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Simone Beta

Biographic Data

ID1242954
NAMESimone Beta
GIVEN NAMESSimone
FAMILY NAMEBeta
SIGNATUREBETA S
AFFILIATIONSIstituto Nazionale di Fisica Nucleare, Sezione di Milano
ORCID0000-0003-4093-3369
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS7
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Il piede nella poesia enigmistica greca

    Open Access•Simone Beta•ARTICLE•Sens public•2024

    Il lavoro dell’editore di testi greci consiste (in estrema sintesi) nello studio dei manoscritti e nell’individuazione delle principali varianti. Ma l’editore di indovinelli si trova davanti un problema in più: cosa si deve intendere, di preciso, per varianti? Molti enigmi, nella loro versione scritta, presentano varianti che vanno ben al di là della semplice differenza di una o più parole, perché riguardano i versi nei quali si cela la soluzione…

  • Edilo, Epigrammi

    Simone Beta•ARTICLE•Phoenix•2020

    BOOK REVIEWS/COMPTES RENDUS 325 The depth of scholarship on Pindar’s influence on Hellenistic poetry inevitably means that Kampakoglou has to cover some well-trodden ground. By fruitfully exploring unexpected contexts such as Posidippus’ epigrams and Apollonius’ Argonautica he succeeds in giving a new dimension to our understanding of Ptolemaic court poetry as a whole. Comparing Pindaric praise (which is always starkly aware of the human limits o…

  • Studiare la lingua e la letteratura greca divertendosi

    Open Access•Simone Beta•ARTICLE•Pallas•2020•Cited by: 1•References: 14

    The fourteenth book of the Palatine Anthology, the collection of Greek epigrams compiled in Constantinople in the tenth century CE, containing riddles, oracles and mathematical problems, is introduced by a short preface where we learn that these little poems have been collected with the aim of training the spirit of the students who like to struggle and work hard. It seems that these enigmatic epigrams have been written in order to teach the stud…

  • The God and his Double

    Simone Beta•CHAPTER•Tracking Hermes, Pursuing Mercury•2019

    Gods are a significant presence in Greek comedies, as it is the case of Hermes, the god who plays a decisive part as the divine assistant of the “comic hero” Trygaeus in Aristophanes’ Peace and makes the audience laugh when he asks the slave Karion to give him a job in Aristophanes’ Plutus . But the presence of Hermes on the comic stage does not limit itself to these famous examples. Quite often the god is present also as a statue, and sometimes …

  • Riddles

    Open Access•Simone Beta•CHAPTER•World Through Roman Eyes•2018

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Lucillio, Epigrammi

    Simone Beta•ARTICLE•The Classical World•2016

    Reviewed by: Lucillio, Epigrammi: Introduzione, testo critico, traduzione e commento ed. by Lucia Floridi Simone Beta Lucia Floridi (ed.). Lucillio, Epigrammi: Introduzione, testo critico, traduzione e commento. Texte und Kommentare 47. Berlin and Boston: De Gruyter, 2014. Pp. x, 662. €129.95. ISBN 978–3-11–033616–0. Lucillius, the most cutting Greek epigrammatic poet, amply deserves a modern edition of his poems—and, thanks to Floridi’s excellen…

  • The Muse at Play

    Simone Beta•ARTICLE•The Classical World•2014

    Reviewed by: The Muse at Play: Riddles and Wordplay in Greek and Latin Poetry ed. by Jan Kwapisz, David Petrain, Mikołaj Szymański Simone Beta Jan Kwapisz, David Petrain and Mikołaj Szymański (eds.). The Muse at Play: Riddles and Wordplay in Greek and Latin Poetry. Beiträge zur Altertumskunde. Band 305. Berlin and Boston: de Gruyter, 2013. Pp. 420. €109.95. ISBN 978–3–11–027000–6 Although riddles play a very significant role in Greek and Latin li…

  • Libera lingua loquemur ludis Liberalibus

    Simone Beta•CHAPTER•Ancient Comedy and Reception•2013

    Even if Greek Old Comedy exerted no direct influence on Latin comic theatre, Naevius' theatrical production shows that he was well acquaintanted with the plays of the Archaia. Through the close scrutiny of a few Naevian fragments and the analysis of the plots and the titles of some of his comedies, this paper will attempt to demonstrate that, even if Naevius never wrote an Old Comedy in the Aristophanic mode, he was powerfully influenced by the w…

  • The Metamorphosis of a Greek Comedy and its Protagonist

    Simone Beta•CHAPTER•Ancient Drama In Music For The…•2010

    In the first years of a millennium that may seem to set a greater and greater distance between us and the classics, there is a Greek comedy that continues to be rewritten and performed in new forms all over the Western world. This comedy is Aristophanes’ Lysistrata, and these performances are not just more or less modernized stagings of a very old play: they are independent and, in a certain way, original works, that look quite similar because th…

  • Lysianassa's Skills

    Open Access•Simone Beta•ARTICLE•The Classical Quarterly•2007

    The analysis of an epigram by the Greek writer Philodemus (AP 5.126) and the explanation of the meaning of the mysterious number "twelve

  • Il linguaggio nelle commedie di Aristofane. Parola positiva e parola negativa nella commedia antica

    Simone Beta•BOOK•Use Siena air (University of Siena)•2004

    Dire. Parlare. Esprimersi, pronunciare, comunicare, riferire, annunciare, proclamare. Oppure gridare e sussurrare, urlare e bisbigliare, giurare e spergiurare, accusare e difendere, lodare e biasimare, balbettare, delirare, chiacchierare, sproloquiare, ciarlare, blaterare, calunniare, mentire, adulare, criticare, denigrare, consigliare, suggerire, confessare, testimoniare ecc. ecc. \n Quanti sono, in italiano, i verbi che indicano l'azione di apr…

  • T.K.Hubbard

    Open Access•Simone Beta•CHAPTER•Griechisch-römische Komödie und…•1995

    Se le commedie di Aristofane compaiono molto raramente nei cartelloni dei nostri teatri, uno dei motivi è senz’altro la parabasi. Le allusioni all’attualità dell’Atene del quinto secolo, i riferimenti ai personaggi che in quegli anni erano sulla bocca di tutti, le accuse ai poeti comici rivali, gli accenni alle vicende politiche venivano concentrati da Aristofane soprattutto nella parte centrale delle sue commedie, all’interno di quella singolare…

  • Aristofane tra sagezza e castità

    Open Access•Simone Beta•CHAPTER•Griechisch-römische Komödie und…•1995

    Nel greco classico il sostantivo σωφρoσúνη ha sempre avuto il duplice significato di “saggezza” e di “castità”. Il secondo valore, la “temperanza sessuale”, è assente in Omero e nei lirici, si riscontra più volte nei tragici, è molto frequente nei filosofi e fa la sua comparsa anche nell’epigramma1.

  • Il linguaggio erotico di Cratino

    Simone Beta•ARTICLE•Quaderni Urbinati di Cultura…•1992•Cited by: 6

  • Il linguaggio erotico di Cratino

    Simone Beta•ARTICLE•Quaderni Urbinati di Cultura…•1992•Cited by: 6

  • Studiare la lingua e la letteratura greca divertendosi

    Open Access•Simone Beta•ARTICLE•Pallas•2020•Cited by: 1•References: 14

    The fourteenth book of the Palatine Anthology, the collection of Greek epigrams compiled in Constantinople in the tenth century CE, containing riddles, oracles and mathematical problems, is introduced by a short preface where we learn that these little poems have been collected with the aim of training the spirit of the students who like to struggle and work hard. It seems that these enigmatic epigrams have been written in order to teach the stud…

  • Il linguaggio erotico di Cratino

    Simone Beta•ARTICLE•Quaderni Urbinati di Cultura…•1992•Cited by: 6

  • T.K.Hubbard

    Open Access•Simone Beta•CHAPTER•Griechisch-römische Komödie und…•1995

    Se le commedie di Aristofane compaiono molto raramente nei cartelloni dei nostri teatri, uno dei motivi è senz’altro la parabasi. Le allusioni all’attualità dell’Atene del quinto secolo, i riferimenti ai personaggi che in quegli anni erano sulla bocca di tutti, le accuse ai poeti comici rivali, gli accenni alle vicende politiche venivano concentrati da Aristofane soprattutto nella parte centrale delle sue commedie, all’interno di quella singolare…

  • Aristofane tra sagezza e castità

    Open Access•Simone Beta•CHAPTER•Griechisch-römische Komödie und…•1995

    Nel greco classico il sostantivo σωφρoσúνη ha sempre avuto il duplice significato di “saggezza” e di “castità”. Il secondo valore, la “temperanza sessuale”, è assente in Omero e nei lirici, si riscontra più volte nei tragici, è molto frequente nei filosofi e fa la sua comparsa anche nell’epigramma1.

  • Il linguaggio nelle commedie di Aristofane. Parola positiva e parola negativa nella commedia antica

    Simone Beta•BOOK•Use Siena air (University of Siena)•2004

    Dire. Parlare. Esprimersi, pronunciare, comunicare, riferire, annunciare, proclamare. Oppure gridare e sussurrare, urlare e bisbigliare, giurare e spergiurare, accusare e difendere, lodare e biasimare, balbettare, delirare, chiacchierare, sproloquiare, ciarlare, blaterare, calunniare, mentire, adulare, criticare, denigrare, consigliare, suggerire, confessare, testimoniare ecc. ecc. \n Quanti sono, in italiano, i verbi che indicano l'azione di apr…

  • Lysianassa's Skills

    Open Access•Simone Beta•ARTICLE•The Classical Quarterly•2007

    The analysis of an epigram by the Greek writer Philodemus (AP 5.126) and the explanation of the meaning of the mysterious number "twelve

  • The Metamorphosis of a Greek Comedy and its Protagonist

    Simone Beta•CHAPTER•Ancient Drama In Music For The…•2010

    In the first years of a millennium that may seem to set a greater and greater distance between us and the classics, there is a Greek comedy that continues to be rewritten and performed in new forms all over the Western world. This comedy is Aristophanes’ Lysistrata, and these performances are not just more or less modernized stagings of a very old play: they are independent and, in a certain way, original works, that look quite similar because th…

  • Libera lingua loquemur ludis Liberalibus

    Simone Beta•CHAPTER•Ancient Comedy and Reception•2013

    Even if Greek Old Comedy exerted no direct influence on Latin comic theatre, Naevius' theatrical production shows that he was well acquaintanted with the plays of the Archaia. Through the close scrutiny of a few Naevian fragments and the analysis of the plots and the titles of some of his comedies, this paper will attempt to demonstrate that, even if Naevius never wrote an Old Comedy in the Aristophanic mode, he was powerfully influenced by the w…

  • The Muse at Play

    Simone Beta•ARTICLE•The Classical World•2014

    Reviewed by: The Muse at Play: Riddles and Wordplay in Greek and Latin Poetry ed. by Jan Kwapisz, David Petrain, Mikołaj Szymański Simone Beta Jan Kwapisz, David Petrain and Mikołaj Szymański (eds.). The Muse at Play: Riddles and Wordplay in Greek and Latin Poetry. Beiträge zur Altertumskunde. Band 305. Berlin and Boston: de Gruyter, 2013. Pp. 420. €109.95. ISBN 978–3–11–027000–6 Although riddles play a very significant role in Greek and Latin li…

  • Lucillio, Epigrammi

    Simone Beta•ARTICLE•The Classical World•2016

    Reviewed by: Lucillio, Epigrammi: Introduzione, testo critico, traduzione e commento ed. by Lucia Floridi Simone Beta Lucia Floridi (ed.). Lucillio, Epigrammi: Introduzione, testo critico, traduzione e commento. Texte und Kommentare 47. Berlin and Boston: De Gruyter, 2014. Pp. x, 662. €129.95. ISBN 978–3-11–033616–0. Lucillius, the most cutting Greek epigrammatic poet, amply deserves a modern edition of his poems—and, thanks to Floridi’s excellen…

  • Riddles

    Open Access•Simone Beta•CHAPTER•World Through Roman Eyes•2018

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • The God and his Double

    Simone Beta•CHAPTER•Tracking Hermes, Pursuing Mercury•2019

    Gods are a significant presence in Greek comedies, as it is the case of Hermes, the god who plays a decisive part as the divine assistant of the “comic hero” Trygaeus in Aristophanes’ Peace and makes the audience laugh when he asks the slave Karion to give him a job in Aristophanes’ Plutus . But the presence of Hermes on the comic stage does not limit itself to these famous examples. Quite often the god is present also as a statue, and sometimes …

  • Edilo, Epigrammi

    Simone Beta•ARTICLE•Phoenix•2020

    BOOK REVIEWS/COMPTES RENDUS 325 The depth of scholarship on Pindar’s influence on Hellenistic poetry inevitably means that Kampakoglou has to cover some well-trodden ground. By fruitfully exploring unexpected contexts such as Posidippus’ epigrams and Apollonius’ Argonautica he succeeds in giving a new dimension to our understanding of Ptolemaic court poetry as a whole. Comparing Pindaric praise (which is always starkly aware of the human limits o…

  • Studiare la lingua e la letteratura greca divertendosi

    Open Access•Simone Beta•ARTICLE•Pallas•2020•Cited by: 1•References: 14

    The fourteenth book of the Palatine Anthology, the collection of Greek epigrams compiled in Constantinople in the tenth century CE, containing riddles, oracles and mathematical problems, is introduced by a short preface where we learn that these little poems have been collected with the aim of training the spirit of the students who like to struggle and work hard. It seems that these enigmatic epigrams have been written in order to teach the stud…

  • Il piede nella poesia enigmistica greca

    Open Access•Simone Beta•ARTICLE•Sens public•2024

    Il lavoro dell’editore di testi greci consiste (in estrema sintesi) nello studio dei manoscritti e nell’individuazione delle principali varianti. Ma l’editore di indovinelli si trova davanti un problema in più: cosa si deve intendere, di preciso, per varianti? Molti enigmi, nella loro versione scritta, presentano varianti che vanno ben al di là della semplice differenza di una o più parole, perché riguardano i versi nei quali si cela la soluzione…

Classical Antiquity Studies (12 works) · Art (9 works) · Literature (6 works) · Philosophy (6 works) · Classical Philosophy and Thought (5 works) · Humanities (5 works) · Art history (3 works) · Byzantine Studies and History (3 works) · Linguistics and language evolution (3 works) · Poetry (3 works)

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