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Christopher E W Ouma

Biographic Data

ID1245260
NAMEChristopher E W Ouma
GIVEN NAMESChristopher E W
FAMILY NAMEOuma
SIGNATUREOUMA C E W
AFFILIATIONSUniversity of Cape Town
ORCID0000-0003-3043-3619
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS3
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2022
H-INDEX1
  • In excess of the nation

    C J Lee, Christopher E W Ouma•ARTICLE•Safundi•2022•References: 3

    Additional informationNotes on contributorsChristopher J. LeeChristopher J. Lee is the Lead Editor of Safundi. He is Professor of African History, World History, and African Literature at The Africa Institute, Sharjah, UAE.Christopher E. W. OumaChristopher E. W. Ouma is an Associate Professor in the Department of English at Duke University, USA

  • Peculiar and enabling

    Christopher E W Ouma•ARTICLE•Social Dynamics•2021•References: 12

    The period of the Cold War has generated a significant amount of scholarship, especially in relation to the place of Africa after World War II. This period encapsulates a very intriguing political

  • Small magazines in Africa

    Christopher E W Ouma, Madhu Krishnan•ARTICLE•Social Dynamics•2021•Cited by: 1•References: 25

    This special issue introduction maps the trajectories, histories, ecologies and genealogies of small magazine production and circulation in Africa, within the broader contexts of print cultural histories that frame intellectual, political and cultural communities in Africa and its diasporas in the long twentieth century. It argues for the ways in which the small magazine not only creates alternative audiences and publics, but frames the ecologies…

  • Harry Garuba

    Christopher E W Ouma•ARTICLE•Social Dynamics•2020•Cited by: 1•References: 5

    Nigerian sun, South African star, your blood irrigates the continent of thinkers Now you depart and made Death even more sneaky Now you leave almost quietly in your nature, daintily. Remi Raji (“A

  • Introduction

    Litheko Modisane, Victoria J Collis-Buthelezi et al.•ARTICLE•The Black Scholar•2017

    Rolihlahla Mandela gained the name “Nelson” in the early twentieth century when he started school as a child in the Eastern Cape—the giving of English names being a common practice in schools at th

  • I'm Always More Interested in the Shadow than the Light

    Christopher E W Ouma, Christopher Ouma et al.•ARTICLE•The Black Scholar•2017•Cited by: 1

    In this special issue of TBS we interview Yewande Omotoso, acclaimed author of Bom Boy and recently published The Woman Next Door. Yewande speaks to various processes of literary production and rec

  • Popular Cultural Memory in Chris Abani’s Graceland

    Christopher E W Ouma, Christopher Ouma•ARTICLE•Eastern African Literary and…•2016

    This essay argues that Chris Abani’s Graceland uses popular culture as a project of narrative memory. This project of memory involves the performance of popular expressive cultures across a range of mediated texts — literary and musical — within the context of the everyday. The paper also argues that Abani’s recourse, particularly to Onitsha Market Literature, gives the text the dimension of a literary archive of urban cultural history, especiall…

  • Countries of the Mind

    Christopher E W Ouma•ARTICLE•Matatu•2014

  • Small magazines in Africa

    Christopher E W Ouma, Madhu Krishnan•ARTICLE•Social Dynamics•2021•Cited by: 1•References: 25

    This special issue introduction maps the trajectories, histories, ecologies and genealogies of small magazine production and circulation in Africa, within the broader contexts of print cultural histories that frame intellectual, political and cultural communities in Africa and its diasporas in the long twentieth century. It argues for the ways in which the small magazine not only creates alternative audiences and publics, but frames the ecologies…

  • Harry Garuba

    Christopher E W Ouma•ARTICLE•Social Dynamics•2020•Cited by: 1•References: 5

    Nigerian sun, South African star, your blood irrigates the continent of thinkers Now you depart and made Death even more sneaky Now you leave almost quietly in your nature, daintily. Remi Raji (“A

  • I'm Always More Interested in the Shadow than the Light

    Christopher E W Ouma, Christopher Ouma et al.•ARTICLE•The Black Scholar•2017•Cited by: 1

    In this special issue of TBS we interview Yewande Omotoso, acclaimed author of Bom Boy and recently published The Woman Next Door. Yewande speaks to various processes of literary production and rec

  • Countries of the Mind

    Christopher E W Ouma•ARTICLE•Matatu•2014

  • Popular Cultural Memory in Chris Abani’s Graceland

    Christopher E W Ouma, Christopher Ouma•ARTICLE•Eastern African Literary and…•2016

    This essay argues that Chris Abani’s Graceland uses popular culture as a project of narrative memory. This project of memory involves the performance of popular expressive cultures across a range of mediated texts — literary and musical — within the context of the everyday. The paper also argues that Abani’s recourse, particularly to Onitsha Market Literature, gives the text the dimension of a literary archive of urban cultural history, especiall…

  • Introduction

    Litheko Modisane, Victoria J Collis-Buthelezi et al.•ARTICLE•The Black Scholar•2017

    Rolihlahla Mandela gained the name “Nelson” in the early twentieth century when he started school as a child in the Eastern Cape—the giving of English names being a common practice in schools at th

  • I'm Always More Interested in the Shadow than the Light

    Christopher E W Ouma, Christopher Ouma et al.•ARTICLE•The Black Scholar•2017•Cited by: 1

    In this special issue of TBS we interview Yewande Omotoso, acclaimed author of Bom Boy and recently published The Woman Next Door. Yewande speaks to various processes of literary production and rec

  • Harry Garuba

    Christopher E W Ouma•ARTICLE•Social Dynamics•2020•Cited by: 1•References: 5

    Nigerian sun, South African star, your blood irrigates the continent of thinkers Now you depart and made Death even more sneaky Now you leave almost quietly in your nature, daintily. Remi Raji (“A

  • Peculiar and enabling

    Christopher E W Ouma•ARTICLE•Social Dynamics•2021•References: 12

    The period of the Cold War has generated a significant amount of scholarship, especially in relation to the place of Africa after World War II. This period encapsulates a very intriguing political

  • Small magazines in Africa

    Christopher E W Ouma, Madhu Krishnan•ARTICLE•Social Dynamics•2021•Cited by: 1•References: 25

    This special issue introduction maps the trajectories, histories, ecologies and genealogies of small magazine production and circulation in Africa, within the broader contexts of print cultural histories that frame intellectual, political and cultural communities in Africa and its diasporas in the long twentieth century. It argues for the ways in which the small magazine not only creates alternative audiences and publics, but frames the ecologies…

  • In excess of the nation

    C J Lee, Christopher E W Ouma•ARTICLE•Safundi•2022•References: 3

    Additional informationNotes on contributorsChristopher J. LeeChristopher J. Lee is the Lead Editor of Safundi. He is Professor of African History, World History, and African Literature at The Africa Institute, Sharjah, UAE.Christopher E. W. OumaChristopher E. W. Ouma is an Associate Professor in the Department of English at Duke University, USA

History (7 works) · African history and culture studies (4 works) · Postcolonial and Cultural Literary Studies (4 works) · Sociology (4 works) · History (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Aesthetics (2 works) · Anthropology (2 works)

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