Paula Gallant Eckard
Biographic Data
| ID | 1242212 |
|---|---|
| NAME | Paula Gallant Eckard |
| GIVEN NAMES | Paula Gallant |
| FAMILY NAME | Eckard |
| SIGNATURE | ECKARD P G |
| AFFILIATIONS | University of North Carolina at Charlotte |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 0 |
The Entombed Maternal in Gloria Naylor's Linden Hills
The Entombed Maternal in Gloria Naylor's Linden Hills Paula Gallant Eckard (bio) Throughout the history of Western culture, motherhood and maternal experience have been largely defined by other forces, or, as Susan Suleiman writes, "Mothers don't write, they are written" (356). The construction of women through art, literature, psychoanalysis, religion, politics, and other bastions of male power have often left women silenced and mute about the m…
Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith
Throughout human history, motherhood and maternal experience have been largely defined and written by a patriarchal culture. Religion, art, medicine, psychoanalysis, and other bastions of male power have objectified the maternal and have disregarded female subjectivity. As a result, maternal perspectives have been ignored and the mother's voice silenced. In recent literary texts, however, more substantial attention has been given to motherhood an…
The Prismatic Past in Oral History and Mama Day
The past exerts a distinct and powerful influence in most of southern fiction. This is less true in works of contemporary women writers who are southern themselves or whose works fall in realm of southern fiction. In hands of Lee Smith and Gloria Naylor, past becomes a multi-dimensional, prismatic entity that shapes familial, community, and cultural history. In Oral History by Lee Smith and in Mama Day by Gloria Naylor, concern is not so much wit…
No prominent works on this page.
The Prismatic Past in Oral History and Mama Day
The past exerts a distinct and powerful influence in most of southern fiction. This is less true in works of contemporary women writers who are southern themselves or whose works fall in realm of southern fiction. In hands of Lee Smith and Gloria Naylor, past becomes a multi-dimensional, prismatic entity that shapes familial, community, and cultural history. In Oral History by Lee Smith and in Mama Day by Gloria Naylor, concern is not so much wit…
Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith
Throughout human history, motherhood and maternal experience have been largely defined and written by a patriarchal culture. Religion, art, medicine, psychoanalysis, and other bastions of male power have objectified the maternal and have disregarded female subjectivity. As a result, maternal perspectives have been ignored and the mother's voice silenced. In recent literary texts, however, more substantial attention has been given to motherhood an…
The Entombed Maternal in Gloria Naylor's Linden Hills
The Entombed Maternal in Gloria Naylor's Linden Hills Paula Gallant Eckard (bio) Throughout the history of Western culture, motherhood and maternal experience have been largely defined by other forces, or, as Susan Suleiman writes, "Mothers don't write, they are written" (356). The construction of women through art, literature, psychoanalysis, religion, politics, and other bastions of male power have often left women silenced and mute about the m…
Latin American and Latino Studies (3 works) · American Literature and Culture (2 works) · Art (2 works) · History (2 works) · American and British Literature Analysis (1 work) · Art history (1 work) · Criminology (1 work) · Cruelty (1 work) · Cuban History and Society (1 work) · Depiction (1 work)