Alain Danielou

• Anthology of World Music

  John Baily, Alain Danielou et al.•ARTICLE•Yearbook for Traditional Music•2003

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• The Music of Laos. Anthology of World Music

  Terry E Miller, Terry Miller et al.•ARTICLE•Yearbook for Traditional Music•2001

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• Anthology of World Music

  Christopher Adler, Alain Danielou•ARTICLE•Asian Music•2001

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• India

  Peter Manuel, Pere Casulleras et al.•ARTICLE•Yearbook for Traditional Music•1998

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• Manimekhalaï (The Dancer with the Magic Bowl) by Merchant-Prince Shattan

  Paula Richman, Alain Danielou et al.•ARTICLE•Journal of the American Oriental…•1991

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• Mantra

  Alain Danielou•ARTICLE•Cahiers de musiques traditionnelles•1991

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  La cosmologie hindoue pose le probleme fondamental de la possibilite de la communication, du principe sur lequel reposent les differentes formes de langage : langage des odeurs, des gouts, du toucher, langage visuel des gestes et des symboles, langage des sons, et ses deux branches qui sont le langage parle et le langage musical. Les philosophes hindous considerent que l’Univers, partant d’une manifestation energetique initiale, se developpe selo…

• Pakistan I

  Peter Row, Wim Jacobsen et al.•ARTICLE•Ethnomusicology•1981

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• Sudasien

  Bruno Nettl, Alain Danielou•ARTICLE•Ethnomusicology•1981

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• Shilappadikaram (The Ankle Bracelet)

  Elizabeth Rosen, Elizabeth S Rosen et al.•ARTICLE•Artibus Asiae•1975

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• Korean Music

  Bang-Song Song, BangSong Song et al.•ARTICLE•Asian Music•1975

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• Paintings Based on Relative Pitch in Music

  Alain Danielou, Barbara Hero•ARTICLE•Leonardo•1975•Citada por: 1

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  The author’s approach to painting changed direction in 1961 when she began formal studies of music. She adopted relative pitch as a measure for quantitatively differentiating musical tones represented in her paintings. Specifically, the pitch of a tone was designated in terms of the ratio of its frequency to that of middle C on a piano. She chose a scale with the aid of the Lambdoma diagram or Pythagorean table. The values of the resulting relati…

• North India

  Bonnie C Wade, Alain Danielou et al.•ARTICLE•Ethnomusicology•1973

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• Iranian dastgah

  Hormoz Farhat, Jacques Cloarec et al.•ARTICLE•Ethnomusicology•1973

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• Plurality of Cultures or Synthesis

  Alain Danielou•ARTICLE•Asian Music•1971

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  No form of society or organized existence can take shape without means of communication. Our possibilities of communication are of necessity based on the five senses through which we perceive the external world. But these do not represent an absolute limit. The Hertzian waves by means of which certain insects communicate directly serve today as a vehicle for human communications, but for us they have to be transcribed into auditory or visual term…

• The Music of India

  Walter Kaufmann, Alain Danielou et al.•ARTICLE•Ethnomusicology•1970

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• Tunisia

  Wolfgang Laade, Alain Danielou et al.•ARTICLE•Ethnomusicology•1969

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• Sémantique musicale

  Adriaan D Fokker, Alain Danielou•ARTICLE•Ethnomusicology•1969

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• Hindu Polytheism

  Stella Kramrisch, Alain Danielou•ARTICLE•Journal of the American Oriental…•1968

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• Japan. Unesco Collection--A Musical Anthology of the Orient

  Willem Adriaansz, Alain Danielou•ARTICLE•Ethnomusicology•1968

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• Inde du Nord

  Rebecca S Adriaansz, Alain Danielou•ARTICLE•Ethnomusicology•1968

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• Shilappadikaram (The Ankle Bracelet)

  Vaidyanathan, S Vaidyanathan et al.•ARTICLE•Journal of the American Oriental…•1967

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• Unesco Collection--A Musical Anthology of the Orient

  George P Springer, Alain Danielou•ARTICLE•Ethnomusicology•1965

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• The Music of Afghanistan

  George List, Alain Danielou•ARTICLE•Ethnomusicology•1962

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• Traite de musicologie comparee

  A A Bake, Alain Danielou•ARTICLE•Ethnomusicology•1961

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• Textes des Purāṇa sur la Théorie Musicale

  Harold S Powers, Alain Danielou et al.•ARTICLE•Journal of the American Oriental…•1960

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• Paintings Based on Relative Pitch in Music

  Alain Danielou, Barbara Hero•ARTICLE•Leonardo•1975•Citada por: 1

  Incluir item

  The author’s approach to painting changed direction in 1961 when she began formal studies of music. She adopted relative pitch as a measure for quantitatively differentiating musical tones represented in her paintings. Specifically, the pitch of a tone was designated in terms of the ratio of its frequency to that of middle C on a piano. She chose a scale with the aid of the Lambdoma diagram or Pythagorean table. The values of the resulting relati…

• Yoga

  Jaideva Singh, Alain Danielou•ARTICLE•Philosophy East and West•1953

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• Northern Indian Music

  Constantin Regamey, Alain Danielou•ARTICLE•Artibus Asiae•1955

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• La Musique du Cambodge et du Laos

  Harold S Powers, Alain Danielou•ARTICLE•Journal of the American Oriental…•1959

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• Textes des Purāṇa sur la Théorie Musicale

  Harold S Powers, Alain Danielou et al.•ARTICLE•Journal of the American Oriental…•1960

  Incluir item

• Traite de musicologie comparee

  A A Bake, Alain Danielou•ARTICLE•Ethnomusicology•1961

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• The Music of Afghanistan

  George List, Alain Danielou•ARTICLE•Ethnomusicology•1962

  Incluir item

• Unesco Collection--A Musical Anthology of the Orient

  George P Springer, Alain Danielou•ARTICLE•Ethnomusicology•1965

  Incluir item

• Shilappadikaram (The Ankle Bracelet)

  Vaidyanathan, S Vaidyanathan et al.•ARTICLE•Journal of the American Oriental…•1967

  Incluir item

• Hindu Polytheism

  Stella Kramrisch, Alain Danielou•ARTICLE•Journal of the American Oriental…•1968

  Incluir item

• Japan. Unesco Collection--A Musical Anthology of the Orient

  Willem Adriaansz, Alain Danielou•ARTICLE•Ethnomusicology•1968

  Incluir item

• Inde du Nord

  Rebecca S Adriaansz, Alain Danielou•ARTICLE•Ethnomusicology•1968

  Incluir item

• Tunisia

  Wolfgang Laade, Alain Danielou et al.•ARTICLE•Ethnomusicology•1969

  Incluir item

• Sémantique musicale

  Adriaan D Fokker, Alain Danielou•ARTICLE•Ethnomusicology•1969

  Incluir item

• The Music of India

  Walter Kaufmann, Alain Danielou et al.•ARTICLE•Ethnomusicology•1970

  Incluir item

• Plurality of Cultures or Synthesis

  Alain Danielou•ARTICLE•Asian Music•1971

  Incluir item

  No form of society or organized existence can take shape without means of communication. Our possibilities of communication are of necessity based on the five senses through which we perceive the external world. But these do not represent an absolute limit. The Hertzian waves by means of which certain insects communicate directly serve today as a vehicle for human communications, but for us they have to be transcribed into auditory or visual term…

• North India

  Bonnie C Wade, Alain Danielou et al.•ARTICLE•Ethnomusicology•1973

  Incluir item

• Iranian dastgah

  Hormoz Farhat, Jacques Cloarec et al.•ARTICLE•Ethnomusicology•1973

  Incluir item

• Shilappadikaram (The Ankle Bracelet)

  Elizabeth Rosen, Elizabeth S Rosen et al.•ARTICLE•Artibus Asiae•1975

  Incluir item

• Korean Music

  Bang-Song Song, BangSong Song et al.•ARTICLE•Asian Music•1975

  Incluir item

• Paintings Based on Relative Pitch in Music

  Alain Danielou, Barbara Hero•ARTICLE•Leonardo•1975•Citada por: 1

  Incluir item

  The author’s approach to painting changed direction in 1961 when she began formal studies of music. She adopted relative pitch as a measure for quantitatively differentiating musical tones represented in her paintings. Specifically, the pitch of a tone was designated in terms of the ratio of its frequency to that of middle C on a piano. She chose a scale with the aid of the Lambdoma diagram or Pythagorean table. The values of the resulting relati…

• Pakistan I

  Peter Row, Wim Jacobsen et al.•ARTICLE•Ethnomusicology•1981

  Incluir item

• Sudasien

  Bruno Nettl, Alain Danielou•ARTICLE•Ethnomusicology•1981

  Incluir item

• Manimekhalaï (The Dancer with the Magic Bowl) by Merchant-Prince Shattan

  Paula Richman, Alain Danielou et al.•ARTICLE•Journal of the American Oriental…•1991

  Incluir item

• Mantra

  Alain Danielou•ARTICLE•Cahiers de musiques traditionnelles•1991

  Incluir item

  La cosmologie hindoue pose le probleme fondamental de la possibilite de la communication, du principe sur lequel reposent les differentes formes de langage : langage des odeurs, des gouts, du toucher, langage visuel des gestes et des symboles, langage des sons, et ses deux branches qui sont le langage parle et le langage musical. Les philosophes hindous considerent que l’Univers, partant d’une manifestation energetique initiale, se developpe selo…

• India

  Peter Manuel, Pere Casulleras et al.•ARTICLE•Yearbook for Traditional Music•1998

  Incluir item

Art (15 obras) · History (9 obras) · Visual arts (7 obras) · Diverse Musicological Studies (6 obras) · Geography (6 obras) · Musicology and Musical Analysis (6 obras) · Medicine (5 obras) · Philosophy (5 obras) · Psychology (4 obras) · Literature (3 obras)