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Muriel G Cantor

Biographic Data

ID124198
NAMEMuriel G Cantor
GIVEN NAMESMuriel G
FAMILY NAMECantor
SIGNATURECANTOR M G
AFFILIATIONSAmerican University
VERIFIEDNo
TOTAL WORKS36
TOTAL CITATIONS64
AUTHOR COUNT36
EDITOR COUNT0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR1995
H-INDEX3
  • Current Research on Occupations and Professions: A Research Annual, vol. 8

    Magali Sarfatti Larson, Muriel G Cantor et al.•ARTICLE•Contemporary Sociology A Journal…•1995

  • In memory of

    Open Access•Muriel G Cantor•ARTICLE•Gender & Society•1995

  • Women and Soap Opera: A Study of Prime Time Soaps

    Muriel G Cantor•REVIEW•Contemporary Sociology A Journal…•1992

  • Making Science Our Own: Public Images of Science, 1910-1945. Marcel C. LaFollette

    Muriel G Cantor•ARTICLE•American Journal of Sociology•1991

  • The American Family on Television: From Molly Goldberg to Bill Cosby

    Muriel G Cantor•ARTICLE•Journal of Comparative Family…•1991•Cited by: 4

    This article is about the family (domestic) comedy, one of the most popular and enduring genre on television. The first section concentrates on the background and rationale for studying family life as portrayed in television's domestic comedies; the second follows the evolution of the TV family from Molly Goldberg in the 1940s when television came into American homes to the Nelsons (The Adventures of Ozzie and Harriet) and the Stones (The Donna R…

  • Prime‐time fathers: A study in continuity and change

    Muriel G Cantor•ARTICLE•Critical Studies in Mass…•1990

    This article concentrates on how women, and especially men, act as parents and spouses in domestic comedies. The first section concentrates on the background and rationale for studying the portrayals of fathers and husbands in television's domestic comedies; the second section examines the way gender (with emphasis on males) has been portrayed in these shows from the 1950s through the 1980s. The final section proposes that men are presented diffe…

  • Marilyn Monroe

    Muriel G Cantor, G Mccann•ARTICLE•Contemporary Sociology A Journal…•1989

  • And the Winner Is: The History and Politics of the Oscar Awards

    Muriel G Cantor, Emanuel Levy•ARTICLE•Contemporary Sociology A Journal…•1988

  • Feminism and the media

    Open Access•Muriel G Cantor•ARTICLE•Society•1988

  • Jessie Bernard-an Appreciation

    Open Access•Muriel G Cantor•ARTICLE•Gender & Society•1988•Cited by: 2

  • Media, audience, and social structure

    Jeffrey C Alexander, Muriel G Cantor et al.•BOOK•Media, audience, and social…•1986•Cited by: 33

  • Speaking of Soap Operas

    Muriel G Cantor, Robert C Allen•ARTICLE•Contemporary Sociology A Journal…•1986

  • TV Use and Social Interaction in Adolescence: A Longitudinal Study

    Muriel G Cantor, Ulla Johnsson‐smaragdi et al.•ARTICLE•Contemporary Sociology A Journal…•1985

  • Forever Feminine: Women's Magazines and the Cult of Femininity

    Muriel G Cantor•REVIEW•British Journal of Sociology•1985

  • The Soap Opera

    Brian Kahin, Muriel G Cantor et al.•ARTICLE•Social Forces•1985

  • The Perils of Prime-Time Politics

    Muriel G Cantor, Todd Gitlin•ARTICLE•Contemporary Sociology A Journal…•1984

  • Varieties of Work

    Carol J Auster, Phyllis L Stewart et al.•ARTICLE•Contemporary Sociology A Journal…•1984

    Fifteen provocative articles by leading scholars of work and occupations show how such occupations as police work, middle management, taxi driving, nursing, and the building trade are responding to cultural, organizational, occupational and client pressures for change. How these pressures work and what causes them are also analyzed from a viewpoint that looks at the distribution of power among different types of industry and workers. 'Scholars an…

  • The Soap Opera

    J Bernard, Muriel G Cantor et al.•ARTICLE•Contemporary Sociology A Journal…•1984

  • Children, Television, and Sex-Role Stereotyping

    Muriel G Cantor, Frederick Williams et al.•ARTICLE•Contemporary Sociology A Journal…•1983

  • Life on Television: Content Analyses of U.S. TV Drama

    Muriel G Cantor, Bradley S Greenberg•ARTICLE•Contemporary Sociology A Journal…•1982•Cited by: 3

    This book identifies, documents, and analyzes the major dimensions of U.S. prime-time TV content. By exmining fictional TV series run in prime-time and on Saturday mornings over three seasons, the author and his research team have put together a fascinating study of American society according to television

  • Private Lives of Public Servants

    Muriel G Cantor, Kenneth Lasson•ARTICLE•Contemporary Sociology A Journal…•1980

  • The Show and Tell Machine: How Television Works and Works You Over. Rose K. Goldsen

    Muriel G Cantor•ARTICLE•American Journal of Sociology•1980

  • Our Days and Our Nights on Tv

    Open Access•Muriel G Cantor•ARTICLE•Journal of Communication•1979

    Unique criteria for success and a lack of critical public attention have encouraged the popularity and stability of daytime soap

  • Communes, Sociology and Society. Philip Abrams , Andrew McCulloch , Sheila Abrams , Pat Gore

    Muriel G Cantor•ARTICLE•American Journal of Sociology•1978

  • Women and Public Broadcasting

    Open Access•Muriel G Cantor•ARTICLE•Journal of Communication•1977

    Journal Article Women and Public Broadcasting Get access Muriel G. Cantor Muriel G. Cantor 1Muriel G. Cantor is Professor of Sociology at the American University, Washington, D.C. She was a research consultant for the National Task Force on Women established by the Corporation for Public Broadcasting (CPB) and co-author, with Caroline Isber, of its Report (5). Other members of the Task Force staff contributing directly to developing this article …

Next
  • Media, audience, and social structure

    Jeffrey C Alexander, Muriel G Cantor et al.•BOOK•Media, audience, and social…•1986•Cited by: 33

  • The Hollywood TV Producer: His Work and His Audience

    Frederick Elkin, Muriel G Cantor•ARTICLE•Contemporary Sociology A Journal…•1972•Cited by: 20

    Except for accounts of journalists, dissident employees, and an occasional congressional committee focusing on crime and unethical practices, we have known very little about how television programs are produced. The Hollywood TV Producer, originally published in 1971, was the first serious examination of constraints, conflicts, and rewards in the daily lives of television producers. Its insights were important at the time and have not been challe…

  • The American Family on Television: From Molly Goldberg to Bill Cosby

    Muriel G Cantor•ARTICLE•Journal of Comparative Family…•1991•Cited by: 4

    This article is about the family (domestic) comedy, one of the most popular and enduring genre on television. The first section concentrates on the background and rationale for studying family life as portrayed in television's domestic comedies; the second follows the evolution of the TV family from Molly Goldberg in the 1940s when television came into American homes to the Nelsons (The Adventures of Ozzie and Harriet) and the Stones (The Donna R…

  • Life on Television: Content Analyses of U.S. TV Drama

    Muriel G Cantor, Bradley S Greenberg•ARTICLE•Contemporary Sociology A Journal…•1982•Cited by: 3

    This book identifies, documents, and analyzes the major dimensions of U.S. prime-time TV content. By exmining fictional TV series run in prime-time and on Saturday mornings over three seasons, the author and his research team have put together a fascinating study of American society according to television

  • Jessie Bernard-an Appreciation

    Open Access•Muriel G Cantor•ARTICLE•Gender & Society•1988•Cited by: 2

  • Reporters and Officials: The Organization and Politics of Newsmaking

    Robert O Blanchard, Muriel G Cantor•REVIEW•Contemporary Sociology A Journal…•1976•Cited by: 1

  • Varieties of Work Experience

    M J Hill, Mike Hill et al.•ARTICLE•British Journal of Sociology•1976•Cited by: 1

  • Woman's Place: Options and Limits in Professional Careers

    Muriel G Cantor, Cynthia Fuchs Epstein et al.•ARTICLE•Social Forces•1971

  • Media Sociology: A Reader

    Muriel G Cantor, Jeremy Tunstall•ARTICLE•Contemporary Sociology A Journal…•1972

  • The Hollywood TV Producer: His Work and His Audience

    Frederick Elkin, Muriel G Cantor•ARTICLE•Contemporary Sociology A Journal…•1972•Cited by: 20

    Except for accounts of journalists, dissident employees, and an occasional congressional committee focusing on crime and unethical practices, we have known very little about how television programs are produced. The Hollywood TV Producer, originally published in 1971, was the first serious examination of constraints, conflicts, and rewards in the daily lives of television producers. Its insights were important at the time and have not been challe…

  • Mass Culture Revisited

    Muriel G Cantor, Bernard Rosenberg et al.•ARTICLE•Social Forces•1973

  • The Hollywood TV Producer: His Work and His Audience

    Marcello Truzzi, Muriel G Cantor et al.•ARTICLE•Social Forces•1973

  • Process of Mass Communications

    Muriel G Cantor, Damien Chaney et al.•ARTICLE•Contemporary Sociology A Journal…•1974

  • The Future of Motherhood

    Muriel G Cantor, J Bernard•ARTICLE•Contemporary Sociology A Journal…•1976

  • Reporters and Officials: The Organization and Politics of Newsmaking

    Robert O Blanchard, Muriel G Cantor•REVIEW•Contemporary Sociology A Journal…•1976•Cited by: 1

  • Varieties of Work Experience

    M J Hill, Mike Hill et al.•ARTICLE•British Journal of Sociology•1976•Cited by: 1

  • Image and Influence: Studies in the Sociology of Film.Andrew Tudor

    Muriel G Cantor•ARTICLE•American Journal of Sociology•1976

  • Women and Public Broadcasting

    Open Access•Muriel G Cantor•ARTICLE•Journal of Communication•1977

    Journal Article Women and Public Broadcasting Get access Muriel G. Cantor Muriel G. Cantor 1Muriel G. Cantor is Professor of Sociology at the American University, Washington, D.C. She was a research consultant for the National Task Force on Women established by the Corporation for Public Broadcasting (CPB) and co-author, with Caroline Isber, of its Report (5). Other members of the Task Force staff contributing directly to developing this article …

  • The Quality of Working Life. Volume 2: Cases and Commentary

    Craig C Lundberg, Louis E Davis et al.•ARTICLE•Contemporary Sociology A Journal…•1977

  • Communes, Sociology and Society. Philip Abrams , Andrew McCulloch , Sheila Abrams , Pat Gore

    Muriel G Cantor•ARTICLE•American Journal of Sociology•1978

  • Our Days and Our Nights on Tv

    Open Access•Muriel G Cantor•ARTICLE•Journal of Communication•1979

    Unique criteria for success and a lack of critical public attention have encouraged the popularity and stability of daytime soap

  • Private Lives of Public Servants

    Muriel G Cantor, Kenneth Lasson•ARTICLE•Contemporary Sociology A Journal…•1980

  • The Show and Tell Machine: How Television Works and Works You Over. Rose K. Goldsen

    Muriel G Cantor•ARTICLE•American Journal of Sociology•1980

  • Life on Television: Content Analyses of U.S. TV Drama

    Muriel G Cantor, Bradley S Greenberg•ARTICLE•Contemporary Sociology A Journal…•1982•Cited by: 3

    This book identifies, documents, and analyzes the major dimensions of U.S. prime-time TV content. By exmining fictional TV series run in prime-time and on Saturday mornings over three seasons, the author and his research team have put together a fascinating study of American society according to television

  • Children, Television, and Sex-Role Stereotyping

    Muriel G Cantor, Frederick Williams et al.•ARTICLE•Contemporary Sociology A Journal…•1983

  • The Perils of Prime-Time Politics

    Muriel G Cantor, Todd Gitlin•ARTICLE•Contemporary Sociology A Journal…•1984

  • Varieties of Work

    Carol J Auster, Phyllis L Stewart et al.•ARTICLE•Contemporary Sociology A Journal…•1984

    Fifteen provocative articles by leading scholars of work and occupations show how such occupations as police work, middle management, taxi driving, nursing, and the building trade are responding to cultural, organizational, occupational and client pressures for change. How these pressures work and what causes them are also analyzed from a viewpoint that looks at the distribution of power among different types of industry and workers. 'Scholars an…

  • The Soap Opera

    J Bernard, Muriel G Cantor et al.•ARTICLE•Contemporary Sociology A Journal…•1984

  • TV Use and Social Interaction in Adolescence: A Longitudinal Study

    Muriel G Cantor, Ulla Johnsson‐smaragdi et al.•ARTICLE•Contemporary Sociology A Journal…•1985

  • Forever Feminine: Women's Magazines and the Cult of Femininity

    Muriel G Cantor•REVIEW•British Journal of Sociology•1985

  • The Soap Opera

    Brian Kahin, Muriel G Cantor et al.•ARTICLE•Social Forces•1985

  • Media, audience, and social structure

    Jeffrey C Alexander, Muriel G Cantor et al.•BOOK•Media, audience, and social…•1986•Cited by: 33

Sociology (18 works) · Art (12 works) · Psychology (11 works) · Media studies (10 works) · Political science (10 works) · Business (9 works) · Computer Science (9 works) · Advertising (8 works) · Law (7 works) · World Wide Web (7 works)

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