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Añulika Agina

Biographic Data

ID124361
NAMEAñulika Agina
GIVEN NAMESAñulika
FAMILY NAMEAgina
SIGNATUREAGINA A
AFFILIATIONSPan-Atlantic University
ORCID0000-0003-4921-7879
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS4
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Netflix: The Enabling Disruptor in Nigeria

    Añulika Agina•CHAPTER•Contemporary African Screen Worlds•2025

    The euphoria with which Netflix was greeted among Nigerian filmmakers when it extended its business interest to Nollywood soon gave way to suspicion and controversy by scholars and lawyers. While funding and distribution, two major problems faced by the industry, are improved by Netflix’s investment and global reach, local exhibition companies have their business models disrupted by the streamer. Additionally, local and transnational audiences ge…

  • The reception of China’s StarTimes in Nigeria

    Añulika Agina•ARTICLE•Journal of African Media Studies•2025•References: 3

    Studies on Chinese media in Africa tend to focus on China’s ongoing quest to dominate the world, the negative perceptions of China by Africans and efforts to polish the former’s image through media partnerships with national governments. These efforts generate debates on the efficacy of China’s soft power. Extant literature suggests that interrogating the efficacy of Chinese soft power must acknowledge the agency of audiences but fails to recogni…

  • Kayode Kasum, dir. Oga Bolaji. 2018. 91 minutes. Yoruba, English, and Pidgin with English subtitles. Lagos. KayKas Studios/May Seven Pictures. No price reported

    Open Access•Añulika Agina•ARTICLE•African Studies Review•2021

    An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button

  • Cinema-going in Lagos: Three Locations, One Film, One Weekend

    Añulika Agina•ARTICLE•Journal of African Cultural Studies•2020•Cited by: 3•References: 8

    Nollywood audiences are under-researched. Understanding audiences’ sites of spectatorship has contributed to how and why Nollywood is consumed, and with what cultural implications for these audiences, and for producers, distributors and exhibitors. With the re-emergence of cinema theatres in Lagos, scholars are yet to articulate how the cinema-going audiences engage with Nollywood films in specific cine-plexes. This paper addresses the nature of …

  • Black November (2012) and its social-change potential: Reactions from the audience

    Añulika Agina•ARTICLE•Critical African Studies•2018•Cited by: 1•References: 5

    This article examines, through multiple film screenings and Focus Group Discussions, the potential of Black November (2012) to initiate social change in the 20th anniversary of Ken Saro-Wiwa’s death. Current research on African film is skewed towards broad representations of urban and rural lives, thus making the reception of indigenous popular films an understudied area. Virtually absent in African film scholarship is the reception of the films …

  • Celebrity endorsement of political aspirants and its effects on college students in Lagos

    Añulika Agina, Akpevwe Ekwevugbe•ARTICLE•Journal of African Media Studies•2017

    This article examines two main research questions: what factors justify celebrity endorsement as an election campaign strategy given the increasing doubts associated with celebrity involvement in politics? Did celebrity endorsement of political aspirants influence young adults’ voting behaviour during the 2015 elections in Lagos? Using mixed method approaches, and supported by source credibility and celebrity endorsement debates, a survey was con…

  • Cinema-going in Lagos: Three Locations, One Film, One Weekend

    Añulika Agina•ARTICLE•Journal of African Cultural Studies•2020•Cited by: 3•References: 8

    Nollywood audiences are under-researched. Understanding audiences’ sites of spectatorship has contributed to how and why Nollywood is consumed, and with what cultural implications for these audiences, and for producers, distributors and exhibitors. With the re-emergence of cinema theatres in Lagos, scholars are yet to articulate how the cinema-going audiences engage with Nollywood films in specific cine-plexes. This paper addresses the nature of …

  • Black November (2012) and its social-change potential: Reactions from the audience

    Añulika Agina•ARTICLE•Critical African Studies•2018•Cited by: 1•References: 5

    This article examines, through multiple film screenings and Focus Group Discussions, the potential of Black November (2012) to initiate social change in the 20th anniversary of Ken Saro-Wiwa’s death. Current research on African film is skewed towards broad representations of urban and rural lives, thus making the reception of indigenous popular films an understudied area. Virtually absent in African film scholarship is the reception of the films …

  • Celebrity endorsement of political aspirants and its effects on college students in Lagos

    Añulika Agina, Akpevwe Ekwevugbe•ARTICLE•Journal of African Media Studies•2017

    This article examines two main research questions: what factors justify celebrity endorsement as an election campaign strategy given the increasing doubts associated with celebrity involvement in politics? Did celebrity endorsement of political aspirants influence young adults’ voting behaviour during the 2015 elections in Lagos? Using mixed method approaches, and supported by source credibility and celebrity endorsement debates, a survey was con…

  • Black November (2012) and its social-change potential: Reactions from the audience

    Añulika Agina•ARTICLE•Critical African Studies•2018•Cited by: 1•References: 5

    This article examines, through multiple film screenings and Focus Group Discussions, the potential of Black November (2012) to initiate social change in the 20th anniversary of Ken Saro-Wiwa’s death. Current research on African film is skewed towards broad representations of urban and rural lives, thus making the reception of indigenous popular films an understudied area. Virtually absent in African film scholarship is the reception of the films …

  • Cinema-going in Lagos: Three Locations, One Film, One Weekend

    Añulika Agina•ARTICLE•Journal of African Cultural Studies•2020•Cited by: 3•References: 8

    Nollywood audiences are under-researched. Understanding audiences’ sites of spectatorship has contributed to how and why Nollywood is consumed, and with what cultural implications for these audiences, and for producers, distributors and exhibitors. With the re-emergence of cinema theatres in Lagos, scholars are yet to articulate how the cinema-going audiences engage with Nollywood films in specific cine-plexes. This paper addresses the nature of …

  • Kayode Kasum, dir. Oga Bolaji. 2018. 91 minutes. Yoruba, English, and Pidgin with English subtitles. Lagos. KayKas Studios/May Seven Pictures. No price reported

    Open Access•Añulika Agina•ARTICLE•African Studies Review•2021

    An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button

  • Netflix: The Enabling Disruptor in Nigeria

    Añulika Agina•CHAPTER•Contemporary African Screen Worlds•2025

    The euphoria with which Netflix was greeted among Nigerian filmmakers when it extended its business interest to Nollywood soon gave way to suspicion and controversy by scholars and lawyers. While funding and distribution, two major problems faced by the industry, are improved by Netflix’s investment and global reach, local exhibition companies have their business models disrupted by the streamer. Additionally, local and transnational audiences ge…

  • The reception of China’s StarTimes in Nigeria

    Añulika Agina•ARTICLE•Journal of African Media Studies•2025•References: 3

    Studies on Chinese media in Africa tend to focus on China’s ongoing quest to dominate the world, the negative perceptions of China by Africans and efforts to polish the former’s image through media partnerships with national governments. These efforts generate debates on the efficacy of China’s soft power. Extant literature suggests that interrogating the efficacy of Chinese soft power must acknowledge the agency of audiences but fails to recogni…

African history and culture studies (3 works) · Media studies (3 works) · Sociology (3 works) · Advertising (2 works) · African studies and sociopolitical issues (2 works) · Art (2 works) · Computer Science (2 works) · Extant taxon (2 works) · Law (2 works) · Law (2 works)

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