Charles O Hartman
Biographic Data
| ID | 1242223 |
|---|---|
| NAME | Charles O Hartman |
| GIVEN NAMES | Charles |
| FAMILY NAME | O Hartman |
| SIGNATURE | HARTMAN C O |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Dylan's Bridges
For more than half a century, Bob Dylan has explored the song forms offered by every branch of American popular music, elaborating them and investigating their expressive possibilities. He began with stanzaic "folk" and blues structures, refined and expanded the uses of refrains, and, after a certain point during his brief but preeminent "folk rock" period, added Tin Pan Alley devices such as the bridge. Ultimately concentrating on Blonde on Blon…
Free Verse
Jazz Text
American arts since World War II have drawn power and mystery from the ideas of and of improvisation. These unite in modern jazz, which is America's special contribution to world culture. But American poetry, too, has been vitally motivated by the example of jazz musicians and their ideas of personal sound and spontaneous composition. Working from this crucial connection between arts, Charles Hartman shows how music like that of Lee Konitz and Or…
"JazzPoetry/Jazz-Poetry/"JazzPoetry
Cognitive Metaphor
Free Verse
Free Verse
Cognitive Metaphor
Jazz Text
American arts since World War II have drawn power and mystery from the ideas of and of improvisation. These unite in modern jazz, which is America's special contribution to world culture. But American poetry, too, has been vitally motivated by the example of jazz musicians and their ideas of personal sound and spontaneous composition. Working from this crucial connection between arts, Charles Hartman shows how music like that of Lee Konitz and Or…
"JazzPoetry/Jazz-Poetry/"JazzPoetry
Free Verse
Dylan's Bridges
For more than half a century, Bob Dylan has explored the song forms offered by every branch of American popular music, elaborating them and investigating their expressive possibilities. He began with stanzaic "folk" and blues structures, refined and expanded the uses of refrains, and, after a certain point during his brief but preeminent "folk rock" period, added Tin Pan Alley devices such as the bridge. Ultimately concentrating on Blonde on Blon…
Art (5 works) · Literature (4 works) · Art history (3 works) · Linguistics (3 works) · Philosophy (3 works) · Aesthetics (2 works) · History (2 works) · Jazz (2 works) · Musicology and Musical Analysis (2 works) · Poetry (2 works)