Derilene Marco
Biographic Data
| ID | 1244597 |
|---|---|
| NAME | Derilene Marco |
| GIVEN NAMES | Derilene |
| FAMILY NAME | Marco |
| SIGNATURE | MARCO D |
| AFFILIATIONS | University of the Witwatersrand |
| ORCID | 0000-0002-2268-8235 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Out-of-placeness and the city as a space of relation in apartheid-era cinema
This article considers the ways in which characters are presented as “out of place” in different apartheid city spaces in anti-apartheid era films of the late 1980s: A Dry White Season (1989, dir. Euzhan Palcy) and Mapantsula (1988, dir. Oliver Schmitz) and, to a lesser degree, Cry Freedom (1987, dir. Richard Attenborough). The article explores the manner in which the protagonists relate to each other through interracial friendship, relationality…
Vibing with Blackness
This article considers different ways in which Blackness is represented as exceptional in the 2018 film Black Panther. It also considers other iterations of Black visibility and legibility in the current popular culture context which appears to privilege Black narratives in interesting ways. The essay uses conceptual lenses from diaspora studies, Afro science fiction and Black feminist studies to critically engage the film and to critically quest…
Rhyming with “knowledge of self”
Out-of-placeness and the city as a space of relation in apartheid-era cinema
This article considers the ways in which characters are presented as “out of place” in different apartheid city spaces in anti-apartheid era films of the late 1980s: A Dry White Season (1989, dir. Euzhan Palcy) and Mapantsula (1988, dir. Oliver Schmitz) and, to a lesser degree, Cry Freedom (1987, dir. Richard Attenborough). The article explores the manner in which the protagonists relate to each other through interracial friendship, relationality…
Vibing with Blackness
This article considers different ways in which Blackness is represented as exceptional in the 2018 film Black Panther. It also considers other iterations of Black visibility and legibility in the current popular culture context which appears to privilege Black narratives in interesting ways. The essay uses conceptual lenses from diaspora studies, Afro science fiction and Black feminist studies to critically engage the film and to critically quest…
Rhyming with “knowledge of self”
Vibing with Blackness
This article considers different ways in which Blackness is represented as exceptional in the 2018 film Black Panther. It also considers other iterations of Black visibility and legibility in the current popular culture context which appears to privilege Black narratives in interesting ways. The essay uses conceptual lenses from diaspora studies, Afro science fiction and Black feminist studies to critically engage the film and to critically quest…
Out-of-placeness and the city as a space of relation in apartheid-era cinema
This article considers the ways in which characters are presented as “out of place” in different apartheid city spaces in anti-apartheid era films of the late 1980s: A Dry White Season (1989, dir. Euzhan Palcy) and Mapantsula (1988, dir. Oliver Schmitz) and, to a lesser degree, Cry Freedom (1987, dir. Richard Attenborough). The article explores the manner in which the protagonists relate to each other through interracial friendship, relationality…
Gender Studies (2 works) · Sociology (2 works) · Aesthetics (1 work) · African history and culture studies (1 work) · African studies and sociopolitical issues (1 work) · Art (1 work) · Art history (1 work) · Computer Science (1 work) · Diaspora (1 work) · Diverse Musicological Studies (1 work)