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Kirkland Alexander Fulk

Biographic Data

ID1245688
NAMEKirkland Alexander Fulk
GIVEN NAMESKirkland Alexander
FAMILY NAMEFulk
SIGNATUREFULK K A
AFFILIATIONSThe University of Texas at Austin
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Through the Wormhole with Karl Marx

    Open Access•Kirkland Alexander Fulk, Kirkland Fulk•ARTICLE•The German Quarterly•2017

    This article argues that literature in general and science fiction in particular is able to construct alternative spaces beyond the hegemony of Western liberalism espoused by Francis Fukuyama's declaration of the end of history. It examines the little‐known novel Weltgeist Superstar (1980) by the anonymous cult author P.M. that was published a decade before Fukuyama's prediction. As a novel about time travel and temporal paradoxes, it proclaims t…

  • Ziffern im Schein der Wunderlampe”

    Kirkland Alexander Fulk•ARTICLE•Seminar A Journal of Germanic…•2017•References: 6

    This article examines economic and narrative crises through the lens of Dieter Kühn’s 1979 novel Und der Sultan von Oman. It argues that the oil crisis of 1973 set in motion an exploration of neo-liberal capitalism together with its inherent neo-colonial traits. More specifically, this essay contends that this moment of economic, epistemological, and representational crisis discloses both the fictionalization and mediatization of economics and po…

  • Ohne Musik ist alles Leben ein Irrtum

    Kirkland Alexander Fulk•ARTICLE•The Germanic Review Literature…•2017•Cited by: 1•References: 5

    This article explores Oskar Negt and Alexander Kluge's concept of the proletarian counterpublic sphere from Öffentlichkeit und Erfahrung (1972) in conjunction with Kluge's later explorations of American techno and interviews with techno DJs from the mid-1990s. It brings their work into dialogue with popular music studies, most notably the tradition of Afro-futurism and its emphasis on science-fictional temporalities and fantasies, and highlights …

  • Sounds German

    Open Access•Kirkland Alexander Fulk•ARTICLE•German Politics & Society•2017

    A musical undercurrent has long permeated German culture and intellectual life. For more than a century, theories and practices of folk, art, and classical music-variously understood both in their mutual interrelation and as entirely distinct-have anchored definitions of German national identity and the German cultural heritage. More recently, musical styles such as jazz, rock and roll, and hip-hop have also played a key role in the emergence of …

  • Ohne Musik ist alles Leben ein Irrtum

    Kirkland Alexander Fulk•ARTICLE•The Germanic Review Literature…•2017•Cited by: 1•References: 5

    This article explores Oskar Negt and Alexander Kluge's concept of the proletarian counterpublic sphere from Öffentlichkeit und Erfahrung (1972) in conjunction with Kluge's later explorations of American techno and interviews with techno DJs from the mid-1990s. It brings their work into dialogue with popular music studies, most notably the tradition of Afro-futurism and its emphasis on science-fictional temporalities and fantasies, and highlights …

  • Through the Wormhole with Karl Marx

    Open Access•Kirkland Alexander Fulk, Kirkland Fulk•ARTICLE•The German Quarterly•2017

    This article argues that literature in general and science fiction in particular is able to construct alternative spaces beyond the hegemony of Western liberalism espoused by Francis Fukuyama's declaration of the end of history. It examines the little‐known novel Weltgeist Superstar (1980) by the anonymous cult author P.M. that was published a decade before Fukuyama's prediction. As a novel about time travel and temporal paradoxes, it proclaims t…

  • Ziffern im Schein der Wunderlampe”

    Kirkland Alexander Fulk•ARTICLE•Seminar A Journal of Germanic…•2017•References: 6

    This article examines economic and narrative crises through the lens of Dieter Kühn’s 1979 novel Und der Sultan von Oman. It argues that the oil crisis of 1973 set in motion an exploration of neo-liberal capitalism together with its inherent neo-colonial traits. More specifically, this essay contends that this moment of economic, epistemological, and representational crisis discloses both the fictionalization and mediatization of economics and po…

  • Ohne Musik ist alles Leben ein Irrtum

    Kirkland Alexander Fulk•ARTICLE•The Germanic Review Literature…•2017•Cited by: 1•References: 5

    This article explores Oskar Negt and Alexander Kluge's concept of the proletarian counterpublic sphere from Öffentlichkeit und Erfahrung (1972) in conjunction with Kluge's later explorations of American techno and interviews with techno DJs from the mid-1990s. It brings their work into dialogue with popular music studies, most notably the tradition of Afro-futurism and its emphasis on science-fictional temporalities and fantasies, and highlights …

  • Sounds German

    Open Access•Kirkland Alexander Fulk•ARTICLE•German Politics & Society•2017

    A musical undercurrent has long permeated German culture and intellectual life. For more than a century, theories and practices of folk, art, and classical music-variously understood both in their mutual interrelation and as entirely distinct-have anchored definitions of German national identity and the German cultural heritage. More recently, musical styles such as jazz, rock and roll, and hip-hop have also played a key role in the emergence of …

History (3 works) · Law (3 works) · Aesthetics (2 works) · Art (2 works) · Art history (2 works) · Capitalism (2 works) · German (2 works) · History (2 works) · Law (2 works) · Literature (2 works)

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