of attention to the study of music and dance relationships within ethnomusicology and ethnochoreology. Extending this neologism, choreomusicology has been proposed as a distinct disciplinary perspective on its own. Recent publications advocating for the usefulness of this joint research perspective have begun to establish this terminology more generally. Explicit studies o…
Art (13 works) · History (9 works) · Visual arts (9 works) · Dance (7 works) · Diversity and Impact of Dance (7 works) · Literature (6 works) · Sociology (6 works) · Diverse Musicological Studies (5 works) · Folklore, Mythology, and Literature Studies (5 works) · History (4 works)