Margaret Hutchison
Datos Biográficos
| ID | 1242332 |
|---|---|
| NOMBRE | Margaret Hutchison |
| NOMBRES | Margaret |
| APELLIDO | Hutchison |
| FIRMA | HUTCHISON M |
| AFILIACIONES | Australian Catholic University |
| ORCID | 0000-0002-0211-834X |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 16 |
| TOTAL DE CITAS | 21 |
| TOTAL COMO AUTOR | 16 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2015 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 2 |
A Symbol of Imperial Unity? The Australian Colonies and the 1897 Imperial Conference
The 1897 colonial conference coincided with Queen Victoria's Diamond Jubilee and an outpouring of late‐Victorian imperial sentiment. Against this backdrop of imperial celebration, colonial leaders met with Secretary of State for the Colonies, Joseph Chamberlain, whose own views as to the importance of imperial reform were taking shape. For the most part, while grateful for Chamberlain's interests, Australian leaders feared significant imperial re…
The Longer Battle
The Longer Battle: Australia, World War I and Its Aftermaths\nAt dawn on Saturday 25 April 2020, hundreds of Australians gathered in their driveways to observe a minute of silence to commemorate Anzac Day. In suburbs across the country they found inventive ways to mark the occasion, decorating fences with rosemary and wreaths, letterboxes with paper poppies, and pathways with candles and chalked messages ‘Lest we forget’
Old Age is Not a War Disability’
Australia’s repatriation system was generally considered one of the most generous in the world when it was established during World War I, but the care it provided to veterans has been the subject of much debate since its inception. In the 1950s, the Repatriation Department faced specific criticisms from voluntary organisations, such as the Returned Services League of Australia and Edith Cavell Trust Fund, over access to repatriation hospitals an…
Representing War
The centenary of the First World War (2014–2019) expanded and reinvigorated the historiography of this conflict. In particular, the war’s cultural legacy generated an outpouring of publications between 2013 and 2020 that re-evaluated its traditional cultural representations and explored fresh avenues of inquiry through analysing contemporary interpretations of the conflict in films, books and television series. In this way, the centenary afforded…
Dominion Imaginings
During the First World War, many belligerent nations commissioned official art to celebrate and preserve their experience of the conflict. This article explores the creation of the Australian, Canadian and New Zealand official war paintings; in particular, by tracing the emergence, development and fate of each collection, the article examines the process of memory-making and the politics at play in the commemoration of the war in art. It argues t…
Visual Representation and Memory of the First World War in Australasia
In March 2020, as the dimensions of the COVID-19 pandemic became increasingly apparent, Prime Minister Scott Morrison rallied Australians for what would be “the toughest year of our lives” for many
Meeting Women Where They Are
Reconstructing diet at the Neolithic stalled cairn of the Knowe of Rowiegar, Rousay, Orkney, using stable isotope analysis
Artists respond to the First World War
In August 1916, cartoonist Will Dyson wrote to Andrew Fisher, Australia’s High Commissioner to the United Kingdom, proposing to sketch the ‘special Australian characteristics’ of the troops in Fran
Designing commemoration
Nation, Memory and Great War Commemoration
Nation, Memory and Great War Commemoration: Mobilizing the Past in Europe, Australia and New Zealand." Journal of Australian Studies, 40(4), pp. 494–495
The Knowe of Rowiegar, Rousay, Orkney
The Neolithic chambered cairn at Knowe of Rowiegar, Rousay, Orkney, was excavated in 1937 as part of a campaign that also saw excavations at sites such as Midhowe and the Knowe of Lairo. Not fully published at the time, and with only partial studies since, the human bone assemblage has now been largely re-united and investigated. This included an osteological study and AMS dating of selected bones from this site and other Rousay cairns in the car…
Beaker people in Britain
Introduction
While destructive, war is a generative force like no other. (Barkawi & Brighton, 2011: 126) War is both ‘a destroyer and maker of truths’, and it is not just through history and politics that these certainties are generated and extinguished, but also in art (Barkawi & Brighton, 2011: 127). Visual art has a longstanding relationship with war and continues to play a fundamental role in both condemning and promoting conflict. Wars have provoked nume…
Emotional stories of war
Review of ' The Home Front: Australia During the First World War ' , Joanne Bach and Jono Lineen, curators, National Museum of Australia, Canberra, From 3 Apri 2015
Accurate to the Point of Mania’
The collection of official war art housed in the Australian War Memorial has played an important role in shaping a memory of the First World War for almost a century. This article explores the importance of eyewitness testimony in the production of war paintings for the Memorial's collection during the interwar years. Focusing on the repainting of official artist Harold Septimus Power's canvas Saving the Guns of Robecq, it explores the reasons wh…
Beaker people in Britain
Reconstructing diet at the Neolithic stalled cairn of the Knowe of Rowiegar, Rousay, Orkney, using stable isotope analysis
Introduction
While destructive, war is a generative force like no other. (Barkawi & Brighton, 2011: 126) War is both ‘a destroyer and maker of truths’, and it is not just through history and politics that these certainties are generated and extinguished, but also in art (Barkawi & Brighton, 2011: 127). Visual art has a longstanding relationship with war and continues to play a fundamental role in both condemning and promoting conflict. Wars have provoked nume…
Accurate to the Point of Mania’
The collection of official war art housed in the Australian War Memorial has played an important role in shaping a memory of the First World War for almost a century. This article explores the importance of eyewitness testimony in the production of war paintings for the Memorial's collection during the interwar years. Focusing on the repainting of official artist Harold Septimus Power's canvas Saving the Guns of Robecq, it explores the reasons wh…
Introduction
While destructive, war is a generative force like no other. (Barkawi & Brighton, 2011: 126) War is both ‘a destroyer and maker of truths’, and it is not just through history and politics that these certainties are generated and extinguished, but also in art (Barkawi & Brighton, 2011: 127). Visual art has a longstanding relationship with war and continues to play a fundamental role in both condemning and promoting conflict. Wars have provoked nume…
Emotional stories of war
Review of ' The Home Front: Australia During the First World War ' , Joanne Bach and Jono Lineen, curators, National Museum of Australia, Canberra, From 3 Apri 2015
Accurate to the Point of Mania’
The collection of official war art housed in the Australian War Memorial has played an important role in shaping a memory of the First World War for almost a century. This article explores the importance of eyewitness testimony in the production of war paintings for the Memorial's collection during the interwar years. Focusing on the repainting of official artist Harold Septimus Power's canvas Saving the Guns of Robecq, it explores the reasons wh…
Nation, Memory and Great War Commemoration
Nation, Memory and Great War Commemoration: Mobilizing the Past in Europe, Australia and New Zealand." Journal of Australian Studies, 40(4), pp. 494–495
The Knowe of Rowiegar, Rousay, Orkney
The Neolithic chambered cairn at Knowe of Rowiegar, Rousay, Orkney, was excavated in 1937 as part of a campaign that also saw excavations at sites such as Midhowe and the Knowe of Lairo. Not fully published at the time, and with only partial studies since, the human bone assemblage has now been largely re-united and investigated. This included an osteological study and AMS dating of selected bones from this site and other Rousay cairns in the car…
Beaker people in Britain
Meeting Women Where They Are
Reconstructing diet at the Neolithic stalled cairn of the Knowe of Rowiegar, Rousay, Orkney, using stable isotope analysis
Artists respond to the First World War
In August 1916, cartoonist Will Dyson wrote to Andrew Fisher, Australia’s High Commissioner to the United Kingdom, proposing to sketch the ‘special Australian characteristics’ of the troops in Fran
Designing commemoration
Representing War
The centenary of the First World War (2014–2019) expanded and reinvigorated the historiography of this conflict. In particular, the war’s cultural legacy generated an outpouring of publications between 2013 and 2020 that re-evaluated its traditional cultural representations and explored fresh avenues of inquiry through analysing contemporary interpretations of the conflict in films, books and television series. In this way, the centenary afforded…
Dominion Imaginings
During the First World War, many belligerent nations commissioned official art to celebrate and preserve their experience of the conflict. This article explores the creation of the Australian, Canadian and New Zealand official war paintings; in particular, by tracing the emergence, development and fate of each collection, the article examines the process of memory-making and the politics at play in the commemoration of the war in art. It argues t…
Visual Representation and Memory of the First World War in Australasia
In March 2020, as the dimensions of the COVID-19 pandemic became increasingly apparent, Prime Minister Scott Morrison rallied Australians for what would be “the toughest year of our lives” for many
The Longer Battle
The Longer Battle: Australia, World War I and Its Aftermaths\nAt dawn on Saturday 25 April 2020, hundreds of Australians gathered in their driveways to observe a minute of silence to commemorate Anzac Day. In suburbs across the country they found inventive ways to mark the occasion, decorating fences with rosemary and wreaths, letterboxes with paper poppies, and pathways with candles and chalked messages ‘Lest we forget’
Old Age is Not a War Disability’
Australia’s repatriation system was generally considered one of the most generous in the world when it was established during World War I, but the care it provided to veterans has been the subject of much debate since its inception. In the 1950s, the Repatriation Department faced specific criticisms from voluntary organisations, such as the Returned Services League of Australia and Edith Cavell Trust Fund, over access to repatriation hospitals an…
A Symbol of Imperial Unity? The Australian Colonies and the 1897 Imperial Conference
The 1897 colonial conference coincided with Queen Victoria's Diamond Jubilee and an outpouring of late‐Victorian imperial sentiment. Against this backdrop of imperial celebration, colonial leaders met with Secretary of State for the Colonies, Joseph Chamberlain, whose own views as to the importance of imperial reform were taking shape. For the most part, while grateful for Chamberlain's interests, Australian leaders feared significant imperial re…
History (11 obras) · Sociology (10 obras) · History (9 obras) · Law (8 obras) · Political science (8 obras) · World Wars: History, Literature, and Impact (8 obras) · Law (7 obras) · Media studies (7 obras) · Archaeology (6 obras) · Politics (6 obras)